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100   $a20250123i20152020  uu 
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aFrom Self-Fulfilment to Survival of the Fittest : $eWork in European Cinema from the 1960s to the Present /$fEwa Mazierska
210   $cBerghahn Books$d2015
210  1$a[s.l.] :$cBerghahn Books,$d2015.
215   $a1 online resource (1 p.)
311 08$a9781789208139 
311 08$a1789208130 
311 08$a9781789204742 
311 08$a1789204747 
330   $aContrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, Dus?an Makavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.
606   $aPerforming Arts / Film / History & Criticism$2bisacsh
606   $aPerforming arts
615  7$aPerforming Arts / Film / History & Criticism
615  0$aPerforming arts.
700   $aMazierska$b Ewa$0978088
801  0$bScCtBLL
801  1$bScCtBLL
906   $aBOOK
912   $a9910976771203321
996   $aFrom Self-Fulfilment to Survival of the Fittest$94319408
997   $aUNINA