LEADER 00834nam0-22002891i-450- 001 990000892860403321 005 20090930153900.0 035 $a000089286 035 $aFED01000089286 035 $a(Aleph)000089286FED01 035 $a000089286 100 $a20020821d1968----km-y0itay50------ba 101 0 $aeng 102 $aDE 105 $ay-------001yy 200 1 $aContinuum theory of in homogenitiesin simple bodies$fClifford Truesdell 210 $aBerlin$cSpringer-Verlag$d1968 215 $a192 p.$d22 cm 610 0 $aScienza delle costruzioni 700 1$aTruesdell,$bClifford$017725 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000892860403321 952 $a03 SC.0,79$b2261$fIINTC 959 $aIINTC 996 $aContinuum theory of in homogenitiesin simple bodies$9357225 997 $aUNINA LEADER 05539nam 22006015 450 001 9910984580003321 005 20250228115229.0 010 $a9783031748219 010 $a3031748212 024 7 $a10.1007/978-3-031-74821-9 035 $a(CKB)37726378100041 035 $a(MiAaPQ)EBC31927449 035 $a(Au-PeEL)EBL31927449 035 $a(DE-He213)978-3-031-74821-9 035 $a(OCoLC)1504577864 035 $a(EXLCZ)9937726378100041 100 $a20250228d2025 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVisual Arts Work $eCareers, Perspectives and Practices in an Australian Context /$fedited by Grace McQuilten, Chloë Powell, Marnie Badham, Kate MacNeill, Jenny Lye 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (290 pages) 225 1 $aNew Directions in Cultural Policy Research,$x2730-9258 311 08$a9783031748202 311 08$a3031748204 327 $aChapter 1: Visual Arts Work: Global and Local Issues -- Section One Introduction: Context.-Chapter 2: Implementing First Peoples First: Decolonising Action in the Arts and Cultural Sector in Australia -- Chapter 3: The Social History of Visual and Craft Artists Organising in Australia -- Chapter 4: Expanding Artworlds: Recognising Diversity of Art Practices and Artists -- Chapter 5: Industry Perspective The Current State of Play: Policy and Data -- Chapter 6: Industry Perspective Fundamental Change Needed to Improve Artists? Working Conditions -- Chapter 7: Artist Perspective Art and Capital -- Chapter 8: The Incomes of Visual Artists: Which Artists? What Income? -- Chapter 9: The Incomes of Visual Artists: Which Artists? What Income? -- Chapter 10: Towards an Expanded Approach to Cultural Value through Artists? Self-Organisations: Indigenous Arts Centres, Artist Collectives and Artist Run Initiatives -- Chapter 11: Industry Perspective Career Reflections: Artist to Advocate -- Chapter 12: Artist Perspective Institutional Interface, 2024. Chapter 13: Artist Perspective Fighting for Artists? Labour in an Era of Insecurity -- Section Three Introduction: Incomes and Work Patterns -- Chapter 14: Visual and Craft Artists: Insights into Diverse Incomes and Hybrid Patterns -- Chapter 15: Arts Workers: Insights into Insecure work and Career Patterns -- Chapter 16: Visual Arts Work Hybridity: Balancing Creative Practice, Arts Work and Other Jobs -- Chapter 17: Industry Perspective Inside Out/Outside In: Arts Worker to Arts Advocate -- Chapter 18: Artist Perspective Art Work Towards a More Hopeful Future -- Chapter 19: Artist Perspective We Don?t Need Materialism, But We Do Need Creativity -- Conclusion. 330 $aThis book provides the most comprehensive picture to date of work in the visual arts ecosystem in Australia. In a context where artists? incomes are consistently low and falling, commercial galleries are financially vulnerable, and public galleries face program funding challenges ? this book explores barriers to the economic health of the sector, the challenge of improving artists? and arts workers? working conditions, and the realities of being a creative in the twenty-first century. The book combines an analysis of art world economic value chains alongside alternative and emergent cultural, social and political economies with new quantitative and qualitative insights from artists and arts workers. With interdisciplinary methodologies and industry engagement, it examines multiple and hybrid systems of value and includes the perspectives of visual artists, craft artists and arts workers with diverse lived experiences. Our research offers greater insight into the social, cultural, and political forces that underly the mediation of art to the public including an urgent emphasis on gender, cultural safety and care work including the concerns of First Nations artists, culturally and linguistic diverse artists, and artists with disability. Our approach unpacks the diversity and hybridity of art ?work? to include practices realised through digitisation, internationalisation, community engagement and intersectoral partnerships. Grace McQuilten is Professor at the School of Art, RMIT, Australia. Chloë Powell is Research Assistant at the School of Art, RMIT, Australia. Marnie Badham is Associate Professor at the School of Art, College of Design and Social Context, RMIT, Australia. Kate MacNeill is Associate Dean, Faculty of Arts, University of Melbourne, Australia. Jenny Lye is Associate Professor at the Department of Economics, University of Melbourne, Australia. 410 0$aNew Directions in Cultural Policy Research,$x2730-9258 606 $aCommunication and traffic 606 $aCultural policy 606 $aMedia Industries 606 $aCultural Policy and Politics 615 0$aCommunication and traffic. 615 0$aCultural policy. 615 14$aMedia Industries. 615 24$aCultural Policy and Politics. 676 $a338.4770994 700 $aMcQuilten$b Grace$01258252 701 $aPowell$b Chloë$01789949 701 $aBadham$b Marnie$01789950 701 $aMacNeill$b Kate$01789951 701 $aLye$b Jenny$01789952 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910984580003321 996 $aVisual Arts Work$94326115 997 $aUNINA