LEADER 03385nam 2200625 450 001 9910791215003321 005 20221227072403.0 010 $a0-300-16581-1 024 7 $a10.12987/9780300165814 035 $a(CKB)2550000001204982 035 $a(MH)012660157-7 035 $a(SSID)ssj0001400650 035 $a(PQKBManifestationID)12610564 035 $a(PQKBTitleCode)TC0001400650 035 $a(PQKBWorkID)11344280 035 $a(PQKB)10668772 035 $a(DE-B1597)486765 035 $a(OCoLC)953660930 035 $a(DE-B1597)9780300165814 035 $a(Au-PeEL)EBL4585718 035 $a(CaPaEBR)ebr11234833 035 $a(Au-PeEL)EBL7022729 035 $a(MiAaPQ)EBC4585718 035 $a(MiAaPQ)EBC7022729 035 $a(EXLCZ)992550000001204982 100 $a20221227d2010 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMozart and the Nazis $ehow the Third Reich abused a cultural icon /$fErik Levi 210 1$aNew Haven ;$aLondon :$cYale University Press,$d[2010] 210 4$dİ2010 215 $a1 online resource (vii, 324 p. )$cill. ; 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-12306-X 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tCONTENTS --$tList of Illustrations --$tAcknowledgements --$tIntroduction --$t1. Prologue: 1931, a Mozart year --$t2. Der deutsche Mozart --$t3. Mozart and the Freemasons: a Nazi problem --$t4. Aryanising Mozart --$t5. The Mozart diaspora --$t6. 'True humanitarian music': exiled writers on Mozart --$t7. Mozart performance and propaganda --$t8. Mozart serves German imperialism --$t9. Epilogue: Nazi legacies --$tAppendix I: Address by Baldur von Schirach, Vienna, 28 November 1941 --$tAppendix II: Address by Joseph Goebbels, Vienna, 4 December 1941 --$tNotes --$tBibliography --$tIndex 330 $aDespite the apparent incompatibility between Mozart's humanitarian and cosmopolitan outlook and Nazi ideology, the Third Reich tenaciously promoted the great composer's music to further the goals of the fascist regime. In this revelatory book, Erik Levi draws on period articles, diaries, speeches, and other archival materials to provide a new understanding of how the Nazis shamelessly manipulated Mozart for their own political advantage. The book also explores the continued Jewish veneration of the composer during this period while also highlighting some of the disturbing legacies of Mozart reception that resulted from Nazi appropriation of his work. Augmented by rare contemporary illustrations, Mozart and the Nazis will be widely welcomed by readers with interests in music, German history, Holocaust studies, propaganda, and politics in the twentieth century. 606 $aNational socialism and music 606 $aMusic and state$zGermany$xHistory$y20th century 606 $aMusic$xPolitical aspects$zGermany$xHistory$y20th century 615 0$aNational socialism and music. 615 0$aMusic and state$xHistory 615 0$aMusic$xPolitical aspects$xHistory 676 $a780.92 700 $aLevi$b Erik$01538402 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791215003321 996 $aMozart and the Nazis$93793596 997 $aUNINA LEADER 01062nam0-2200313 --450 001 9910984794303321 005 20250318110233.0 010 $a88-00-85704-3 020 $aIT$b94-11656 100 $a20250318d1994----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $a 001yy 200 1 $aAlle origini dell'Italia repubblicana, 1944-1948$elotta politica e contrasti ideali nel dopoguerra$fGuido De Ruggiero$ga cura di Maria Luisa Cicalese$gcon un saggio di Giovanni Spadolini 210 $aGrassina, Bagno a Ripoli$cLe Monnier$d1994 215 $a174 p.$d25 cm 225 1 $aQuaderni della Nuova antologia$v50 610 0 $aItalia$aPolitica$a1944-1948 676 $a945.0924$v20 700 1$aDe Ruggiero,$bGuido$011779 702 1$aSpadolini,$bGiovanni 702 1$aCicalese,$bMaria Luisa 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910984794303321 952 $a945.092 DERG 01$b2025/568$fFLFBC 959 $aFLFBC 996 $aAlle origini dell'Italia repubblicana, 1944-1948$93605779 997 $aUNINA