LEADER 04420nam 2200673Ia 450 001 9910970496303321 005 20200520144314.0 010 $a9786612152207 010 $a9781282152205 010 $a1282152203 010 $a9789027291547 010 $a9027291543 024 7 $a10.1075/la.119 035 $a(CKB)1000000000535113 035 $a(OCoLC)648344495 035 $a(CaPaEBR)ebrary10212577 035 $a(SSID)ssj0000145788 035 $a(PQKBManifestationID)11162120 035 $a(PQKBTitleCode)TC0000145788 035 $a(PQKBWorkID)10181534 035 $a(PQKB)10884589 035 $a(MiAaPQ)EBC622504 035 $a(Au-PeEL)EBL622504 035 $a(CaPaEBR)ebr10212577 035 $a(CaONFJC)MIL215220 035 $a(OCoLC)233636997 035 $a(DE-B1597)721261 035 $a(DE-B1597)9789027291547 035 $a(EXLCZ)991000000000535113 100 $a20071011d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe emergence of order in syntax /$fJordi Fortuny 205 $a1st ed. 210 $aPhiladelphia $cJ. Benjamins Pub. Co.$dc2007 215 $a1 online resource (224 p.) 225 0 $aLinguistik aktuell/linguistics today,$x0166-0829 ;$vv. 119 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9789027255020 311 08$a9027255024 320 $aIncludes bibliographical references and indexes. 327 $aThe Emergence of Order in Syntax -- Editorial page -- Title page -- LCC data -- TABLE OF CONTENTS -- PROLOGUE -- PART I. ELEMENTS OF SYNTAX -- 1. ELEMENTS OF SYNTAX -- 1.1 Instructions -- 1.2 Merge: nests -- 1.3 Merge: internal and external -- 1.4 Onset -- PART II. PATTERNS -- 2. THE RELATIONSHIP BETWEEN COMPLEMENTIZERS AND INFLECTIONAL CATEGORIES -- 2.1 The C-Infl link -- 2.2 Conclusion -- 3. DISCONTINUOUS SYNTACTIC PATTERNS -- 3.1 The source of the C-Infl link -- 3.2 Probe-goal relations in a phase -- 3.3 Revising the Generalized Feature Inheritance Theory -- 3.4 Discontinuities -- 3.5 Subextraction: (II): relativized opacity for probe-goal relations -- 4. ANALYTIC SYNTACTIC PATTERNS -- 4.1 On cartographies -- 4.2 The nature of ordering restrictions -- 4.3 Toward a principled account for some order restrictions -- 4.4 The Full Interpretation Principle -- 4.5 Cartographic effects -- 5. SYNCRETIC SYNTACTIC PATTERN -- 5.1 On structural minimization -- 5.2 Why and where V moves -- 5.3 A side-effect of V-to-T movement -- 5.4 Other conundrums to be solved on the basis of structural minimization -- 5.5 Contraction -- 5.6 Conclusion -- PART III. CONCLUSION -- 6. ON THE EMERGENCE OF ORDER IN SYNTAX -- REFERENCES -- SUBJECT INDEX -- LANGUAGE INDEX -- The series Linguistik Aktuell/Linguistics Today. 330 $aThe syntactic component of the faculty of language is argued to be a rewiring of a few independently motivated components: features, the conjunction of a successive operation of union-formation ('Merge') and of derivational records ('nests'), and principles of analysis. Since nests linearize terminals (Kuratowski 1921), Kayne's (1994) LCA becomes dispensable. The study of how features are ordered in discontinuous, analytic and syncretic patterns, governed by the Full Interpretation Condition and the Maximize Matching Effects Principle, provides a simple account for several syntactic phenomena, like the C-Infl connection, certain cartographic observations due to Cinque (1999), the A'-status of preverbal subjects in Null Subject Languages (Solà 1992), the alleviation of wh-island effects in English when the embedded wh-phrase is a subject (Chomsky 1986) and the dynamic V2 patterns in double agreement dialects observed by Zwart (1993). The possibility that Comp-trace effects derive from the contraction of the C-Infl discontinuity is explored and subject islands and wh-islands are derived from the Relativized Opacity Principle, an alternative to Chomsky's PIC. 606 $aGrammar, Comparative and general$xSyntax 606 $aOrder (Grammar) 615 0$aGrammar, Comparative and general$xSyntax. 