LEADER 04857nam 2200781Ia 450 001 9910463228003321 005 20210802233523.0 010 $a0-8122-0221-X 024 7 $a10.9783/9780812202212 035 $a(CKB)2670000000418244 035 $a(OCoLC)859160751 035 $a(CaPaEBR)ebrary10748515 035 $a(SSID)ssj0000985625 035 $a(PQKBManifestationID)11628307 035 $a(PQKBTitleCode)TC0000985625 035 $a(PQKBWorkID)10933274 035 $a(PQKB)11653318 035 $a(MiAaPQ)EBC3442126 035 $a(MdBmJHUP)muse26722 035 $a(DE-B1597)449079 035 $a(OCoLC)1013939224 035 $a(OCoLC)979577699 035 $a(DE-B1597)9780812202212 035 $a(Au-PeEL)EBL3442126 035 $a(CaPaEBR)ebr10748515 035 $a(CaONFJC)MIL682339 035 $a(EXLCZ)992670000000418244 100 $a20001204d2001 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aImperial medicine$b[electronic resource] $ePatrick Manson and the conquest of tropical disease /$fby Douglas M. Haynes 210 $aPhiladelphia $cUniversity of Pennsylvania Press$dc2001 215 $a1 online resource (240 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-322-51057-1 311 $a0-8122-3598-3 320 $aIncludes bibliographical references (p. [181]-219) and index. 327 $tFrontmatter --$tContents --$tIllustrations and Tables --$tIntroduction. British Medicine as Imperial Medicine --$t1. The Making of an Imperial Doctor --$t2. Transforming Colonial Knowledge into Imperial Knowledge --$t3. The Rhetoric and Politics of Discovery --$t4. Making Imperial Science British Science --$t5. Domesticating Tropical Medicine --$t6. The Tropical Diseases Research Fund and Specialist Science at the London School of Tropical Medicine --$tEpilogue. From White Man's Burden to White Man's Grave --$tNotes --$tIndex --$tAcknowledgments 330 $aIn 1866 Patrick Manson, a young Scottish doctor fresh from medical school, left London to launch his career in China as a port surgeon for the Imperial Chinese Customs Service. For the next two decades, he served in this outpost of British power in the Far East, and extended the frontiers of British medicine. In 1899, at the twilight of his career and as the British Empire approached its zenith, he founded the London School of Tropical Medicine. For these contributions Manson would later be called the "father of British tropical medicine."In Imperial Medicine: Patrick Manson and the Conquest of Tropical Disease Douglas M. Haynes uses Manson's career to explore the role of British imperialism in the making of Victorian medicine and science. He challenges the categories of "home" and "empire" that have long informed accounts of British medicine and science, revealing a vastly more dynamic, dialectical relationship between the imperial metropole and periphery than has previously been recognized. Manson's decision to launch his career in China was no accident; the empire provided a critical source of career opportunities for a chronically overcrowded profession in Britain. And Manson used the London media's interest in the empire to advance his scientific agenda, including the discovery of the transmission of malaria in 1898, which he portrayed as British science.The empire not only created a demand for practitioners but also enhanced the presence of British medicine throughout the world. Haynes documents how the empire subsidized research science at the London School of Tropical Medicine and elsewhere in Britain in the early twentieth century. By illuminating the historical enmeshment of Victorian medicine and science in Britain's imperial project, Imperial Medicine identifies the present-day privileged distribution of specialist knowledge about disease with the lingering consequences of European imperialism. 606 $aTropical medicine$zGreat Britain$xHistory 606 $aPhysicians$zGreat Britain$vBiography 606 $aTropical Medicine$xhistory 606 $aColonialism$xhistory 606 $aHistory, 19th Century 606 $aMalaria$xhistory 606 $aTropical Medicine 608 $aBiography. 608 $aElectronic books. 615 0$aTropical medicine$xHistory. 615 0$aPhysicians 615 12$aTropical Medicine$xhistory. 615 22$aColonialism$xhistory. 615 22$aHistory, 19th Century. 615 22$aMalaria$xhistory. 615 22$aTropical Medicine. 676 $a616.9/883/092 676 $aB 700 $aHaynes$b Douglas Melvin$01042741 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463228003321 996 $aImperial medicine$92467197 997 $aUNINA LEADER 01835aam 2200469I 450 001 9910710750103321 005 20160421112353.0 024 8 $aGOVPUB-C13-6d31a5e0df0766063249158b7312ab95 035 $a(CKB)5470000002478806 035 $a(OCoLC)947049627 035 $a(EXLCZ)995470000002478806 100 $a20160421d2012 ua 0 101 0 $aeng 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aTechnical evaluation, testing, and validatiaon of the usability of electronic health records /$fSvetlana Z. Lowry; Matthew T. Quinn; Mala Ramaiah; Robert M. Schumacher; Emily S. Patterson; Robert North; Jiajie Zhang; Michael C. Gibbons; Patricia Abbott 210 1$aGaithersburg, MD :$cU.S. Dept. of Commerce, National Institute of Standards and Technology,$d2012. 