LEADER 01011nam0-22003611i-450- 001 990001488320403321 005 20120904161005.0 010 $a0-387-95225-X 035 $a000148832 035 $aFED01000148832 035 $a(Aleph)000148832FED01 035 $a000148832 100 $a20011215d2001----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa---a---001yy 200 1 $aCounting: the art of enumerative combinatorics$fG. E.Martin 210 $aNew York$cSpringer$dc2001 215 $axi, 249 p.$d24 cm 225 1 $aUndergraduate Texts in Mathematics 610 0 $aCombinatorica$aManuale 610 0 $aProblemi combinatorici classici 676 $a511.62$v21 700 1$aMartin,$bGeorge Edward$049095 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001488320403321 952 $aC-4-(111$b18462$fMA1 959 $aMA1 962 $a05-01 962 $a05AXX 996 $aCounting: the art of enumerative combinatorics$9377920 997 $aUNINA LEADER 01373nam--2200373---450- 001 990002999900203316 005 20071025123615.0 010 $a3-540-26277-6 035 $a000299990 035 $aUSA01000299990 035 $a(ALEPH)000299990USA01 035 $a000299990 100 $a20071025d2005----km-y0itay0103----ba 101 0 $aeng 102 $aDE 105 $aa|||||||001yy 200 1 $aExtreme Programming and Agile Processes in Software Engineering$e6th International Conference, XP 2005$eSheffield, UK, June 18-23, 2005$eproceedings$fHubert Baumeister...[et al.](Eds.) 210 $aBerlin [etc.]$cSpringer$d[c2005] 215 $aXIV, 332 p.$cill.$d24 cm. 225 2 $aLecture notes in computer science$v3556 410 0$12001$aLecture notes in computer science$v3556 606 0 $aSoftware$xProgettazione$xCongressi$ySheffield$z2005 606 0 $aIngegneria del software$xCongressi$ySheffield$z2005 676 $a005.1 702 1$aBAUMEISTER,$bHubert 710 12$aInternational Conference, XP 2005$d<6. ;$f2005 ;$eSheffield>$0598937 801 0$aIT$bsalbc$gISBD 912 $a990002999900203316 951 $a001 LNCS 3556$b32110/CBS$c001$d00112716 959 $aBK 969 $aSCI 979 $aSENATORE$b90$c20071025$lUSA01$h1236 996 $aExtreme Programming and Agile Processes in Software Engineering$91028599 997 $aUNISA LEADER 00738nam 2200217zu 450 001 9911015733503321 005 20250212124903.0 035 $a(CKB)37499369600041 035 $a(EXLCZ)9937499369600041 100 $a20250212|2023uuuu || | 101 0 $aIta 135 $aur||||||||||| 200 10$aTraffici e scritture mercantili tra Bergamo e il Garda : i registri di Bartolomeo Avvocati (1416-1439) 210 $cForum Editrice Universitaria Udinese$d2023 311 08$a9788832833584 311 08$a8832833581 700 $aBuffo$b Paolo$01309450 906 $aBOOK 912 $a9911015733503321 996 $aTraffici e scritture mercantili tra Bergamo e il Garda : i registri di Bartolomeo Avvocati (1416-1439)$94406734 997 $aUNINA LEADER 04605nam 22006011 450 001 9910966322403321 005 20251116200108.0 010 $a1-317-96309-1 010 $a1-315-86723-0 035 $a(CKB)3710000000081071 035 $a(EBL)3061168 035 $a(SSID)ssj0001083408 035 $a(PQKBManifestationID)11687177 035 $a(PQKBTitleCode)TC0001083408 035 $a(PQKBWorkID)11017726 035 $a(PQKB)10545187 035 $a(MiAaPQ)EBC3061168 035 $a(EXLCZ)993710000000081071 100 $a20130530d2014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMusic, culture and identity in the muslim world $ePerformance, Politics and Piety /$fedited by Kamal Salhi 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2014. 215 $a1 online resource (320 p.) 225 1 $aRoutledge Advances in Middle East and Islamic Studies 225 0$aRoutledge advances in Middle East and Islamic studies ;$v22 300 $aDescription based upon print version of record. 311 08$a0-415-66562-0 320 $aIncludes bibliographical references and index. 327 $a""Cover""; ""Music, Culture and Identity in the Muslim World""; ""Title Page""; ""Copyright Page""; ""Table of Contents""; ""List of illustrations""; ""Contributors""; ""Acknowledgements""; ""Introduction: the paradigm of performing Islam beyond the political rhetoric""; ""1 New Islamist popular culture in Turkey""; ""2 Social forces shaping the heterodoxy of Sufi performance in contemporary Egypt""; ""3 Singing dissent: Sufi chant as a vehicle for alternative perspectives""; ""4 Debating piety and performing arts in the public sphere: the a???caravana??? of veiled actresses in Egypt"" 327 $a""5 Wah wah! Meida meida! The changing roles of dance in Afghan society""""6 The manifest and the hidden: agency and loss in Muslim performance traditions of South and West Asia""; ""7 a???Muslim punka??? music online: piety and protest in the digital age""; ""8 Devotion or pleasure? Music and meaning in the celluloid performances of qawwali in South Asia and the diaspora""; ""9 Multicultural harmony? Pakistani Muslims and music in Bradford""; ""10 Hip-hop bismillah: subcultural worship of Allah in Western Europe"" 330 $a"In contrast to many books on Islam that focus on political rhetoric and activism, this book explores Islam's extraordinarily rich cultural and artistic diversity, showing how sound, music and bodily performance offer a window onto the subtleties and humanity of Islamic religious experience. Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity. "--$cProvided by publisher. 330 $a"Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity"--$cProvided by publisher. 410 0$aRoutledge Advances in Middle East and Islamic Studies 606 $aIslamic music$xHistory and criticism 606 $aMusic$zIslamic countries$xHistory and criticism 615 0$aIslamic music$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 676 $a297.267 676 $a297.267 686 $aSOC008000$2bisacsh 701 $aSalhi$b Kamal$0286502 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966322403321 996 $aMusic, culture and identity in the muslim world$94490045 997 $aUNINA LEADER 03297nam 22007095 450 001 996655265103316 005 20250430130221.0 010 $a3-031-90900-3 024 7 $a10.1007/978-3-031-90900-9 035 $a(CKB)38672093900041 035 $a(DE-He213)978-3-031-90900-9 035 $a(MiAaPQ)EBC32077045 035 $a(Au-PeEL)EBL32077045 035 $a(EXLCZ)9938672093900041 100 $a20250430d2025 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFundamental Approaches to Software Engineering $e28th International Conference, FASE 2025, Held as Part of the International Joint Conferences on Theory and Practice of Software, ETAPS 2025, Hamilton, ON, Canada, May 3?8, 2025, Proceedings /$fedited by Artur Boronat, Gordon Fraser 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2025. 215 $a1 online resource (XIV, 288 p. 109 illus., 67 illus. in color.) 225 1 $aLecture Notes in Computer Science,$x1611-3349 ;$v15693 311 08$a3-031-90899-6 330 $aThis open access book constitutes the proceedings of the 28th International Conference on Fundamental Approaches to Software Engineering, FASE 2025, which was held as part of the International Joint Conferences on Theory and Practice of Software, ETAPS 2025, in Hamilton, Canada, in May 2025. The 9 full and 2 short papers included in the proceedings, together with one invited keynote paper and 3 tool competition papers, were carefully reviewed and selected from 31 submissions. 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