LEADER 01857nam 22004693 450 001 9911009243103321 005 20240524080320.0 010 $a9788024464107 010 $a8024464101 035 $a(MiAaPQ)EBC31351834 035 $a(Au-PeEL)EBL31351834 035 $a(CKB)32139620500041 035 $a(CZ-prgp)721717841 035 $a(OCoLC)1435750970 035 $a(ceeol)ceeol1241759 035 $a(CEEOL)1241759 035 $a(EXLCZ)9932139620500041 100 $a20240524d2024 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aOld Masters in New Colours 205 $a1st ed. 210 1$aOlomouc :$cUniverzita Palackeho v Olomouci,$d2024. 210 4$d©2023. 215 $a1 online resource (264 pages) 311 08$a9788024464091 311 08$a8024464098 330 $aThe study of the artworks of the Old Masters has long been the prerogative of art historians alone. Expertise and other art-historical methods can now make much greater use than ever before of the findings of the so-called exact sciences. These make it possible to acquire new knowledge about works of art of the past that is not obvious to our eyes. Imaging and instrumental methods for the study of works of art often allow us to literally "look into the painting", below the surface of what we see, and observe the work in different areas of the invisible spectrum of electromagnetic radiation, for example. 606 $aUm?ní a kultura 615 04$aUm?ní a kultura. 700 $aFarkas$b Patrik$01827990 701 $aZapletalová$b Jana$01827991 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911009243103321 996 $aOld Masters in New Colours$94396071 997 $aUNINA