LEADER 04396nam 22006493 450 001 9911008449303321 005 20240814184402.0 010 $a9781487538934 010 $a1487538936 010 $a9781487538927 010 $a1487538928 024 7 $a10.3138/9781487538927 035 $a(MiAaPQ)EBC7132611 035 $a(Au-PeEL)EBL7132611 035 $a(CKB)25289598300041 035 $a(OCoLC)1329272682 035 $a(MdBmJHUP)musev2_108994 035 $a(DE-B1597)650642 035 $a(DE-B1597)9781487538927 035 $a(MiAaPQ)EBC30359447 035 $a(Au-PeEL)EBL30359447 035 $a(EXLCZ)9925289598300041 100 $a20221110d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDrawing the Curtain $eCervantes's Theatrical Revelations 205 $a1st ed. 210 1$aToronto :$cUniversity of Toronto Press,$d2022. 210 4$d©2022. 215 $a1 online resource (387 pages) 225 1 $aToronto Iberic 311 08$aPrint version: Fernández, Esther Drawing the Curtain Toronto : University of Toronto Press,c2022 9781487508777 327 $aCover -- Half-Title Page -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: The Poetics of the Imagined Stage -- Part One: Alternate Theatricalities in Cervantes's Drama -- 1 Cervantes and the Simple Stage -- 2 Queer cambalaches in El rufián dichoso -- 3 Of Players and Wagers: The Theatricality of Gambling for Salvation in El rufián dichoso -- 4 Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato de Argel -- 5 Captivating Music, Memory, and Emotions in Los baños de Argel -- 6 In the Name of Love: Cervantes's Play on Captivity in La gran sultana -- 7 Revolving Sets: Spatial Revelations in the entremeses -- Part Two: Acts of Disclosure in Cervantes's Prose -- 8 Coups de théâtre in the Novelas ejemplares -- 9 Captive Audiences: Performing Captivity in Cervantes's Prose Narrative -- 10 Painting into Theatre: "The Suicide of Lucretia" as a tableau vivant in El curioso impertinente -- 11 "Muchas y muy verdaderas señales": The Theatrics of Truth and Sincerity of Fiction in La Galatea -- 12 Eavesdropping or Spying? Secret Places and Spaces in Don Quixote -- 13 Don Quixote and the Performance of Aging Masculinities in Early Modern Spain -- List of Contributors -- Index -- Series List. 330 $a"Miguel de Cervantes?s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes?s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook?s notion of the bare or empty stage, Esther Ferna?ndez and Adrienne L. Marti?n argue that Cervantes?s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness."--$cProvided by publisher. 410 0$aToronto Iberic 606 $aTheater in literature$2fast$3(OCoLC)fst01149340 606 $aRevelation in literature$2fast$3(OCoLC)fst01096473 606 $aTheater in literature 606 $aRevelation in literature 608 $aCriticism, interpretation, etc.$2fast 615 7$aTheater in literature. 615 7$aRevelation in literature. 615 0$aTheater in literature. 615 0$aRevelation in literature. 676 $a863/.3 700 $aFernández$b Esther$f1975-$01828220 701 $aMartin$b Adrienne L$0403062 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911008449303321 996 $aDrawing the Curtain$94396417 997 $aUNINA