LEADER 03020nam 22005413 450 001 9910985670303321 005 20241118181406.0 010 $a9780252056567 010 $a0252056566 035 $a(MiAaPQ)EBC31260934 035 $a(Au-PeEL)EBL31260934 035 $a(CKB)31392459200041 035 $a(Exl-AI)31260934 035 $a(OCoLC)1429724894 035 $a(EXLCZ)9931392459200041 100 $a20240411d2024 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChicana Liberation $eWomen and Mexican American Politics in Los Angeles, 1945-1981 205 $a1st ed. 210 1$aChampaign :$cUniversity of Illinois Press,$d2024. 210 4$d©2024. 215 $a1 online resource (225 pages) 225 1 $aWomen, Gender, and Sexuality in American History Series 311 08$a9780252087813 311 08$a025208781X 311 08$a9780252045707 311 08$a025204570X 327 $aCover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1 Bridging Activism: Mexican American Women and Political Leadership from the Postwar Era to the Early Chicano Movement in Los Angeles -- 2 Forging a Chicana Feminist Praxis: The Comisión Femenil Mexicana Nacional, 1970?1976 -- 3 ?We Would Go There and Be Part of a Great Audience?: California Chicanas and International Women?s Year, Mexico City, 1975 -- 4 ?The Right to Govern Their Own Bodies?: Chicana Body Politics in Los Angeles, 1969?1981 -- Epilogue -- Notes -- Bibliography -- Index -- Back Cover$7Generated by AI. 330 $aThis book explores the political and feminist activism of Mexican American women in Los Angeles between 1945 and 1981. It examines the roles these women played in bridging activism during the postwar era to the early Chicano Movement and highlights their contributions to feminist praxis through organizations like the Comisión Femenil Mexicana Nacional. It also discusses significant events such as the International Women?s Year in Mexico City, 1975, and the development of Chicana body politics. The author, Marisela R. Chávez, draws on personal interviews and historical documents to provide an in-depth account of these women's experiences and their impact on Chicana liberation. The book is aimed at scholars and readers interested in feminist history, Chicana studies, and the social movements of the 20th century.$7Generated by AI. 410 0$aWomen, Gender, and Sexuality in American History Series 606 $aMexican American women$7Generated by AI 606 $aWomen$7Generated by AI 607 $aLos Angeles (Calif.) 615 0$aMexican American women 615 0$aWomen 676 $a979.4/940046872 700 $aChávez$b Marisela R$01791937 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910985670303321 996 $aChicana Liberation$94329726 997 $aUNINA LEADER 04944nam 22006132 450 001 9910978247003321 005 20251019235421.0 010 $a9789004715806 010 $a9004715800 024 7 $a10.1163/9789004715806 035 $a(MiAaPQ)EBC31890949 035 $a(Au-PeEL)EBL31890949 035 $a(CKB)37407394400041 035 $a(OCoLC)1493371773 035 $a(nllekb)BRILL9789004715806 035 $a(PPN)289614651 035 $a(EXLCZ)9937407394400041 100 $a20241009d2025 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNarratives at Play in Aeschylus $ePerspectives on Genre and Poetics /$fLaura Gianvittorio-Ungar 205 $aFirst edition. 210 1$aLeiden ;$aBoston :$cBrill,$d2025. 210 4$d©2025 215 $a1 online resource (310 pages) 225 1 $aClassical Studies E-Books Online, Collection 2024 225 1 $aMnemosyne, Supplements ;$v491 311 08$a9789004715790 311 08$a9004715797 320 $aIncludes bibliographical references and index. 327 $aFront Cover -- ?Half-Title Page -- ?Series Title Page -- ?Title Page -- ?Copyright Page -- ?Contents -- ?Acknowledgements -- ?Note on Texts and Abbreviations -- ?Part 1. Frameworks -- ?Chapter 1. A Novel Take on Tragic Narrativity -- ?1.1. Aeschylus' Narrative Drama -- ?1.1.1. Why Narrative Drama? -- ?1.1.2. Past and Current Approaches to Tragic Narratives -- ?1.1.3. This Book's Approach -- ?1.2. What Narrative Drama Can and Cannot Help With -- ?1.2.1. Approaches to Narrative Performance -- ?1.2.2. Evolutionary Models of Tragedy -- ?1.2.3. A plaidoyer for mim?sis -- ?Chapter 2. Notions of Genre, Ancient and Modern -- ?2.1. Narrative, Drama, and Their Middle Ground -- ?2.1.1. Plato: Who Gives Voice and Body to the Poem? -- ?2.1.2. Aristotle on Genre and Performance -- ?2.1.3. Cross-Overs of Narrative and Drama: Ancient Views -- ?2.2. Generic Projections -- ?2.2.1. Text Transfers -- ?2.2.2. Defining Genres through their History -- ?2.2.3. "Nothing Happens, Really, It Is Just Talk, Talk, Talk" -- ?Part 2. Applications -- ?Chapter 3. A Functional Analysis -- ?3.1. Criteria and Categories -- ?3.1.1. Criteria -- ?3.1.2. Action -- ?3.1.3. Narrative -- ?3.1.4. Response -- ?3.2. Analysis -- ?3.2.1. Persians -- ?3.2.2. Seven against Thebes -- ?3.2.3. Suppliant Women -- ?3.2.4. Prometheus -- ?Chapter 4. Narrative Drama: Features and Functioning -- ?4.1. The Presence of Narrative -- ?4.1.1. Synoptic Tables -- ?4.1.2. Quantifying Narrative -- ?4.1.3. Narrative-Based Structure -- ?4.2. Narrative's Performativity -- ?4.2.1. How to Do Things with Narratives -- ?4.2.2. Parameters of Performativity -- ?4.2.3. The Motor of Drama -- ?4.3. Influences of Narrative on the Plot -- ?4.3.1. Unitary and Disunited Plot -- ?4.3.2. Elastic Plots -- ?4.3.3. Anachronisms and Displacements -- ?4.4. Dramatizing Narratives: Some Techniques. 327 $a?4.4.1. Breaking Down Narratives into Dialogues -- ?4.4.2. Dramatizing Catalogues -- ?4.4.3. Playing with Focalization -- ?Conclusions. From Tragic Narratives towards New Narratives of Tragedy -- ?Appendix. The Reception of the Classical Speech Criterion -- ?Bibliography -- ?Index Locorum -- Back Cover. 330 $aSo little happens in the earliest surviving plays that their dramatic status almost escapes the reader. This calls for a revision of traditional views and historiographies of dramatic literature: for example, how did action come to define drama, and how did these genre developments influence reception? Above all, what constitutes drama when action is as optional as it apparently was in the 470s-460s BCE? This book rethinks Aeschylean theatre as a practice that combines elements of storytelling with enacted responses to them, and reads the literary remains of this practice from cross-generic perspectives (ancient, modern, and transhistorical). 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