615 0$aOrder (Grammar) 676 $a415 700 $aFortuny$01801678 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910970496303321 996 $aThe emergence of order in syntax$94347046 997 $aUNINA LEADER 03691nam 22006492 450 001 9911008471303321 005 20151002020704.0 010 $a1-282-89511-7 010 $a9786612895111 010 $a1-58046-713-X 024 7 $a10.1515/9781580467131 035 $a(CKB)2670000000056092 035 $a(OCoLC)680039814 035 $a(CaPaEBR)ebrary10426266 035 $a(SSID)ssj0000412349 035 $a(PQKBManifestationID)11260314 035 $a(PQKBTitleCode)TC0000412349 035 $a(PQKBWorkID)10365979 035 $a(PQKB)11489652 035 $a(UkCbUP)CR9781580467131 035 $a(MiAaPQ)EBC3003739 035 $a(OCoLC)731331821 035 $a(MdBmJHUP)musev2_89788 035 $a(DE-B1597)676419 035 $a(DE-B1597)9781580467131 035 $a(EXLCZ)992670000000056092 100 $a20120511d2009|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAugust Halm $ea critical and creative life in music /$fLee A. Rothfarb 210 1$aSuffolk :$cBoydell & Brewer,$d2009. 215 $a1 online resource (xix, 293 pages) $cdigital, PDF file(s) 225 1 $aEastman studies in music,$x1071-9989 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 08$a1-58046-329-0 320 $aIncludes bibliographical references (p. [269]-284) and index. 327 $aAn intellectual and creative life in music -- Formal dynamism and musical logic -- Analysis between description and explanation -- Two cultures : Bach's fugue and Beethoven's sonata -- Third culture : Bruckner's symphony -- Aesthetic theory and compositional practice : tradition, imitation, and innovation -- Halm's oeuvre : wisdom and prophecy. 330 $a'August Halm: A Critical and Creative Life in Music' begins by setting the cultural stage and examining Halm's life with rich details from unpublished personal letters, diaries, notebooks, and lecture notes. Further chapters explore Halm's notion of musical logic and his proposal that the evolution of compositional technique had, by his day, culminated in three successive musical 'cultures' epitomized in Bach (fugue), Beethoven (sonata), and Bruckner (symphony). Another chapter examines, for the first time anywhere, Halm's own compositions, their motivating aesthetic premises, and their connection with late twentieth-century postmodernism. The volume closes with an assessment of Halm's significance for present-day music theory, including its branches that deal with narrativity, plot theory, embodiment, and semiotics. Halm's subject matter and creative activities ranged widely, and he aimed at maintaining a style that would be accessible and intriguing to music amateurs and music educators at all levels. Lee Rothfarb's book-written in the same spirit-will interest not only music theorists and musicologists but also composers and classroom and private music teachers. Lee Rothfarb is professor of music at the University of California, Santa Barbara. His previous publications include 'Ernst Kurth as Theorist and Analyst' and 'Ernst Kurth: Selected Writings'. 410 0$aEastman studies in music. 606 $aMusic theorists$zGermany 606 $aComposers$zGermany 606 $aMusical analysis 615 0$aMusic theorists 615 0$aComposers 615 0$aMusical analysis. 676 $a780.92 686 $aLP 64030$qBSZ$2rvk 700 $aRothfarb$b Lee Allen$01826232 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9911008471303321 996 $aAugust Halm$94394203 997 $aUNINA