LEADER 03684nam 22006492 450 001 9911008437403321 005 20151002020704.0 010 $a1-281-94930-2 010 $a9786611949303 010 $a1-57113-674-6 024 7 $a10.1515/9781571136749 035 $a(CKB)1000000000720112 035 $a(OCoLC)302096963 035 $a(CaPaEBR)ebrary10354745 035 $a(SSID)ssj0000164219 035 $a(PQKBManifestationID)11167488 035 $a(PQKBTitleCode)TC0000164219 035 $a(PQKBWorkID)10120547 035 $a(PQKB)10118737 035 $a(UkCbUP)CR9781571136749 035 $a(MiAaPQ)EBC3003626 035 $a(DE-B1597)676556 035 $a(DE-B1597)9781571136749 035 $a(EXLCZ)991000000000720112 100 $a20120822d2006|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGoethe's concept of the daemonic $eafter the ancients /$fAngus Nicholls 210 1$aSuffolk :$cBoydell & Brewer,$d2006. 215 $a1 online resource (xii, 313 pages) $cdigital, PDF file(s) 225 1 $aStudies in German literature, linguistics, and culture 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 08$a1-57113-307-0 320 $aIncludes bibliographical references (p. [271]-290) and index. 327 $aThe ancients and their daemons -- The daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Ma?chtiges u?berraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas. 330 $aFor Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Luka?cs, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London. 410 0$aStudies in German literature, linguistics, and culture (Unnumbered) 606 $aGerman literature$y18th century$xClassical influences 606 $aGerman literature$y19th century$xClassical influences 606 $aGenius in literature 606 $aSubjectivity in literature 615 0$aGerman literature$xClassical influences. 615 0$aGerman literature$xClassical influences. 615 0$aGenius in literature. 615 0$aSubjectivity in literature. 676 $a831/.6 686 $aGK 4211$qBSZ$2rvk 700 $aNicholls$b Angus$g(Angus James),$f1972-$01828056 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9911008437403321 996 $aGoethe's concept of the daemonic$94396142 997 $aUNINA