LEADER 04078nam 22006613 450 001 9911009274103321 005 20230126202351.0 010 $a9781978826069 010 $a1978826060 024 7 $a10.36019/9781978826069 035 $a(MiAaPQ)EBC6810661 035 $a(Au-PeEL)EBL6810661 035 $a(CKB)19919534600041 035 $a(OCoLC)1287133183 035 $a(DE-B1597)617630 035 $a(DE-B1597)9781978826069 035 $a(MdBmJHUP)musev2_102580 035 $a(EXLCZ)9919919534600041 100 $a20211129d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSee Me Naked $eBlack Women Defining Pleasure in the Interwar Era 205 $a1st ed. 210 1$aNew Brunswick :$cRutgers University Press,$d2022. 210 4$dİ2022. 215 $a1 online resource (207 pages) 311 08$aPrint version: Green, Tara T. See Me Naked New Brunswick : Rutgers University Press,c2022 9781978826038 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Pleasure is all mine -- Finding Yolande Du Bois's pleasure -- Lena Horne and respectable pleasure -- Moms Mabley and the art of pleasure -- Memphis Minnie and songs of pleasure -- Pleasurable resistance in Langston Hughes's Not without laughter -- Conclusion: Black feminist musings from nature, the context of pleasure in 2020. 330 $a"Pleasure refers to the freedom to pursue a desire, deliberately sought in order to satisfy the self. Putting pleasure first is liberating. During their extraordinary lives, Lena Horne, Moms Mabley, Yolande DuBois, and Memphis Minnie enjoyed pleasure as they gave pleasure to both those in their lives and to the public at large. They were Black women who, despite their public profiles, whether through Black society or through the world of entertainment, discovered ways to enjoy pleasure.They left home, undertook careers they loved, and did what they wanted, despite perhaps not meeting the standards for respectability in the interwar era. See Me Naked looks at these women as representative of other Black women of the time, who were watched, criticized, and judged by their families, peers, and, in some cases, the government, yet still managed to enjoy themselves. Among the voyeurs of Black women was Langston Hughes, whose novel Not Without Laughter was clearly a work of fiction inspired by women he observed in public and knew personally, including Black clubwomen, blues performers, and his mother. How did these complicated women wrest loose from the voyeurs to define their own sense of themselves? At very young ages, they found and celebrated aspects of themselves. Using examples from these women's lives, Green explores their challenges and achievements"--$cProvided by publisher. 606 $aAfrican American women entertainers$vBiography 606 $aAfrican American women in popular culture$xHistory$y20th century 606 $aAfrican American women$vBiography 606 $aAfrican American women$xSocial conditions$y20th century 606 $aAfrican American women$xSocial life and customs$y20th century 606 $aPleasure in popular culture$zUnited States$xHistory$y20th century 606 $aSex in popular culture$zUnited States$xHistory$y20th century 606 $aHISTORY / General$2bisacsh 615 0$aAfrican American women entertainers 615 0$aAfrican American women in popular culture$xHistory 615 0$aAfrican American women 615 0$aAfrican American women$xSocial conditions 615 0$aAfrican American women$xSocial life and customs 615 0$aPleasure in popular culture$xHistory 615 0$aSex in popular culture$xHistory 615 7$aHISTORY / General. 676 $a305.48/896073 700 $aGreen$b Tara T$01805755 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911009274103321 996 $aSee Me Naked$94394751 997 $aUNINA