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010   $a9781003449041
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100   $a20241028d2024      uy         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aLogomimesis $eA Treatise on the Performing Body
205   $a1st ed.
210  1$aOxford :$cTaylor & Francis Group,$d2024.
210  4$dİ2025.
215   $a1 online resource (261 pages)
225 1 $aRoutledge Advances in Theatre and Performance Studies
311 08$a9781032564678 
311 08$a1032564679 
327   $aForeword; Introduction; Part I: The Deduction Of The Scenic Body; Chapter 1: The scenic body of a word; Chapter 2: The linguistic nature of the performing body; Part II: Logomimetic Meditations; Chapter 3: The virtual body of the performer; Chapter 4: Virtual objects on stage; Chapter 5: The virtual space of performance; Chapter 6: The rhythm of the scenic gesture; Chapter 7: The scenic apocatastasis; Conclusion.
330   $aThis book is a study of the performing arts, the body and language. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience.
410  0$aRoutledge Advances in Theatre and Performance Studies
606   $aPerforming arts$xPhilosophy
606   $aHuman body$xPolitical aspects
615  0$aPerforming arts$xPhilosophy.
615  0$aHuman body$xPolitical aspects.
676   $a791.01
700   $aKirkkopelto$b Esa$01801934
701   $aSotejeff-Wilson$b Kate$01801935
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910987819103321
996   $aLogomimesis$94347410
997   $aUNINA