LEADER 04094nam 22005655 450 001 9910988081603321 005 20250321115234.0 010 $a9783031663635 010 $a3031663632 024 7 $a10.1007/978-3-031-66363-5 035 $a(CKB)38098224800041 035 $a(DE-He213)978-3-031-66363-5 035 $a(MiAaPQ)EBC32006173 035 $a(Au-PeEL)EBL32006173 035 $a(EXLCZ)9938098224800041 100 $a20250321d2025 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPop Music Made in Småland $eMusic Production and Entrepreneurship in Sweden /$fedited by Martin Knust 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (XXIII, 177 p. 2 illus.) 225 1 $aPop Music, Culture and Identity,$x2634-6621 311 08$a9783031663628 311 08$a3031663624 327 $a 1. Creativity and creation: How music was and is created -- 2. From beginner to expert: How to learn and teach to be a professional music producer -- 3. Markets and entrepreneurs: How copyright, distribution and media products -- 4. Marketing and entrepreneurship: How the relation between music producers and music consumers has changed during the past 40 years -- 5. Genres and media: How media employed in music production and entrepreneurship have multiplied and diversified -- 6. Technology and product: How digital music production places itself apart from analogue. 330 $aUsing interviews with and academic studies of the careers of internationally-famous music producers and music industry professionals from Småland, Sweden, this open access book studies the history and present state of pop music production and entrepreneurship. An exceptionally high number of established and emerging pop artists and producers from this region of Sweden have had significant success on the international stage. This book describes how the situation for music producers and artists from Småland has changed during the past 50 years or so, starting in the 1970s with the so-called ?Swedish music wonder? and ending with the situation contemporary artists and entrepreneurs are facing. The field has changed massively both in terms of technology (from analogue to digital), social production (from individual productions to collective projects), distribution and marketing (from selling concert tickets and LPs to creating ?prosuming? fanbases and multipronged careers considering genres, venuesand activities). This book will be of interest to students of and professionals in music production; music, economy and media scholars; readers active in creative industries; and fans of (Swedish) pop music. Martin Knust is associate professor in musicology. He studied musicology, theology and philosophy at the University of Greifswald, the Humboldt University Berlin and the Technical University Dresden. Academic appointments and lectureships in Germany and Sweden, among others as postdoctoral fellow at Stockholm University. Member of Linnæus research center for Intermedial and Multimodal Studies, board member of research school The Future of Democracy (FUDEM) and leader of a 3-year research project about digital music production, funded by the Family Kamprad Foundation (2023?25). 410 0$aPop Music, Culture and Identity,$x2634-6621 606 $aPopular music 606 $aService industries 606 $aPopular Music 606 $aEntertainment Industry 606 $aPop and Rock 615 0$aPopular music. 615 0$aService industries. 615 14$aPopular Music. 615 24$aEntertainment Industry. 615 24$aPop and Rock. 676 $a781.63 702 $aKnust$b Martin$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910988081603321 996 $aPop Music Made in Småland$94345732 997 $aUNINA