LEADER 01198cam0-22003251i-450- 001 990006334020403321 005 19980601 035 $a000633402 035 $aFED01000633402 035 $a(Aleph)000633402FED01 035 $a000633402 100 $a19980601d1962----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a<>Corte costituzionale$eattribuzioni, il processo costituzionale, rassegna sistematica di giurisprudenza$eaggiornamento al 31 dicembre 1961$fGiuseppe Giuliani 210 $aMilano$cGiuffrè$d1962 215 $a353 p.$d24 cm 311 $aNel 1963 è stato pubblicato un fascicolo di aggiornamento 488 0$1001000633403$12001$a<> Corte costituzionale$eattribuzioni, il processo costituzionale, rassegna sistematica di giurisprudenza$efascicolo di aggiornamento al 31 dicembre 1962$1700-1$aGiuliani,$bGiuseppe 676 $a342$v20$zita 700 1$aGiuliani,$bGiuseppe$047012 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006334020403321 952 $aI H 86$bSez. I 80$fFGBC 952 $aI H 44$b68638$fFGBC 959 $aFGBC 996 $aCorte costituzionale$9154065 997 $aUNINA LEADER 01810nam 2200421Ia 450 001 996386795103316 005 20200824132235.0 035 $a(CKB)4940000000082343 035 $a(EEBO)2248508239 035 $a(OCoLC)ocm16219840e 035 $a(OCoLC)16219840 035 $a(EXLCZ)994940000000082343 100 $a19870717d1675 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aMystagogus poeticus, or, The muses interpreter$b[electronic resource] $eexplaining the historical mysteries and mystical histories of the antient Greek and Latin poets : here Apollo's temple is again opened, the muses treasures the sixth time discovered, and the gardens of Parnassus disclosed more fully, whence many flowers of useful, delightful, and rare observations, never touched by any other mythologist, are collected /$fby Alexander Ross 205 $aThe sixth edition corrected and enlarged$bto which is prefixed the genealogy of the heathen gods. 210 $aLondon $cPrinted for S. Mearn, J. Martyn, and H. Herringman, and are to be sold in Little Britain ...$d1675 215 $a[18], 418, [32] p. $cport 300 $aIncludes indexes. 300 $aImperfect: pages stained, with print show-through and loss of print. 300 $aReproduction of original in the British Library. 330 $aeebo-0018 606 $aMythology, Classical 606 $aMythology, Roman 606 $aMythology, Greek 615 0$aMythology, Classical. 615 0$aMythology, Roman. 615 0$aMythology, Greek. 700 $aRoss$b Alexander$f1591-1654.$0795878 801 0$bEAE 801 1$bEAE 801 2$bUMI 801 2$bWaOLN 906 $aBOOK 912 $a996386795103316 996 $aMystagogus poeticus, or, The muses interpreter$92335076 997 $aUNISA LEADER 00787nam a22002291i 4500 001 991003892619707536 005 20040630112300.0 008 040802s1974 fr |||||||||||||||||fre 035 $ab13143645-39ule_inst 035 $aARCHE-109625$9ExL 040 $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a801.1 245 00$aHistoire, sujet 260 $aParis :$bLarousse,$c1974 300 $a1 v. ;$c21 cm 440 0$aLittérature 907 $a.b13143645$b02-04-14$c05-08-04 912 $a991003892619707536 945 $aLE002 SP 800/013$g1$i2002000363213$lle002$nC. 1$o-$pE0.00$q-$rl$so $t0$u0$v0$w0$x0$y.i1378142x$z05-08-04 996 $aHistoire, sujet$9310114 997 $aUNISALENTO 998 $ale002$b05-08-04$cm$da $e-$ffre$gfr $h0$i1 LEADER 04995oam 2200661I 450 001 9910988095303321 005 20250330184043.0 010 $a9789401210553 010 $a9401210551 024 7 $a10.1163/9789401210553 035 $a(CKB)2550000001259774 035 $a(SSID)ssj0001215906 035 $a(PQKBManifestationID)11670158 035 $a(PQKBTitleCode)TC0001215906 035 $a(PQKBWorkID)11188937 035 $a(PQKB)10664568 035 $a(OCoLC)872054438$z(OCoLC)871243336 035 $a(nllekb)BRILL9789401210553 035 $a(MiAaPQ)EBC1686933 035 $a(EXLCZ)992550000001259774 100 $a20140725d2014 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt 182 $cc 183 $acr 200 00$aMusic's obedient daughter $ethe opera libretto from source to score /$fedited by Sabine Lichtenstein 205 $a1st ed. 210 $aAmsterdam $cEditions Rodopi$d2014 210 1$aAmsterdam ;$aNew York :$cEditions Rodopi,$d2014. 