215 $a1 online resource 225 1 $aNISTIR ;$v7804 300 $a2012. 300 $aContributed record: Metadata reviewed, not verified. Some fields updated by batch processes. 300 $aTitle from PDF title page. 320 $aIncludes bibliographical references. 700 $aLowry$b Svetlana Z$01387950 701 $aAbbott$b Patricia$01413128 701 $aGibbons$b Michael C$0296920 701 $aLowry$b Svetlana Z$01387950 701 $aNorth$b Robert$0402272 701 $aPatterson$b Emily S$01393404 701 $aQuinn$b Matthew T$01394813 701 $aRamaiah$b Mala$01393405 701 $aSchumacher$b Robert M$076825 701 $aZhang$b Jiajie$01413129 712 02$aNational Institute of Standards and Technology (U.S.) 801 0$bNBS 801 1$bNBS 801 2$bGPO 906 $aBOOK 912 $a9910710750103321 996 $aTechnical evaluation, testing, and validatiaon of the usability of electronic health records$93508759 997 $aUNINA LEADER 03880nam 22006495 450 001 9910988384303321 005 20251027045727.0 010 $a0-7766-4493-9 024 7 $a10.1515/9780776644936 035 $a(CKB)38180440900041 035 $a(DE-B1597)782978 035 $a(DE-B1597)9780776644936 035 $a(OCoLC)1482377845 035 $a(MdBmJHUP)musev2_135009 035 $a(EXLCZ)9938180440900041 100 $a20250423h20252025 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStaging Prison Theatre in Canada $eSetting the Spotlight on William Head on Stage /$fThana Ridha, Sylvie Frigon 205 $aDigital ed. 210 1$aOttawa : $cUniversity of Ottawa Press, $d[2025] 210 4$d2025 215 $a1 online resource (122 p.) $c7 black and with photos 311 08$a0-7766-4490-4 311 08$a0-7766-4491-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tTable of Contents -- $tList of Figures -- $tList of Tables -- $tForeword -- $tAcknowledgements -- $tCHAPTER 1 The Opening Script -- $tCHAPTER 2 Setting the Stage -- $tCHAPTER 3 Freedom from Within -- $tCHAPTER 4 The Ensemble -- $tCHAPTER 5 Character Development -- $tCHAPTER 6 Revising the Script -- $tCHAPTER 7 Curtain Call -- $tAppendix A Literature -- $tAppendix B WHoS Productions and Projects -- $tAppendix C Methodological Considerations -- $tReferences 330 $a"For over forty years, William Head on Stage (WHoS) has operated as an inmate-run prison theatre, making it one of Canada?s longest-standing prison arts initiatives. Staging Prison Theatre in Canada: Setting the Spotlight on William Head on Stage delves into the story of WHoS through the voices of the men involved, offering a unique criminological perspective that situates their experiences within the prison context. The analysis explores how WHoS creates an alternative space within the social and emotional realities of incarceration. By unlocking participants? capacities, skills, and confidence, the initiative fosters a sense of agency and community both inside the prison and beyond. WHoS becomes a space for transformation, offering men opportunities to re-imagine themselves and build meaningful connections. This work underscores the broader significance of arts-based initiatives like WHoS, not only within prisons but also in the fields of criminology, theatre, and community engagement. It offers valuable insights for correctional administrators, criminologists, theatre practitioners, scholars, students, and anyone interested in the intersection of art and rehabilitation."--$cProvided by publisher. 606 $aSOCIAL SCIENCE / Criminology$2bisacsh 608 $aElectronic books. 610 $aArts-Based Initiatives. 610 $aCanadian Prison Arts. 610 $aCommunity Engagement in Prisons. 610 $aCriminology and Theatre. 610 $aInmate Arts Programs. 610 $aPrison Rehabilitation. 610 $aPrison Theatre. 610 $aRehabilitation through Arts. 610 $aSocial Impact of Theatre. 610 $aTheatre in Incarceration. 610 $aTransformative Justice. 610 $aWilliam Head on Stage. 615 7$aSOCIAL SCIENCE / Criminology. 676 $a365/.668 700 $aRidha$b Thana$4aut$4http://id.loc.gov/vocabulary/relators/aut$01817497 702 $aFrigon$b Sylvie$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aLuther$b Jeni, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aRubin$b Kate, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910988384303321 996 $aStaging Prison Theatre in Canada$94375767 997 $aUNINA