LEADER 05517 am 22005893u 450 001 9910765812603321 005 20230801230328.0 010 $a9783205788591 (ebook) 035 $a(CKB)2670000000334406 035 $a(SSID)ssj0000985968 035 $a(PQKBManifestationID)11575286 035 $a(PQKBTitleCode)TC0000985968 035 $a(PQKBWorkID)10933393 035 $a(PQKB)10319013 035 $a(WaSeSS)Ind00074830 035 $a(EXLCZ)992670000000334406 100 $a20160829d2012 uy | 101 0 $ager 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aKonservierungswissenschaft schreibt geschichte objektrestaurierung an der Angewandten $eein beitrag zur entwicklungsgeschichte der konservierungswissenschaft und restaurierung /$fElisabeth rack 210 31$aGermany :$cBo?hlau Verlag,$d2012 215 $a1 online resource (257 pages) $cillustrations; digital, PDF file(s) 225 0 $aKonservierungswissenschaft. Restaurierung. Technologie Konservierungswissenschaft schreibt Geschichte 300 $aBibliographic Level Mode of Issuance: Monograph 320 $aIncludes bibliographical references. 330 $aAn overview of the academic courses of study and vocational trainings offered in the conservation and restoration of objects of decorative arts and metal in German-speaking countries points to a lack of continuity and identity. This is due to the fact that this field is a relatively young one and many universities have only offered degree courses since the 1990s. In Austria there are two Universities, the "Akademie der bildenden Künste" and the "Universität für angewandte Kunst". Both are located in Vienna and have a old-established academic experience. The long tradition particular to the field of restoration of objects of decorative arts at the University of Applied Arts Vienna is exceptionally. Early conservation and preservation research and restoration work started in the late 19th century. This is a distinctive feature, as other institutions with a similarly long history put their focus on the restoration of paintings and painting technique research instead. The "Kunstgewerbemuseum", todays Museum of Applied Arts Vienna, was founded 1863. In 1868 the school called "Kunstgewerbeschule" was attached. It is famous for its leading design-position during art nouveau an developed into todays University of Applied Arts Vienna. Both stood in close contact with the "K.K. Centralcommission". This historic preservation agency, established in 1850, concentrated in the preservation of monuments and historic buildings of the large Habsburg Empire. During the 19th century new emerging ideas of conservation where well known at "Kunstgewerbeschule" and "Kunstgewerbemuseum". Teaching staff at the school made in their annual reports notes of early restoration. But they did it as an additional business and therefore more detailed information is not given. Women in the studios for enamelwork (Adele von Stark) and the studio for textile work (Rosalia Rothansl) were about 1900 pioneers in field of object conservation. The first official class for conservation existed 1902 - 1910, named "Atelier für Kunstweberei und Restaurierung". A lot of information about the astonishing mordern ethics and methods in Conservation at that time can be extracted from two conferences that took place in Vienna: The First Arthistorical Congress in 1873 and the Enquete about Conservation of Art in 1904. Curators of the Museum of applied Arts and to a certain extent teaching staff of the "Kunstgewerbeschule" were involved with organisation and speeches. A new era for the conservation at University of Applied Arts Vienna started after World War Two. Otto Nedbal, a conservator experienced in metal crafts, was appointed at the university. He at first assumed the existing class for enamelwork. In 1964 he founded a new master class for restoration of metals and objects of enamel. But the content of teaching and the requirements for diploma thesis changed significant during the following forty years and this class evolved into today's Institute for Conservation and Restoration. The specialization of painting conservation was established by Nedbals successor Hubert Dietrich in 1980. In the course of a reorganization of the university in 2000 and the appointment of Gabriela Krist as head of the new conservation department, the new specializations of conservation of stone and textile were arranged. 