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100   $a20071017d2008      ub         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCrime and fantasy in Scandinavia $efiction, film, and social change /$fAndrew Nestingen
205   $a1st ed.
210   $aSeattle $cUniversity of Washington Press ;$aCopenhagen $cMuseum Tusculanum Press, University of Copenhagen$dc2008
215   $a1 online resource (326 p.)
225 1 $aNew directions in Scandinavian studies
300   $aDescription based upon print version of record.
311 08$a9780295988030 
311 08$a0295988037 
311 08$a9780295988047 
311 08$a0295988045 
320   $aIncludes bibliographical references (p. 279-305) and index.
320   $aIncludes filmography: p. 273-277.
327   $a""CONTENTS""; ""ACKNOWLEDGMENTS""; ""INTRODUCTION: Popular and Social Transformation in Scandinavian Fictions""; ""1 THE NEW POPULAR CULTURE: Popular Fictions and Their Publics""; ""2 MEDIUM CONCEPT: Scandinavian Genre and Art Film Hybrids""; ""3 THE MELODRAMA OF DEMAND: Cultural Politics of the Scandinavian Melodrama""; ""4 JOHANNA SINISALO'S MONSTERS: Popular Culture and Heterogeneous Publics""; ""5 AUTOBIOGRAPHY AND THE POLICE: Life Writing and Its Publics""; ""6 THE BURNED-OUT POLICEMAN: Henning Mankell's Transnational Police Procedural""; ""EPILOGUE""; ""NOTES""; ""FILMOGRAPHY""
327   $a""BIBLIOGRAPHY""""INDEX""
330   $aScandinavian popular novels and films have flourished in the last thirty years. In Crime and Fantasy in Scandinavia, Andrew Nestingen argues that the growth and visibility of popular culture have been at the heart of the development of heterogeneous ?publics? in Scandinavia, in opposition to the homogenizing influence of the post-World War II welfare state. Novels and films have mobilized readers and viewers, serving as a preeminent site for debates over individualism, collectivity, national homogeneity, gender, and transnational relations.Crime and Fantasy in Scandinavia provides insight into the changing nature of civil society in Scandinavia through the lens of popular culture. Nestingen develops his argument through the examination of genres where the central theme is individual transgression of societal norms: crime films and novels, melodramas, and fantasy fiction. Among the internationally known writers and filmmakers discussed are Henning Mankell, Aki Kaurismäki, Lukas Moodysson, and Lars von Trier.
410  0$aNew directions in Scandinavian studies.
606   $aScandinavian fiction$y20th century$xHistory and criticism
606   $aMotion pictures$zScandinavia
615  0$aScandinavian fiction$xHistory and criticism.
615  0$aMotion pictures
676   $a839/.5
700   $aNestingen$b Andrew K$0881513
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9911003685403321
996   $aCrime and fantasy in Scandinavia$94384350
997   $aUNINA