LEADER 03710nam 22006255 450 001 9911015969903321 005 20250717130344.0 010 $a3-031-80279-9 024 7 $a10.1007/978-3-031-80279-9 035 $a(MiAaPQ)EBC32218085 035 $a(Au-PeEL)EBL32218085 035 $a(CKB)39660048500041 035 $a(DE-He213)978-3-031-80279-9 035 $a(EXLCZ)9939660048500041 100 $a20250717d2025 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVideo Art in China 1985-2020 /$fby Qian Yang, Adam Geczy 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (294 pages) 311 08$a3-031-80278-0 327 $aIntroduction -- Part 1. Reference and Implementation: A Discussion of Video Art Between China and America -- Chapter 1.Video Art Between China and America -- Chapter 2.Space?Time Duality in Video Art -- Part 2. Accumulation and Progress: Interlinked Historical Processes and Video Art -- Chapter 3. The Emerging Stage: Video Art after the Cultural Revolution China -- Chapter 4. The Development Stage: Video Art After Deepening the Reform and Opening-up Policy -- Chapter 5. The Rapid Growth Stage: Video Art under the Adjustment of the Art Education System -- Chapter 6. The Stable Development Stage: Video Art as China Gains Global Influences -- Chapter 7. A Window Opens: Video Art Exhibitions in China -- Conclusion. 330 $aThis is the first book that offers a comprehensive account of video art after the Cultural Revolution in China with a special emphasis on the way it progressed together with phenomenal socio-economic transformations that began in the 1980s. It examines its development against social changes and pressures, looking at such aspects as the growth of artistic and cultural groups, exhibition spaces and art schools. Charting these changes, it prizes out the many zones of influence by the dominant United States while also marking out the many independent features of Chinese video art and the conditions that shaped them. Adam Geczy, PhD, is an artist and writer who teaches at the University of Sydney. His exhibitions have been throughout Europe, Asia and Australia where his work is held in several national collections. As a writer he has published over 20 books (contemporary art, fashion, cultural studies and aesthetics), and is the author of numerous critical articles and book chapters. Qian Yang is a doctoral candidate in the School of Art, Communication and Media, at the University of Sydney. She graduated from Tiangong University in 2017 with a bachelor?s degree and from the University of the Arts London in 2019 with a master?s degree in graphic media design. 606 $aArt, Modern$y21st century 606 $aPopular culture 606 $aEthnology$zAsia 606 $aCulture 606 $aEthnology 606 $aContemporary Art 606 $aPopular Culture 606 $aAsian Culture 606 $aRegional Cultural Studies 615 0$aArt, Modern 615 0$aPopular culture. 615 0$aEthnology 615 0$aCulture. 615 0$aEthnology. 615 14$aContemporary Art. 615 24$aPopular Culture. 615 24$aAsian Culture. 615 24$aRegional Cultural Studies. 676 $a777 700 $aYang$b Qian$01834516 701 $aGeczy$b Adam$01056086 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911015969903321 996 $aVideo Art in China 1985-2020$94410009 997 $aUNINA