LEADER 03283nam 22005655 450 001 9911015628003321 005 20250713130227.0 010 $a9783031963940$b(electronic bk.) 010 $z9783031963933 024 7 $a10.1007/978-3-031-96394-0 035 $a(MiAaPQ)EBC32208605 035 $a(Au-PeEL)EBL32208605 035 $a(CKB)39645156400041 035 $a(DE-He213)978-3-031-96394-0 035 $a(EXLCZ)9939645156400041 100 $a20250713d2025 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEgyptian Gothic $e1884?1920 /$fby Jay Sullivan 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (313 pages) 225 1 $aPalgrave Gothic,$x2634-6222 311 08$aPrint version: Sullivan, Jay Egyptian Gothic Cham : Palgrave Macmillan,c2025 9783031963933 327 $a -- Chapter One: Introduction -- Chapter Two: Touch in the Egyptianised Gothic -- Chapter Three: Comparative Olfactory Encounters in Late Victorian Mummy Fiction -- Chapter Four: Gaze, The Mummified Body and The Iconography of Colonialism -- Chapter Five: Sound Imperialism in the Egyptianised Gothic -- Conclusion: Mummy Consumption, Tutmania and the End of the Egyptianised Gothic. 330 $aThe Egyptian Gothic consists of novels and short stories about ancient Egyptian mummies returning to life to seek retribution or romance as well as cursed object tales. Now mostly forgotten, from the 1880s through to the 1920s it was more popular than the vampire genre. This book is the first to examine the genre by using the frequent sensory descriptions within these texts to interrogate attitudes towards Empire. Its aims are twofold. Firstly, it demonstrates that despite their status as disposable popular fiction these texts are rich in sensory discourses that have thus far been unexamined. Secondly, reading these discourses of touch, sight, smell, sound and taste reveals new and intriguing ways in which Egypt is allowed to strike back against the British Empire. The book argues that the Egyptian Gothic does not support the domination of Empire, but instead presents a power dynamic in flux with the mummy fighting back against Western occupation. Egypt and its artefacts evoke simultaneous feelings of fear and desire, where those who meddle by invading tombs or stealing mummies are destroyed by Egyptian revenants. 410 0$aPalgrave Gothic,$x2634-6222 606 $aLiterature, Modern$y19th century 606 $aGoth culture (Subculture) 606 $aLiterature$xHistory and criticism 606 $aNineteenth-Century Literature 606 $aGothic Studies 606 $aLiterary History 615 0$aLiterature, Modern 615 0$aGoth culture (Subculture) 615 0$aLiterature$xHistory and criticism. 615 14$aNineteenth-Century Literature. 615 24$aGothic Studies. 615 24$aLiterary History. 676 $a809.034 700 $aSullivan$b Jay$01833319 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9911015628003321 996 $aEgyptian Gothic$94408265 997 $aUNINA