215 $a1 online resource (507 pages) $cillustrations, music 225 1 $aTextxet : studies in comparative literature ;$v74 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9789042038080 311 08$a904203808X 311 08$a9781306578837 311 08$a1306578833 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material -- $tINTRODUCTION /$rSabine Lichtenstein -- $tTHE POWER OF MUSIC: STRIGGIO AND MONTEVERDI?S L?ORFEO /$rEddie Vetter -- $tOCTAVIA REINCARNATED: BUSENELLO?S AND MONTEVERDI?S L?INCORONAZIONE DI POPPEA /$rJacques Boogaart -- $tIN THE OPERATIC WORKSHOP: THE CASE OF VARESCO?S AND MOZART?S IDOMENEO /$rTim Carter -- $tTHE LIBRETTIST?S DILEMMA IN LONDON: BADINI?S AND HAYDN?S ORFEO ED EURIDICE /$rCaryl Clark -- $t?BUT THERE IS ANOTHER INTRIGUE AND A COMIC ELEMENT PLACED ALONGSIDE?: HANS SACHS ? THE RELATION OF LORTZING?S OPERA TO DEINHARDSTEIN?S DRAMA /$rIrmlind Capelle -- $t?CE BAL EST ORIGINAL!?: CLASSICAL PARODY AND BURLESQUE IN ORPHÉE AUX ENFERS BY CRÉMIEUX, HALÉVY AND OFFENBACH /$rHeather Hadlock -- $tBURNING THE HERETICS AND SAVING DON CARLOS: MÉRY?S, DU LOCLE?S AND VERDI?S DON CARLOS /$rJohn Neubauer -- $tTRACING WOTAN?S INCENDIARY PAST: THE EVOLUTION OF STORMS AND FIRE IN WAGNER?S DER RING DES NIBELUNGEN /$rKatherine Syer -- $tMANON AT THE OPERA: FROM PRÉVOST?S MANON LESCAUT TO AUBER?S MANON LESCAUT AND MASSENET?S MANON /$rVincent Giroud -- $t?CLOSED, EFFICIENT, TERRIBLE!?: REFLECTIONS ON THE GENESIS AND DRAMATURGY OF ILLICA?S, GIACOSA?S AND PUCCINI?S MADAMA BUTTERFLY /$rKasper Van Kooten -- $tTHE END OF A LINE: STRAUSS? AND HOFMANNSTHAL?S ELEKTRA /$rHelga Hushahn -- $t?SOMETHING UNCOMMONLY GERMAN?: HANS PFITZNER?S PALESTRINA, EINE MUSIKALISCHE LEGENDE /$rSabine Lichtenstein -- $tTHE MUSICAL PERSONALITY OF DON QUIXOTE: MANUEL DE FALLA?S EL RETABLO DE MAESE PEDRO /$rLoes Dommering-Van Rongen -- $tTRANSFORMATIONS OF THE KILLING OF A BOY: WEILL?S AND BRECHT?S DER JASAGER /$rMichal Grover-Friedlander -- $tA THEOLOGICAL MIDRASH IN SEARCH OF OPERATIC ACTION: MOSES UND ARON BY ARNOLD SCHOENBERG /$rRuth Hacohen -- $tTHE MAKING OF A VICTIM: FROM CRABBE?S THE BOROUGH TO SLATER?S AND BRITTEN?S PETER GRIMES /$rC.C. Barfoot -- $tOPERA ON OPERA: LUCIANO BERIO?S OPERA /$rClaudia Di Luzio -- $tNOTES ON CONTRIBUTORS -- $tINDEX. 330 $aA libretto is an indispensable part of an opera as a musical genre: with few exceptions, operas have been the subject of musicological studies, and instrumental versions of sung or unsung opera numbers may be heard, but we never listen to libretto texts being performed without the music. Thus as a literary form the libretto is a highly specific genre with its own particular attributes. This volume offers an approach to the libretto through the discussion of these attributes in many different examples. It explores what may be expected of a librettist in response to the demands of the genre?s characteristics, his trials and tribulations, his exchanges with the composer while adapting or converting a source, almost always a literary source, into the eventual libretto, and about the different musical ways of dealing with the text. In this way the volume clarifies the fundamental differences between the libretto and other literary genres. 410 0$aTextxet: Studies in Comparative Literature$v74. 606 $aLibretto 606 $aOpera 606 $aLibretto$2fast 606 $aOpera$2fast 615 0$aLibretto. 615 0$aOpera. 615 7$aLibretto. 615 7$aOpera. 676 $a782.10268 700 $aLichtenstein$b Sabine$01481137 701 $aLichtenstein$b Sabine$g(Sabine Klara),$f1947-$01481137 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910988095303321 996 $aMusic's obedient daughter$94345023 997 $aUNINA