LEADER 01658nam 2200373 n 450 001 996394964703316 005 20200824121729.0 035 $a(CKB)4940000000120593 035 $a(EEBO)2248546578 035 $a(UnM)99832741e 035 $a(UnM)99832741 035 $a(EXLCZ)994940000000120593 100 $a19951211d1663 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe history of Henry IV. surnamed the Great, King of France and Navarre. Written originally in French, by the Bishop of Rodez, once tutor to his now most Christian Majesty; and made English by J.D$b[electronic resource] 210 $aLondon $cprinted by James Cottrel, for Henry Herringman, at the signe of the Anchor in the lower walk in the new exchange$d1663 215 $a[16], 400 p 300 $aA translation of: Pe?re?fixe, Hardouin de Beaumont de. Histoire du roy Henry le Grand. 300 $aJ.D. = John Davies of Kidwelly, or John Dauncey. 300 $aMarginal notes. 300 $aSome print show-through, affecting text. 300 $aReproduction of the original in the Bodleian Library. 330 $aeebo-0014 700 $aPe?re?fixe de Beaumont$b Hardouin de$fb. 1605.$01009075 701 $aDavies$b John$f1625-1693.$01001362 702 $aDauncey$b John$ffl. 1663, 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996394964703316 996 $aThe history of Henry IV. surnamed the Great, King of France and Navarre. Written originally in French, by the Bishop of Rodez, once tutor to his now most Christian Majesty; and made English by J.D$92396448 997 $aUNISA LEADER 04854nam 22007092 450 001 9911008971903321 005 20151002020706.0 010 $a9786612150609 010 $a9781282150607 010 $a128215060X 010 $a9781571137067 010 $a1571137068 024 7 $a10.1515/9781571137067 035 $a(CKB)2550000000000662 035 $a(EBL)3003651 035 $a(OCoLC)923577934 035 $a(SSID)ssj0000311957 035 $a(PQKBManifestationID)11207361 035 $a(PQKBTitleCode)TC0000311957 035 $a(PQKBWorkID)10329438 035 $a(PQKB)10082511 035 $a(UkCbUP)CR9781571137067 035 $a(MiAaPQ)EBC3003651 035 $a(DE-B1597)676738 035 $a(DE-B1597)9781571137067 035 $a(EXLCZ)992550000000000662 100 $a20120822d2007|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTraumatic verses $eon poetry in German from the concentration camps, 1933-1945 /$fAndre?s Nader 210 1$aSuffolk :$cBoydell & Brewer,$d2007. 215 $a1 online resource (x, 258 pages) $cdigital, PDF file(s) 225 1 $aStudies in German literature, linguistics, and culture 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 08$a9781571134806 311 08$a1571134808 311 08$a9781571133755 311 08$a1571133755 320 $aIncludes bibliographical references (p. [239]-253) and index. 327 $aLiterary activities in the camps -- Identity under threat -- "Everyday life" in the concentrationary universe -- Communicating torture -- Contemporaneous poetry in the Third Reich. 330 $aAuschwitz, Buchenwald, Christianstadt, Dachau. The names of Nazi concentration camps evoke images of radical destitution. The atrocities we call the Holocaust defy comprehension, while thinkers continue to ponder the possibility of 'poetry after Auschwitz.' And yet a number of people composed poems while imprisoned in the camps. Unlike most documents about the camps, these poems are self-representations that convey the perspective of the inmates who wrote them. 'Traumatic Verses' provides psychoanalytically informed close readings of a range of poems and discusses their significance for aesthetic theory and for research on the camps. It also tells the stories behind the composition and preservation of these poems and the history of their publication since 1945. Most of the poems appear here for the first time in English translation along with the original texts. This book fills a gap left by literary historians, who have mostly ignored writings from the camps and avoided careful scrutiny of literature produced under the Nazi regime. Studies of trauma have concentrated on post-traumatic experiences; discussions of aesthetics 'after' the Holocaust have neglected the issue of the artistic impulse 'in' the camps. On both counts this book constitutes a unique contribution to scholarship, showing that, when read attentively, the poems written in the camps are invaluable sites for confronting the Nazi past. Andre?s J. Nader is Project Manager at the Amadeu Antonio Foundation in Berlin, and lectures at the Humboldt University. Winner, 2008 Modern Language Association Book Prize for Independent Scholars; from the statement of the Selection Committee: Leading a new generation of students of the Holocaust, Nader persuasively analyzes the psychological needs and motivations behind ... poetry composed in the concentration camps. Displaying a strong command of trauma and pain theory, as well as the prior history of Holocaust studies, [Nader] illuminates the role of poetry in the camp inmates' reclamation of the German language and cultural heritage. Offering many poems in English for the first time, in elegant translation, Nader's anthology and commentary add a significant new dimension to Holocaust studies. 410 0$aStudies in German literature, linguistics, and culture. 606 $aConcentration camp inmates' writings$xHistory and criticism 606 $aGerman poetry$y20th century$xHistory and criticism 606 $aHolocaust, Jewish (1939-1945), in literature 606 $aWorld War, 1939-1945$xLiterature and the war 615 0$aConcentration camp inmates' writings$xHistory and criticism. 615 0$aGerman poetry$xHistory and criticism. 615 0$aHolocaust, Jewish (1939-1945), in literature. 615 0$aWorld War, 1939-1945$xLiterature and the war. 676 $a831/.912080358 686 $aGM 1792$qBSZ$2rvk 700 $aNader$b Andre?s Jose?$f1968-$01827034 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9911008971903321 996 $aTraumatic verses$94395089 997 $aUNINA