LEADER 03815nam 22006495 450 001 9910983489503321 005 20250923010019.0 010 $a9783031770258 010 $a3031770250 024 7 $a10.1007/978-3-031-77025-8 035 $a(CKB)37391005600041 035 $a(MiAaPQ)EBC31892393 035 $a(Au-PeEL)EBL31892393 035 $a(DE-He213)978-3-031-77025-8 035 $a(OCoLC)1493573407 035 $a(EXLCZ)9937391005600041 100 $a20250126d2025 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aQueer Interruptions $eTemporality in Femslash Fandom /$fby Evangeline Aguas 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (134 pages) 225 1 $aPalgrave Fan Studies,$x2662-2815 311 08$a9783031770241 311 08$a3031770242 327 $aChapter 1: Introduction: "Time-traveling Wounds" -- Chapter 2: The Ideal Fan vs The Rest of Us -- Chapter 3: A Queer Ethnography -- Chapter 4: Queer Disorientations: Delay and Extended Adolescence -- Chapter 5: Queer Death Onscreen: Anachronism, Bad Feelings, and Melancholia -- Chapter 6: Queer Interruptions: A Fan Gift and Queer Archive of Feelings -- Chapter 7: Life After Death (On Repeat). 330 $aThis book explores the experiences of queer female and genderqueer fans through interviews and an original documentary. Inspired by fan reactions to the death of a popular lesbian character on the television series The 100 (2014-2020), the book focuses on the fans' experiences with the "Bury Your Gays" trope and seeks to illustrate the enduring impact of these ?ctional deaths on contemporary viewers. The book draws on queer theory to frame the experiences of queer female and genderqueer fans as experiences of queer time: as deviations from heteronormative life timelines, as anachronistic backward turns, and as queer melancholia. By exploring the "backward" feelings and experiences of fans, this book illustrates how the pain and abjection of the queer past are still with us in the present, challenging simplistic narratives of progress and highlighting the continuing marginalisation of the queer community onscreen and in the wider political context. Dr Evangeline Aguas (she/her) is a Lecturer in Digital and Social Media at the University of Technology Sydney, Australia. With a background in professional ?lm and television production, her interdisciplinary research aims to combine the ?elds of queer theory, digital media, and fan studies with creative practice. She has a particular interest in how ?lm and visual media can be utilised to further disseminate research beyond the academy. 410 0$aPalgrave Fan Studies,$x2662-2815 606 $aAudiences 606 $aSex 606 $aFan and Audience Studies 606 $aGender Studies 606 $aFemslash$2homoit$3https://homosaurus.org/v4/homoit0002162 606 $aSlash (Genre)$2homoit$3https://homosaurus.org/v4/homoit0002200 606 $aLGBTQ+ people in fandom$2homoit$3https://homosaurus.org/v4/homoit0002181 606 $aLGBTQ+ television$2homoit$3https://homosaurus.org/v4/homoit0001359 615 0$aAudiences. 615 0$aSex. 615 14$aFan and Audience Studies. 615 24$aGender Studies. 615 7$aFemslash. 615 7$aSlash (Genre) 615 7$aLGBTQ+ people in fandom. 615 7$aLGBTQ+ television. 676 $a791.4565266 700 $aAguas$b Evangeline$01784885 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910983489503321 996 $aQueer Interruptions$94316517 997 $aUNINA