LEADER 04282nam 22006493 450 001 9910984638003321 005 20231110215425.0 010 $a9781487543808 010 $a1487543808 010 $a9781487543792 010 $a1487543794 024 7 $a10.3138/9781487543808 035 $a(MiAaPQ)EBC7151468 035 $a(Au-PeEL)EBL7151468 035 $a(CKB)25510430400041 035 $a(DE-B1597)647585 035 $a(DE-B1597)9781487543808 035 $a(OCoLC)1337862230 035 $a(MdBmJHUP)musev2_110067 035 $a(OCoLC)1356994856 035 $a(MiAaPQ)EBC30355788 035 $a(Au-PeEL)EBL30355788 035 $a(OCoLC)1402816015 035 $a(EXLCZ)9925510430400041 100 $a20221204d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Art of Witnessing $eFrancisco de Goya's Disasters of War 205 $a1st ed. 210 1$aToronto :$cUniversity of Toronto Press,$d2023. 210 4$dİ2022. 215 $a1 online resource (297 pages) 225 1 $aToronto Iberic 311 08$aPrint version: Iarocci, Michael The Art of Witnessing Toronto : University of Toronto Press,c2023 9781487543785 327 $aCover -- Half-Title Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Introduction: Viewing, Reading, Witnessing -- Beginnings -- Preface (1863): Image of an Artist -- 1 Tristes presentimientos de lo que ha de acontecer -- 2 Con razo?n o sin ella -- 3 Lo mismo -- 4 Las mujeres dan valor -- 5 Y son fieras -- 6 Bien te se esta? -- 7 Que valor! -- 8 Siempre sucede -- 9 No quieren -- 10 Tampoco -- 11 Ni por esas -- 12 Para eso habeis nacido -- 13 Amarga presencia -- 14 Duro es el paso! -- 15 Y no hay remedio -- 16 Se aprovechan -- 17 No se convienen -- 18 Enterrar y callar 327 $a19 Ya no hay tiempo -- 20 Curarlos y a otra -- 21 Sera? lo mismo -- 22 Tanto y ma?s -- 23 Lo mismo en otras partes -- 24 Au?n podra?n servir -- 25 Tambien estos -- 26 No se puede mirar -- 27 Caridad -- 28 Populacho -- 29 Lo mereci?a -- 30 Estragos de la guerra -- 31 Fuerte cosa es! -- 32 Por que? -- 33 Que hay que hacer ma?s? -- 34 Por una navaja -- 35 No se puede saber por que -- 36 Tampoco -- 37 Esto es peor -- 38 Ba?rbaros! -- 39 Grande hazan?a! Con muertos! -- 40 Algu?n partido saca -- 41 Escapan entre llamas -- 42 Todo va revuelto -- 43 Tambien esto -- 44 Yo lo vi -- 45 Y esto tambien 327 $a46 Esto es malo -- 47 Asi? sucedio? -- Afterword -- Notes -- Bibliography -- Index 330 $a"Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya's renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation. The Art of Witnessing provides a new account of Goya's print series by taking readers through the forty-seven prints he dedicated to the violence of war. Drawing on facets of Goya's artistry rarely considered together before, the book challenges the notion that documentary realism and historical testimony were his primary aims. Michael Iarocci argues that while the depiction of war's atrocities was central to Goya's project, the lasting power of the print series stems from the artist's complex moral and aesthetic meditations on the subject. Making novel contributions to longstanding debates about historical memory, testimony, and the representation of violence, The Art of Witnessing tells a new story, print by print, to highlight the ways in which Goya's masterpiece extends far beyond conventional understandings of visual testimony."--$cProvided by publisher. 410 0$aToronto Iberic 606 $aWar in art 606 $aART / History / Romanticism$2bisacsh 608 $aCriticism, interpretation, etc.$2fast 615 0$aWar in art. 615 7$aART / History / Romanticism. 676 $a769.92 686 $acci1icc$2lacc 700 $aIarocci$b Michael$01794089 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910984638003321 996 $aThe Art of Witnessing$94334624 997 $aUNINA