LEADER 01176nam0 2200277 i 450 001 SUN0066045 005 20081020120000.0 010 $a88-8016-351-5 100 $a20081015d2000 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aIntorno a Poussin$eideale classico e epopea barocca tra Parigi e Roma$fa cura di Olivier Bonfait e Jean-Claude Boyer 205 $aRoma : De Luca$b[2000] 210 $d149 p. : ill. color. ; 30 cm 215 $aIn testa al front.: Accademia di Francia a Roma. - Catalogo della mostra tenuta a Roma nel 2000. 620 $dRoma$3SUNL000360 702 1$aBonfait$b, Olivier$3SUNV030111 702 1$aBoyer$b, Jean-Claude$3SUNV031121 712 $aDe Luca$3SUNV000369$4650 801 $aIT$bSOL$c20181109$gRICA 912 $aSUN0066045 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$d07 CONS Pb Poussin 248 $e07 11781 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$bIT-CE0103$h11781$kCONS Pb Poussin 248$oc$qa 996 $aIntorno a Poussin$91416818 997 $aUNICAMPANIA LEADER 03878nam 22006135 450 001 9910484714503321 005 20230810165432.0 010 $a9783030279714 010 $a3030279715 024 7 $a10.1007/978-3-030-27971-4 035 $a(CKB)4100000009844938 035 $a(MiAaPQ)EBC5979127 035 $a(DE-He213)978-3-030-27971-4 035 $a(Perlego)3494607 035 $a(EXLCZ)994100000009844938 100 $a20191115d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aImmersive Embodiment $eTheatres of Mislocalized Sensation /$fby Liam Jarvis 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (268 pages) 225 1 $aPalgrave Studies in Performance and Technology,$x2947-5856 311 08$a9783030279707 311 08$a3030279707 320 $aIncludes bibliographical references and index. 327 $aChapter 1: Introduction -- Chapter 2: Proto-immersive Discourse & the 'Theatrical Condition' -- Chapter 3: The Immersive Promise of Becoming [with] the Other Body -- Chapter 4: Body-swapping: Self-attribution and Body Transfer Illusions (BTIs) -- Chapter 5: 'Empathy Activism' & Bodying Difference in Postdigital Culture: Jane Gauntlett's In My Shoes & BeAnotherLab's The Machine to be Another -- Chapter 6: Touching with a Virtualized Hand: Analogue's Transports -- Chapter 7: The Suffering Avatar: Vicarity & Resistance in Body-tracked Multi-player Gaming -- Conclusion: The Theft of the Dragon Sabre: Bodies at Risk in Digital Reality. 330 $aThis book offers a wide-ranging examination of acts of 'virtual embodiment' in performance/gaming/applied contexts that abstract an immersant's sense of physical selfhood by instating a virtual body, body-part or computer-generated avatar. Emergent 'immersive' practices in an increasingly expanding and cross-disciplinary field are coinciding with a wealth of new scientific knowledge in body-ownership and self-attribution. A growing understanding of the way a body constructs its sense of selfhood is intersecting with the historically persistent desire to make an onto-relational link between the body that 'knows' an experience and bodies that cannot know without occupying their unique point of view. The author argues that the desire to empathize with another's ineffable bodily experiences is finding new expression in contexts of particular urgency. For example, patients wishing to communicate their complex physical experiences to their extended networks of support in healthcare, or communities placing policymakers 'inside' vulnerable, marginalized or disenfranchised virtual bodies in an attempt to prompt personal change. 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Ming Kong 205 $a1st ed. 210 $d2025 215 $a1 online resource 225 0 $aPHI. 311 08$a1-03-219723-4 330 $aThe texts presented in Proportion Harmonies and Identities (PHI) - Creation, Transformation and Metamorphosis were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. It also aims to foster awareness and discussion on Creation, Transformation and Metamorphosis , focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. Creation, Transformation and Metamorphosis has been a powerful motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, seeking strategies and policies to accelerate development in different contexts. 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