LEADER 03904nam 22006132 450 001 9910997294303321 005 20170605132901.0 010 $a1-78204-829-4 024 7 $a10.1515/9781782048299 035 $a(CKB)3710000000830524 035 $a(UkCbUP)CR9781782048299 035 $a(MiAaPQ)EBC4529801 035 $a(DE-B1597)677001 035 $a(DE-B1597)9781782048299 035 $a(EXLCZ)993710000000830524 100 $a20170215d2016|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWriting the revolution $ethe construction of "1968" in Germany /$fIngo Cornils 210 1$aRochester, NY :$cCamden House,$d2016. 215 $a1 online resource (x, 315 pages) $cdigital, PDF file(s) 225 1 $aStudies in German literature, linguistics, and culture 300 $aTitle from publisher's bibliographic system (viewed on 02 Jun 2017). 311 1 $a1-57113-954-0 320 $aIncludes bibliographical references and index. 327 $aHeroes and martyrs -- Chroniclers and interpreters -- Critics and renegades -- Talespinners and poets -- Women of the revolution -- "1968" and the media -- "1968" and the arts -- Zaungaste -- Not dark yet: the 68ers at 70 -- Romantic relapse or modern myth? 330 $aIn Germany, the concept of "1968" is enduring and synonymous with the German Student Movement, and is viewed, variously, as a fundamental liberalization, a myth, a second foundation, or an irritation. The movement's aims - radical re-imagination of the political and economic order and social hierarchy - have been understood as requiring a "long march." While the movement has been judged at best a"successful failure," cultural elites continue to engage in the construction of 1968. Ingo Cornils's book argues that writing about 1968 in Germany is no longer about the historical events or the specific objectives of a bygone counterculture, but is instead a moral touchstone, a marker of social group identity meant to keep alive (or at bay) a utopian agenda that continues to fire the imagination. The book demonstrates that the representation of 1968 as a "foundational myth" suits the needs of a number of surprisingly heterogeneous groups, and that even attempts to deconstruct the myth strengthen it. Cornils brings together for the first time the historical, literary, and media representations of the movement, showing the motivation behind and effect of almost five decades of writing about 1968. In so doing, Cornils challenges the way 1968 has been instrumentalized: as a powerful imaginary that has colonized every aspect of life in Germany, and as symbolic capital in cultural and political debates.

Ingo Cornils is Senior Lecturer in German at the University of Leeds.

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