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200 1 $aUbungen zur Stoffwechselphysiologie der Pflanzen$fvon K. Paech und W. Simonis
210   $aBerlin$cSpringer$d1952
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200 10$aMapping the Landscape, Remapping the Text$eSpanish Poetry from Antonio Machado's Campos de Castilla to the First Avant-Garde (1909-1925) /$fby Renee M. Silverman
205   $a1st ed.
210  1$aChapel Hill :$cUniversity of North Carolina Press,$d2014.
210  3$aBaltimore, Md. :$cProject MUSE, $d2019
210  4$d©2014.
215   $a1 online resource (273 pages) $cillustrations
225 0 $aNorth Carolina Studies in the Romance Languages and Literatures ;$v302
311 08$a1-4696-1522-3 
320   $aIncludes bibliographical references (pages 239-255) and index.
327   $aCover -- TABLE OF CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- CHAPTER 1: FRAMING THE LANDSCAPE: ANTONIO MACHADO'S CAMPOS DE CASTILLA -- CHAPTER 2: MAPPING THE SPANISH AVANT-GARDE: GUILLERMO DE TORRE AND ULTRAÍSMO -- CHAPTER 3: PERCEPTUAL SIMULTANEITY AND ULTRAÍSMO: THE IMPACT OF SIMULTANEISME -- CHAPTER 4: GERARDO DIEGO'S MUSICAL ARCHITECTURE: IMAGEN AND MANUAL DE ESPUMAS -- CONCLUSION -- WORKS CITED -- ILLUSTRATIONS -- INDEX.
330   $aMapping the Landscape, Remapping the Text: Spanish Poetry from Antonio Machado's Campos de Castilla to the First Avant-Garde (1909-1925) explores the mapping of identity and memory in Antonio Machado's (1875-1939) Campos de Castilla (1912, 1917) before studying its disruption by the avant-garde movements Ultraísmo (1918-1925) and Creacionismo.
410  0$aNorth Carolina studies in the Romance languages and literatures ;$vNumber 302.
606   $aExperimental poetry, Spanish$xHistory and criticism
606   $aAvant-garde (Aesthetics)$zSpain$xHistory$y20th century
606   $aCreationism (Literary movement)$zSpain
606   $aUltraism (Literary movement)$zSpain
606   $aSpanish poetry$y20th century$xHistory and criticism
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