LEADER 02372nam 2200565 450 001 9910815420203321 005 20220405003620.0 010 $a0-8389-9622-1 035 $a(CKB)3710000000125964 035 $a(EBL)1702495 035 $a(OCoLC)881416694 035 $a(SSID)ssj0001265106 035 $a(PQKBManifestationID)12471787 035 $a(PQKBTitleCode)TC0001265106 035 $a(PQKBWorkID)11236140 035 $a(PQKB)10307183 035 $a(MiAaPQ)EBC1702495 035 $a(Au-PeEL)EBL1702495 035 $a(CaPaEBR)ebr10880363 035 $a(PPN)179455702 035 $a(EXLCZ)993710000000125964 100 $a20140617h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRDA and serials cataloging /$fEd Jones ; cover design by Karen Sheets de Gracia 210 1$aChicago, Illinois :$cALA editions,$d2013. 210 4$dİ2013 215 $a1 online resource (236 p.) 300 $aIncludes index. 311 $a0-8389-1139-0 327 $aContents; Introduction; Part I: Preparation; Chapter 1: An Introduction to Serials and Serials Cataloging; Chapter 2: Getting to Know RDA; Part II: Serials Cataloging Using RDA; Chapter 3: Searching and the Universe of Serials; Chapter 4: Cataloging Serials and Ongoing Integrating Resources Using RDA; 1. General Instructions Relating to Serials Cataloging Using RDA and MARC 21; 2. Attributes of Resources; 3. Relationships between Resources; 4. Identifying Works and Expressions [RDA 6]; 5. Identifying Related Entities; 6. Online Serials and Conser Provider-Neutral Records 327 $a7. Ongoing Integrating ResourcesEpilogue: RDA and Linked Data; Index 330 $aSerials cataloging expert Jones frames the practice within the structure of the FRBR and FRAD conceptual models on which RDA is based. 606 $aCataloging of integrating resources 606 $aCataloging of serial publications 615 0$aCataloging of integrating resources. 615 0$aCataloging of serial publications. 676 $a025.3/2 700 $aJones$b Ed$f1951-$01639025 702 $ade Gracia$b Karen Sheets 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815420203321 996 $aRDA and serials cataloging$93981757 997 $aUNINA LEADER 02285nam 22005533 450 001 9910155196303321 005 20250709204148.0 010 $a9782296988842 010 $a2296988849 035 $a(CKB)3780000000044505 035 $a(MiAaPQ)EBC6668734 035 $a(Au-PeEL)EBL6668734 035 $a(OCoLC)1260347400 035 $a(Exl-AI)6668734 035 $a(FR-PaCSA)88840113 035 $a(FRCYB88840113)88840113 035 $a(Perlego)3159128 035 $a(EXLCZ)993780000000044505 100 $a20210901d2012 uy 0 101 0 $afre 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aL' industrie Musicale a? l'aube du XXIe Sie?cle 205 $a1st ed. 210 1$aParis :$cEditions L'Harmattan,$d2012. 210 4$dİ2012. 215 $a1 online resource (212 pages) 225 1 $aQuestions Contemporaines 311 08$a9782336004020 311 08$a233600402X 311 08$a9782296510562 311 08$a2296510566 330 $aThis book critically examines the transformations in the music industry at the dawn of the 21st century, focusing on the impact of digitalization and peer-to-peer sharing. It explores how traditional industry structures are being challenged and redefined through new economic models and innovative strategies, including online promotion, viral marketing, and crowd-funding. The authors, who are young researchers from various French universities, provide analyses of the evolving practices of listeners and the roles of independent and live music sectors. The book is intended for scholars, industry professionals, and anyone interested in the cultural and economic shifts within the music industry.$7Generated by AI. 410 0$aQuestions Contemporaines 606 $aMusic trade$7Generated by AI 606 $aMusic$xEconomic aspects$7Generated by AI 615 0$aMusic trade 615 0$aMusic$xEconomic aspects 700 $aPerticoz$b Lucien$0935156 701 $aMatthews$b Jacob Thomas$0935157 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910155196303321 996 $aL' industrie Musicale a? l'aube du XXIe Sie?cle$92106130 997 $aUNINA LEADER 03634nam 22005893 450 001 9910975243103321 005 20250207083024.0 010 $a9781800643284 010 $a1800643284 035 $a(MiAaPQ)EBC6898003 035 $a(Au-PeEL)EBL6898003 035 $a(CKB)21343250700041 035 $a(NjHacI)9921343250700041 035 $a(OCoLC)1302006529 035 $a(oapen)doab78935 035 $a(EXLCZ)9921343250700041 100 $a20220304d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWilliam Sharp and Fiona Macleod $eA Life 205 $a1st ed. 210 $cOpen Book Publishers$d2022 210 1$aCambridge :$cOpen Book Publishers,$d2022. 210 4$dİ2022. 215 $a1 online resource (476 pages) 311 08$a9781800643307 311 08$a1800643306 311 08$aPrint version: Halloran, William F. William Sharp and Fiona Macleod Cambridge : Open Book Publishers,c2022 9781800643277 311 08$a1800643276 311 08$a9781800643260 311 08$a1800643268 327 $aAcknowledgements Preface / William Halloran Chapter One / William Halloran Chapter Two / William Halloran Chapter Three / William Halloran Chapter Four / William Halloran Chapter Five / William Halloran Chapter Six / William Halloran Chapter Seven / William Halloran Chapter Eight / William Halloran Chapter Nine / William Halloran Chapter Ten / William Halloran Chapter Eleven / William Halloran Chapter Twelve / William Halloran Chapter Thirteen / William Halloran Chapter Fourteen / William Halloran Chapter Fifteen / William Halloran Chapter Sixteen / William Halloran Chapter Seventeen / William Halloran Chapter Eighteen / William Halloran Chapter Nineteen / William Halloran Chapter Twenty / William Halloran Chapter Twenty-One / William Halloran Chapter Twenty-Two / William Halloran Chapter Twenty-Three / William Halloran Chapter Twenty-Four / William Halloran Chapter Twenty-Five / William Halloran Appendix 1: William Butler Yeats and Elizabeth Amelia Sharp / William Halloran Appendix 2: Catherine Ann Janvier and Roselle Shields / William Halloran Bibliography List of Illustrations Index. 330 $aWilliam Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. A Scottish poet, novelist, biographer, and editor, he began in 1893 to write critically and commercially successful books under the name Fiona Macleod who became far more than a pseudonym. Enlisting his sister to provide the Macleod handwriting, he used the voluminous Fiona correspondence to fashion a distinctive personality for a talented, but remote and publicity-shy woman. Sometimes she was his cousin and other times his lover, and whenever suspicions arose, he vehemently denied he was Fiona. For more than a decade he duped not only the general public but such literary luminaries as George Meredith, Thomas Hardy, Henry James, William Butler Yeats, and E. C. Stedman. 517 $aWilliam Sharp and ?Fiona Macleod? 606 $aAuthors, Scottish$y19th century$vBiography 606 $aAuthors, Scottish 606 $aLiterary forgeries and mystifications 615 0$aAuthors, Scottish 615 0$aAuthors, Scottish. 615 0$aLiterary forgeries and mystifications. 676 $a828.709 700 $aHalloran$b William F$0864518 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910975243103321 996 $aWilliam Sharp and Fiona Macleod$92833231 997 $aUNINA