LEADER 03961nam 22006255 450 001 9910983030603321 005 20250225120752.0 010 $a9783031788925 010 $a3031788923 024 7 $a10.1007/978-3-031-78892-5 035 $a(CKB)37702828000041 035 $a(MiAaPQ)EBC31919658 035 $a(Au-PeEL)EBL31919658 035 $a(DE-He213)978-3-031-78892-5 035 $a(OCoLC)1504577878 035 $a(EXLCZ)9937702828000041 100 $a20250225d2025 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAuthenticity and Adaptation /$fedited by Christina Wilkins 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (255 pages) 225 1 $aPalgrave Studies in Adaptation and Visual Culture,$x2634-6303 311 08$a9783031788918 311 08$a3031788915 327 $aChapter 1: Introduction -- Chapter 2: Authentic Adaptation -- Chapter 3: The Book of Lindelof: Authorship and Identity in The Leftovers and Watchmen -- Chapter 4: ?I have looked upon all that the universe has to hold of horror?: The authentic Lovecraftian image in film and television -- Chapter 5: ?It?s not a Star Wars reference?: Searching for Shakespearean Authenticity and Adaptation in the Marvel Cinematic Universe -- Chapter 6: Authorial Authenticity and Adaptation in Abbas Kiarostami?s Close-Up -- Chapter 7: The ?new depthiness? of Hamlet in Lockdown Digital Performance -- Chapter 8: Medium, Mental Illness, and Experience: A Little Life -- Chapter 9: ?Some of which actually happened?: A Million Little Pieces (2018) and the Dual Fidelities of Adapting Nonfiction -- Chapter 10: Tales of Girlhood: embodiment and authenticity in The Wonder (2022) and Aftersun (2022) -- Chapter 11: Authenticity, Adaptive Memory, and the Reinvention of Mark Twain?s Adventures of Huckleberry Finn (1884) -- Chapter 12: Never the Last Word: What Definitive Adaptations Can Teach Us about the News. 330 $aThis collection seeks to explore what authenticity means in the context of adaptation, whether there is such a thing as an authentic adaptation, and what authenticity can offer for adaptation. It does so through four specific sections, each thinking through related questions raised by the theme. By outlining theoretical approaches to authenticity, querying authorship?s relationship to adaptation, the role of medium, and the place or value of the audience, this collection brings together a holistic perspective of authenticity that will intervene in the contemporary debates within adaptation. Authenticity?s increasing importance in the zeitgeist filters through to adaptation, yet it is something that has not been explicitly debated or discussed within the field. As such, this collection both highlights and attempts to fill a gap in scholarship. Christina Wilkins is a lecturer at University of Birmingham, UK. 410 0$aPalgrave Studies in Adaptation and Visual Culture,$x2634-6303 606 $aAdaptation (Literary, artistic, etc.) 606 $aComparative literature 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aAdaptation Studies 606 $aComparative Literature 606 $aFilm and Television Studies 615 0$aAdaptation (Literary, artistic, etc.) 615 0$aComparative literature. 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 14$aAdaptation Studies. 615 24$aComparative Literature. 615 24$aFilm and Television Studies. 676 $a801 700 $aWilkins$b Christina$0871356 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910983030603321 996 $aAuthenticity and Adaptation$94316970 997 $aUNINA