606 $aArt objects$xConservation and restoration 606 $aAntiquities$xCollection and preservation 606 $aArt$xConservation and restoration 606 $aMuseum conservation methods 606 $aHistoric preservation 606 $aVisual Arts$2HILCC 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aVisual Arts - General$2HILCC 615 0$aArt objects$xConservation and restoration 615 0$aAntiquities$xCollection and preservation 615 0$aArt$xConservation and restoration 615 0$aMuseum conservation methods 615 0$aHistoric preservation 615 7$aVisual Arts 615 7$aArt, Architecture & Applied Arts 615 7$aVisual Arts - General 676 $a751.6 700 $aKrack$b Elisabeth$0801973 801 0$bPQKB 801 2$bUkMaJRU 912 $a9910765812603321 996 $aKonservierungswissenschaft schreibt Geschichte$91803240 997 $aUNINA LEADER 05261nam 2200625Ia 450 001 9911004745603321 005 20200520144314.0 010 $a1-282-87880-8 010 $a9786612878800 010 $a0-08-096163-0 035 $a(CKB)2530000000000367 035 $a(EBL)630036 035 $a(OCoLC)755777998 035 $a(SSID)ssj0000439742 035 $a(PQKBManifestationID)12163179 035 $a(PQKBTitleCode)TC0000439742 035 $a(PQKBWorkID)10464427 035 $a(PQKB)11003638 035 $a(MiAaPQ)EBC630036 035 $a(EXLCZ)992530000000000367 100 $a20100708d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aModern chemical enhanced oil recovery $etheory and practice /$fJames J. Sheng 210 $aBurlington, MA $cGulf Professional Pub.$d2010 215 $a1 online resource (647 p.) 300 $aDescription based upon print version of record. 311 $a0-12-810220-9 311 $a1-85617-745-9 320 $aIncludes bibliographical references and index. 327 $aFront cover; Modern Chemical Enhanced Oil Recovery; Copyright page; Table of contents; Preface; Acknowledgments; Nomenclature; Greek Symbols; Superscripts; Subscripts; Chapter 1: Introduction; Enhanced Oil Recovery's Potential; Definitions of EOR and IOR; General Description of Chemical EOR Processes; Performance Evaluation of EOR Processes; Screening Criteria for Chemical EOR Processes; Naming Conventions and Units; Organization of This Book; Chapter 2: Transport of Chemicals and Fractional Flow Curve Analysis; Introduction; Diffusion; Dispersion 327 $aRetardation of Chemicals in Single-Phase FlowTypes of Fronts; Fractional Flow Curve Analysis of Two-Phase Flow; Chapter 3: Salinity Effect and Ion Exchange; Introduction; Salinity; Ion Exchange; Low-Salinity Waterflooding in Sandstone Reservoirs; Salinity Effect on Waterflooding in Carbonate Reservoirs; Chapter 4: Mobility Control Requirement in EOR Processes; Introduction; Background; Setup of Simulation Model; Discussion of the CONCEPT OF THE Mobility Control Requirement; Theoretical Investigation; Numerical Investigation; Experimental Justification; Further Discussion 327 $aChapter 5: Polymer FloodingIntroduction; Types of Polymers and Polymer-Related Systems; Properties of Polymer Solutions; Polymer Flow Behavior in Porous Media; Displacement Mechanisms in Polymer Flooding; Amount of Polymer Injected; Performance Analysis by Hall Plot; Polymer Mixing and Well Operations Related to Polymer Injection; Special Cases, Pilot Tests, and Field Applications of Polymer Flooding; Polymer Flooding Experience and Learning in China; Chapter 6: Polymer Viscoelastic Behavior and Its Effect on Field Facilities and Operations; Introduction; Viscoelasticity 327 $aPolymer Viscoelastic BehaviorObservations of Viscoelastic Effect; Displacement Mechanisms of Viscoelastic Polymers; Effect of Polymer Solution Viscoelasticity on Injection and Production Facilities; Chapter 7: Surfactant Flooding; Introduction; Surfactants; Types of Microemulsions; Phase Behavior Tests; Surfactant Phase Behavior of Microemulsions and IFT; Viscosity of Microemulsion; Capillary Number; Trapping Number; Capillary Desaturation Curve; Relative Permeabilities in Surfactant Flooding; Surfactant Retention; Displacement Mechanisms; Amount of Surfactant Needed and Process Optimization 327 $aAn Experimental Study of Surfactant FloodingChapter 8: Optimum Phase Type and Optimum Salinity Profile in Surfactant Flooding; Introduction; Literature Review; Sensitivity Study; Further Discussion; Optimum Phase Type and Optimum Salinity Profile Concepts; Summary; Chapter 9: Surfactant-Polymer Flooding; Introduction; Surfactant-Polymer Competitive Adsorption; Surfactant-Polymer Interaction and Compatibility; Optimization of Surfactant-Polymer Injection Schemes; A Field Case of SP Flooding; Chapter 10: Alkaline Flooding; Introduction; Comparison of Alkalis Used in Alkaline Flooding 327 $aAlkaline Reaction with Crude Oil 330 $aCrude oil development and production in U.S. oil reservoirs can include up to three distinct phases: primary, secondary, and tertiary (or enhanced) recovery. During primary recovery, the natural pressure of the reservoir or gravity drive oil into the wellbore, combined with artificial lift techniques (such as pumps) which bring the oil to the surface. But only about 10 percent of a reservoir's original oil in place is typically produced during primary recovery. Secondary recovery techniques to the field's productive life generally by injecting water or gas to displace oil and drive it to a pro 606 $aEnhanced oil recovery 606 $aOil reservoir engineering 606 $aOil fields$xProduction methods 615 0$aEnhanced oil recovery. 615 0$aOil reservoir engineering. 615 0$aOil fields$xProduction methods. 676 $a622/.33827 700 $aSheng$b James$01719513 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911004745603321 996 $aModern chemical enhanced oil recovery$94390893 997 $aUNINA