LEADER 04022nam 22004933 450 001 9911008927403321 005 20230924090256.0 010 $a9780813198392 010 $a0813198399 035 $a(MiAaPQ)EBC30751483 035 $a(Au-PeEL)EBL30751483 035 $a(NjHacI)9928275488100041 035 $a(OCoLC)1401055470 035 $a(CKB)28275488100041 035 $a(EXLCZ)9928275488100041 100 $a20230924d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJohn Ford 205 $a2nd ed. 210 1$aLexington :$cUniversity Press of Kentucky,$d2023. 210 4$dİ2023. 215 $a1 online resource (349 pages) 225 1 $aScreen Classics Series 311 08$aPrint version: McBride, Joseph John Ford Lexington : University Press of Kentucky,c2023 320 $aIncludes bibliographical references. 327 $aCover -- Title Page -- Copyright -- Contents -- 1. Bringing in the Sheaves -- 2. "Half Genius, Half Irish -- 3. Himself -- 4. The Noble Outlaw: Straight Shooting, Stagecoach, Wagon Master -- 5. Men and Women at War: They Were Expendable, My Darling Clementine, Fort Apache -- 6. Ireland: The Quiet Man, The Rising of the Moon -- 7. Rebels: The Sun Shines Bright, The Searchers -- 8. What Really Happened: Sergeant Rutledge, The Man Who Shot Liberty Valance, "The Civil War -- 9. The Last Place on Earth: 7 Women -- 10. Addenda: Rediscovering John Ford's Silent Years -- John Ford, Irish American Poet -- John Ford and Race: "We Were on Both Sides of the Epic" -- and "The Morals of Decorum": John Ford, Poet and Comedian -- Acknowledgments -- Filmography -- Selected Bibliography -- Screen Classics. 330 $aOrson Welles was once asked which directors he most admired. He replied: "The old masters. By which I mean John Ford, John Ford, and John Ford." A legend in his own time, John Ford (1894-1973) received a record four Academy Awards for best director, and two of his World War II documentaries won Oscars for the US Navy. He directed 136 films in a career that lasted from the early silent era through the late 1960s. Ford is celebrated throughout the world as the cinema's foremost chronicler of American history, the leading poet of the Western genre, and a wide-ranging filmmaker of profound emotional impact. His classic films-including Stagecoach (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), The Quiet Man (1952), The Searchers (1956), and The Man Who Shot Liberty Valance (1962)-remain widely popular, and he has been acknowledged as a major influence on filmmakers such as Jean Renoir, Ingmar Bergman, Akira Kurosawa, Howard Hawks, Frank Capra, Samuel Fuller, Elia Kazan, Sidney Lumet, Martin Scorsese, Steven Spielberg, and George Lucas. In this groundbreaking critical study, Joseph McBride and Michael Wilmington provide an overview of Ford's career as well as in-depth analyses of key Ford films. Analyzing recurring Fordian themes and relating each film to his entire body of work, the authors insightfully explore the full richness of Ford's tragicomic vision of history. This new and revised version includes a study of the twenty-seven Ford silent films now known to survive in whole or in part (more than double the number available when the original edition was published); essays on three controversial aspects of Ford: his tragicomic sensibility, his views of race, and the influence of his Irish heritage; and an expanded version of McBride's interview with Ford on the last day of his career. 410 0$aScreen Classics Series 606 $aAlcoholism$xTreatment 615 0$aAlcoholism$xTreatment. 676 $a791.43/0233/0924 700 $aMcBride$b Joseph.$0490807 701 $aWilmington$b Michael$01827951 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911008927403321 996 $aJohn Ford$94396043 997 $aUNINA