LEADER 03527nam 22006855 450 001 996418181603316 005 20240425154351.0 010 $a3-030-47833-5 024 7 $a10.1007/978-3-030-47833-9 035 $a(CKB)4100000011325820 035 $a(MiAaPQ)EBC6245735 035 $a(DE-He213)978-3-030-47833-9 035 $a(PPN)248596810 035 $a(EXLCZ)994100000011325820 100 $a20200630d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Science of Sci-Fi Music$b[electronic resource] /$fby Andrew May 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2020. 215 $a1 online resource (156 pages) 225 1 $aScience and Fiction,$x2197-1188 311 0 $a3-030-47832-7 327 $aAlien Sounds -- Musical Mathematics -- The Electronic Revolution -- Scientific Music -- Science Fiction and Music Culture -- Speculations on a Musical Theme. 330 $aThe 20th century saw radical changes in the way serious music is composed and produced, including the advent of electronic instruments and novel compositional methods such as serialism and stochastic music. Unlike previous artistic revolutions, this one took its cues from the world of science. Creating electronic sounds, in the early days, required a well-equipped laboratory and an understanding of acoustic theory. Composition became increasingly ?algorithmic?, with many composers embracing the mathematics of set theory. The result was some of the most intellectually challenging music ever written ? yet also some of the best known, thanks to its rapid assimilation into sci-fi movies and TV shows, from the electronic scores of Forbidden Planet and Dr Who to the other-worldly sounds of 2001: A Space Odyssey. This book takes a close look at the science behind "science fiction" music, as well as exploring the way sci-fi imagery found its way into the work of musicians like Sun Ra and David Bowie, and how music influenced the science fiction writings of Philip K. Dick and others. 410 0$aScience and Fiction,$x2197-1188 606 $aPhysics 606 $aSound 606 $aMathematics 606 $aMusic 606 $aHearing 606 $aElectronic music$xHistory and criticism 606 $aComputer music$xHistory and criticism 606 $aPopular Science in Physics$3https://scigraph.springernature.com/ontologies/product-market-codes/Q29000 606 $aAcoustics$3https://scigraph.springernature.com/ontologies/product-market-codes/P21069 606 $aMathematics in Music$3https://scigraph.springernature.com/ontologies/product-market-codes/M33000 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 615 0$aPhysics. 615 0$aSound. 615 0$aMathematics. 615 0$aMusic. 615 0$aHearing. 615 0$aElectronic music$xHistory and criticism. 615 0$aComputer music$xHistory and criticism. 615 14$aPopular Science in Physics. 615 24$aAcoustics. 615 24$aMathematics in Music. 615 24$aMusic. 676 $a786.7 700 $aMay$b Andrew$4aut$4http://id.loc.gov/vocabulary/relators/aut$0823854 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996418181603316 996 $aScience of Sci-Fi Music$91885387 997 $aUNISA LEADER 00706nam0-2200241 --450 001 9910977583103321 005 20250218103921.0 010 $a978-88-911-3943-6 100 $a20250218d2014----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $a 001yy 200 1 $a''A piedi nudi tra gli antenati''$cguarire l'anima con le immagini emozionali$fMyriam Lopa 210 $aTricase$cYoucanprint$d2014 215 $a45 p.$d21 cm 700 1$aLopa,$bMyriam$01789228 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910977583103321 952 $a150.3357 LOPM 01$b2024/11990$fFLFBC 959 $aFLFBC 996 $a'A piedi nudi tra gli antenati'$94324649 997 $aUNINA