LEADER 00880nam2-22003251i-450- 001 990000167350403321 035 $a000016735 035 $aFED01000016735 035 $a(Aleph)000016735FED01 035 $a000016735 100 $a20011111d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $a1. : 12 p., 99 tav. : ill. 210 $aBerlin$cE. Wasmuth$ds.d. 215 $av.$d48 cm 300 $aManca tav. 165 461 0$1001000012744$12001$a<> innere Ausbau 610 0 $aArchitettura$aGermania 676 $a720 702 1$aCremer$bWilhelm Hubert$f<1845- > 702 1$aWolffenstein,$bRichard 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000167350403321 952 $a13 AR 4 D 14$b7118$fFINBC 959 $aFINBC 996 $a1. : 12 p., 99 tav. : ill$9121053 997 $aUNINA DB $aING01 LEADER 05177nam 2200721 450 001 9910466872703321 005 20200903223051.0 010 $a90-04-27503-7 024 7 $a10.1163/9789004275034 035 $a(CKB)3800000000007009 035 $a(EBL)1840845 035 $a(SSID)ssj0001367424 035 $a(PQKBManifestationID)11712433 035 $a(PQKBTitleCode)TC0001367424 035 $a(PQKBWorkID)11428148 035 $a(PQKB)10325199 035 $a(MiAaPQ)EBC1840845 035 $a(nllekb)BRILL9789004275034 035 $a(PPN)184922917 035 $a(Au-PeEL)EBL1840845 035 $a(CaPaEBR)ebr10984171 035 $a(CaONFJC)MIL662243 035 $a(OCoLC)895257499 035 $a(EXLCZ)993800000000007009 100 $a20141120h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe anthropomorphic lens $eanthropomorphism, microcosmism, and analogy in early modern thought and visual arts /$fedited by Walter S. Melion, Bret Rothstein, and Michel Weemans ; contributors, Marisa Bass [and fourteen others] 210 1$aLeiden, Netherlands :$cBrill,$d2015. 210 4$d©2015 215 $a1 online resource (549 p.) 225 1 $aIntersections,$x1568-1181 ;$vVolume 34 300 $aDescription based upon print version of record. 311 $a1-322-30961-2 311 $a90-04-26170-2 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tPreliminary Material -- $tIntroduction /$rMichel Weemans and Bertrand Prévost -- $t1 Revolting Beasts: Animal Satire and Animal Trials in the Dutch Revolt /$rAnne-Laure van Bruaene -- $t2 Monkey in the Middle /$rChristina Normore -- $t3 Landscape and Body in Rabelais?s Gargantua and Pantagruel /$rPaul J. Smith -- $t4 The Migrating Cannibal: Anthropophagy at Home and at the Edge of the World /$rMiya Tokumitsu -- $t5 Picturing the Soul, Living and Departed /$rNathalie de Brézé -- $t6 Patience Grows: The First Roots of Joris Hoefnagel?s Emblematic Art /$rMarisa Bass -- $t7 The Album ?micorum and the Kaleidoscope of the Self: Notes on the Friendship Book of Jacob Heyblocq /$rAneta Georgievska-Shine -- $t8 Picturing the ?Living? Tabernacle in the Antwerp Polyglot Bible /$rPamela Merrill Brekka -- $t9 A New Heraldry: Vision and Rhetoric in the Carrara Herbal /$rSarah R. Kyle -- $t10 Anthropomorphic Maps: On the Aesthetic Form and Political Function of Body Metaphors in the Early Modern Europe Discourse /$rElke Anna Werner -- $t11 Prodigies of Nature, Wonders of the Hand: Political Portents and Divine Artifice in Haarlem circa 1600 /$rWalter S. Melion -- $t12 Between Fiction and Reality: The Image Body in the Early Modern Theory of the Symbol /$rRalph Dekoninck -- $t13 Anthropomorphizing the Orders: ?Terms? of Architectural Eloquence in the Northern Renaissance /$rElizabeth J Petcu -- $t14 Visage-paysage. Problème de peinture /$rBertrand Prévost -- $t15 Nobody?s Bruegel /$rChristopher P. Heuer -- $t16 Morbid Fascination: Death by Bruegel /$rLarry Silver -- $t17 Jan van Hemessen?s Anatomy of Parody /$rBret L. Rothstein -- $t18 The Smoke of Sacrifice: Anthropomorphism and Figure in Karel van Mallery?s Sacrifice of Cain and Abel for Louis Richeome?s Tableaux Sacrez (1601) /$rMichel Weemans -- $tIndex Nominum. 330 $aAnthropomorphism ? the projection of the human form onto the every aspect of the world ? closely relates to early modern notions of analogy and microcosm. What had been construed in Antiquity as a ready metaphor for the order of creation was reworked into a complex system relating the human body to the body of the world. Numerous books and images - cosmological diagrams, illustrated treatises of botany and zoology, maps, alphabets, collections of ornaments, architectural essays ? are entirely constructed on the anthropomorphic analogy. Exploring the complexities inherent in such work, the interdisciplinary essays in this volume address how the anthropomorphic model is fraught with contradictions and tensions, between magical and rational, speculative and practical thought. Contributors include Pamela Brekka, Anne-Laure van Bruaene, Ralph Dekoninck, Agnès Guiderdoni, Christopher P. Heuer, Sarah Kyle, Walter S. Melion, Christina Normore, Elizabeth Petcu, Bertrand Prevost, Bret Rothstein, Paul Smith, Miya Tokumitsu, Michel Weemans, and Elke Werner. 410 0$aIntersections (Boston, Mass.) ;$vVolume 34. 606 $aAnthropomorphism 606 $aAnalogy 606 $aAnalogy (Religion) 606 $aAnthropomorphism in literature 608 $aElectronic books. 615 0$aAnthropomorphism. 615 0$aAnalogy. 615 0$aAnalogy (Religion) 615 0$aAnthropomorphism in literature. 676 $a169 702 $aMelion$b Walter S. 702 $aRothstein$b Bret 702 $aWeemans$b Michel 702 $aBass$b Marisa 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466872703321 996 $aThe anthropomorphic lens$92219474 997 $aUNINA LEADER 01040nam0-2200265 --450 001 9910986786803321 005 20250328120759.0 100 $a20250328d1976----kmuy0itay5050 ba 101 0 $ager 102 $aGR 105 $a 001yy 200 1 $a<>sprachliche situation in dem umbrissenen zeitalter$eRenaissance des attizismus, herausbildung der neugriechischen volkssprache$fPeter Wirth 210 $aAthenes$c[s.n.]$d1976 215 $a54 p.$d24 cm 300 $aEstratto da: 15. 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