LEADER 03988nam 22006255 450 001 9910978384403321 005 20250208115227.0 010 $a9783031658464 010 $a3031658469 024 7 $a10.1007/978-3-031-65846-4 035 $a(MiAaPQ)EBC31900407 035 $a(Au-PeEL)EBL31900407 035 $a(CKB)37498913600041 035 $a(OCoLC)1499719874 035 $a(DE-He213)978-3-031-65846-4 035 $a(EXLCZ)9937498913600041 100 $a20250208d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAesth-ethics $eOf Hospitality in Art /$fby Dror Pimentel 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (325 pages) 311 08$a9783031658457 311 08$a3031658450 327 $aChapter 1. Introduction: The Work of the Artwork -- Chapter 2. Of Hospitality: From Ethics to Aesth-ethics -- Chapter 3. Rilke?s Testimony -- Chapter 4. Specters of Beuys -- Chapter 5. The Homeland of the Unhomely -- Chapter 6. My Name Is Not Odradek -- Chapter 7. Who by Fire -- Chapter 8. The Haunted Signifier -- Chapter 9. The Gift of Violence -- Chapter 10. Conclusion: Towards Aesth-ethics. 330 $aThe question of hospitality is the most pressing question in contemporary thought: How can we host that which is utterly Other, that which resists all conceptualization, and thus disrupts the proper course of thought? In the current book, the discussion of hospitality is given a new conceptualization, and extended to the field of aesthetics: the event of hospitality does not occur in the face-to-face encounter with the other person, as Emmanual Levinas conceived of it, but rather in the encounter with the work of art itself. Writing about the event of hospitality?as it is eventuated in art?involves subverting the traditional precedence of theory over practice. This subversion is also evident in the indifference to traditional distinctions, such as those between poetry and visual art; modern art and classical art; international art and local art. Moreover, most of the artworks considered throughout are hybrid in character: they are suspended in the space between the visual and the verbal, whether they involve the verbal representation of a visual object (as in Rilke?s poem ?Archaic Torso of Apollo?), or a visual representation of a verbal object (as in Anselm Kiefer?s work ?Your Golden Hair Margarete?). The consideration of these and other works come together to give rise to a novel and original discourse on art that is termed ?Aesth-ethics,? and which is presented for the first time in this volume. Prof. Dror Pimentel lectures in the department of Visual and Material Culture and in the MA Program of Policy and Theory of the Arts, Bezalel Academy of Arts and Design, Jerusalem. Pimentel?s book Aesthetics (2014) and his translation of Heidegger?s ?Letter on Humanism" (2018) were published in Hebrew. His book Heidegger with Derrida: Being Written was published by Palgrave Macmillan (2019). 606 $aJudaism$xDoctrines 606 $aContinental philosophy 606 $aTheology 606 $aReligion$xPhilosophy 606 $aJewish Theology 606 $aContinental Philosophy 606 $aChristian Theology 606 $aPhilosophy of Religion 615 0$aJudaism$xDoctrines. 615 0$aContinental philosophy. 615 0$aTheology. 615 0$aReligion$xPhilosophy. 615 14$aJewish Theology. 615 24$aContinental Philosophy. 615 24$aChristian Theology. 615 24$aPhilosophy of Religion. 676 $a111.85 700 $aPimentel$b Dror$0904197 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910978384403321 996 $aAesth-Ethics$94319882 997 $aUNINA