LEADER 00859nam0-2200313---450- 001 990009541670403321 005 20151005122021.0 035 $a000954167 035 $aFED01000954167 035 $a(Aleph)000954167FED01 035 $a000954167 100 $a20120312d2000----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ac-------001yy 200 1 $a<>Duomo di Ariano$fPisapia Emerico 210 $aNapoli$cGeneroso Procaccini$d2000 215 $a46 p., 1 ritratto$d21 cm 225 1 $aStorie locali$v2 610 0 $aAriano Irpino$aCattedrale 700 1$aPisapia,$bEmerico$0515657 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009541670403321 952 $aSEZ.NA M 203$b18497$fFARBC 952 $aSEZ.NA B 2860$b18765$fFARBC 959 $aFARBC 996 $aDuomo di Ariano$9854927 997 $aUNINA LEADER 03135nam 2200649Ia 450 001 9911003684803321 005 20200520144314.0 010 $a9780295804538 010 $a029580453X 035 $a(CKB)2670000000241619 035 $a(EBL)3444485 035 $a(SSID)ssj0000713801 035 $a(PQKBManifestationID)12332201 035 $a(PQKBTitleCode)TC0000713801 035 $a(PQKBWorkID)10663796 035 $a(PQKB)11298335 035 $a(OCoLC)811563688 035 $a(MdBmJHUP)muse48484 035 $a(Au-PeEL)EBL3444485 035 $a(CaPaEBR)ebr10599019 035 $a(CaONFJC)MIL810578 035 $a(OCoLC)932315595 035 $a(MiAaPQ)EBC3444485 035 $a(DE-B1597)726225 035 $a(DE-B1597)9780295804538 035 $a(Perlego)723697 035 $a(EXLCZ)992670000000241619 100 $a20100122d2010 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDagur Kari's Noi the albino /$fBjorn Nordfjord 205 $a1st ed. 210 $aSeattle $cUniversity of Washington ;$aCopenhagen $cMuseum Tusculanum Press, University of Copenhagen$d2010 215 $a1 online resource (172 p.) 225 0 $aNordic film classics 300 $aDescription based upon print version of record. 311 08$a9780295990095 311 08$a0295990090 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Icebreaker -- Islands -- Iceland -- Isolation, or the nausea of No?i -- In lieu of a conclusion -- Interview with director Dagur Ka?ri. 330 $aDagur Kari?s Noi the Albino (Noi albinoi, 2003) succeeded on the international festival circuit as a film that was both distinctively Icelandic and appealingly universal. Noi the Albino taps into perennial themes of escapism and existential angst, while its setting in the Westfjords of Iceland provided an almost surreal backdrop whose particularities of place are uniquely Icelandic. Bjorn Nordfjord?s examination of the film integrates the broad context and history of Icelandic cinema into a close reading of Noi the Albino?s themes, visual style, and key scenes. The book also includes an interview with director Dagur Kari.Noi the Albino?s successful negotiation of the tensions between the local and the global contribute to the film?s status as a contemporary classic. Its place within the history of Icelandic cinema highlights the specific problems this small nation faces as it pursues its filmmaking ambitions, allowing us to appreciate the remarkable success of Kari?s film in relation to the challenges of transnational filmmaking. 410 0$aNordic Film Classics 517 3 $aNoi the albino 606 $aMotion picture producers and directors$zIceland$vInterviews 615 0$aMotion picture producers and directors 676 $a791.4372 700 $aNordfjord$b Bjorn$01821039 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911003684803321 996 $aDagur Kari's Noi the albino$94384348 997 $aUNINA