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005 20200520144314.0
010   $a9781283957632
010   $a1283957639
010   $a9781780429953
010   $a1780429959
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035   $a(EBL)915127
035   $a(OCoLC)793996006
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035   $a(PQKBTitleCode)TC0000661238
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035   $a(PPN)197279279
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100   $a20081023d2010      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSandro Botticelli /$fEmile Gebhart [& Victoria Charles]
205   $a1st ed.
210   $aNew York $cParkstone International$dc2010
215   $a1 online resource (256 p.)
225 1 $aTemporis
300   $aText originally published 1907?
311 08$a9781844846436 
311 08$a1844846431 
320   $aIncludes bibliographical references and index.
327   $aContents; Botticelli's Youth and Education; Botticelli's First Works; The Medici and Botticelli's Pagan Initiation; Pagan, Mystical,and Oriental Visions; Botticelli's Waning Days; Bibliography; List of Illustrations
330   $aThe Medici court painter Botticelli is one of the unequivocal artists of the Italian Renaissance alongside Leonardo da Vinci, Michelangelo and Raphael. Favouring feminine portraits, Botticelli stands apart through the finesse of his lines and the unbridled sensuality of his paintings. Between religious and private commissions this Florentine artist introduced the profane into art through works of complex mythological subjects, such as the incontrovertibly masterful Primavera and The Birth of Venus, and knew how to delight the erudite patrons of art. The Madonna of the Magnificat remains one of
410  0$aTemporis collection.
517 1 $aBotticelli
606   $aArt, Renaissance
606   $aArtists$zItaly$vBiography
615  0$aArt, Renaissance.
615  0$aArtists
676   $a759.5
700   $aGebhart$b Emile$f1839-1908.$0134619
701   $aCharles$b Victoria$0597104
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910974848503321
996   $aSandro Botticelli$94341696
997   $aUNINA