LEADER 02674nam 2200601Ia 450 001 9911006782503321 005 20170815162725.0 010 $a1-282-29114-9 010 $a9786612291142 010 $a0-470-52331-X 010 $a0-470-52330-1 035 $a(CKB)1000000000789993 035 $a(EBL)455881 035 $a(OCoLC)456291253 035 $a(SSID)ssj0000272017 035 $a(PQKBManifestationID)11222720 035 $a(PQKBTitleCode)TC0000272017 035 $a(PQKBWorkID)10303768 035 $a(PQKB)11183555 035 $a(MiAaPQ)EBC455881 035 $a(PPN)160582903 035 $a(EXLCZ)991000000000789993 100 $a20090312d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWiley guide to chemical incompatibilities$b[electronic resource] /$fRichard P. Pohanish, Stanley A. Greene 205 $a3rd ed. 210 $aHoboken, N.J. $cWiley$dc2009 215 $a1 online resource (1130 p.) 300 $aDescription based upon print version of record. 311 $a1-61583-346-3 311 $a0-470-38763-7 320 $aIncludes bibliographical references. 327 $aWiley Guide to Chemical Incompatibilities; CONTENTS; Introduction; How to Use This Book; Key to Abbreviations, Symbols, and Acronyms; Chemicals and Their Incompatibilities in Alphabetical Order; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z; Glossary; Bibliography 330 $a""This book should be a required reference on the laboratory's safety shelf as no where else is so much useful information available in a single volume.""?Inside Laboratory Management, on the Second Edition ""...a portable reference on reactive substances to guide all personnel...in charge of the handling, storage, and transportation of chemical materials.""?Journal of the American Chemical Society, on the Second Edition The authoritative resource on dangerous chemical interactions now enlarged, revised, and even more useful. The term ""incompatibilities"" describes 606 $aHazardous substances$xSafety measures$vHandbooks, manuals, etc 606 $aChemicals$xSafety measures$vHandbooks, manuals, etc 615 0$aHazardous substances$xSafety measures 615 0$aChemicals$xSafety measures 676 $a660.2804 686 $aVB 4150$2rvk 700 $aPohanish$b Richard P$0885890 701 $aGreene$b Stanley A$01823737 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911006782503321 996 $aWiley guide to chemical incompatibilities$94393139 997 $aUNINA LEADER 03464nam 2200529z 450 001 996647818903316 005 20250705110033.0 010 $a1-4780-9415-X 024 7 $a10.1515/9781478094159 035 $a(CKB)5860000000552809 035 $a(OCoLC)1419545708 035 $a(DE-B1597)732978 035 $a(DE-B1597)9781478094159 035 $a(ODN)ODN0010771387 035 $a(EXLCZ)995860000000552809 100 $a20250218d2024 uy- 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAt the vanguard of vinyl $ea cultural history of the long-playing record in jazz /$fDarren Mueller 210 $d2024 210 1$aDurham :$cDuke University Press,$d2024. 215 $a1 online resource (xi, 435 pages) $cillustrations 311 08$a1-4780-2581-6 320 $aIncludes bibliographical references and index. 327 $aThe LP goes live -- Do the huckle-buck : jazz and the emergent LP, 1949 to 1955 -- Mistakes, mishaps, and miscues : the early LPs of Prestige Records -- Quest for the moment : the audio production of Ellington at Newport -- World statesman : the ambassadorial LPs of Dizzy Gillespie -- Capturing the scene : the Cannonball Adderley Quintet in San Francisco -- Mingus Ah Um : the avant-garde record making of Charles Mingus -- Jazz as a culture of circulation. 330 $a"At the Vanguard of Vinyl is a cultural history of the long-playing record (LP), centered primarily on the sonic entanglements of record making in the 1950s jazz industry. Exploring the choices made while performing, recording, producing, designing, and circulating music on record, Darren Mueller destabilizes the idea of jazz recordings as a simple passive playback medium. The book highlights the strategies and contexts informing the making of records, focusing especially on how Black musicians found agency and control within the racialized practices of an industry that systematically disadvantaged them. Mueller tells the multilayered story of these Black cultural producers through chapters examining contestations over recording format, the reorientation of race within the record business, new forms of technological mediation, and the codification of jazz's historical narrative. Demonstrating how jazz LPs are historically situated by audio production methodologies, social structures, and cultural schema, Mueller unpacks relationships between sound and culture, technology and power, and mediation and cultural agency"--Provided by publisher. 517 3 $aCultural history of the long-playing record in jazz 606 $aJazz$y1951-1960$xHistory and criticism 606 $aSound recordings$xProduction and direction$xHistory$y20th century 606 $aSound recording industry$xHistory$y20th century 606 $aAfrican American jazz musicians 615 0$aJazz$xHistory and criticism. 615 0$aSound recordings$xProduction and direction$xHistory 615 0$aSound recording industry$xHistory 615 0$aAfrican American jazz musicians. 686 $aMUS025000$aMUS032000$aSOC052000$2bisacsh 700 $aMueller$b Darren$f1983-$01799596 712 02$aUniversity of Rochester$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996647818903316 996 $aAt the vanguard of vinyl$94343956 997 $aUNISA