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100   $a20150227d2011      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDemystifying Disney $ea history of Disney feature animation /$fChris Pallant
205   $a1st ed.
210  1$aNew York :$cContinuum,$d2011.
215   $a1 online resource (185 p.)
300   $aSection 1: Re-examining Disney -- Disney authorship -- A history of innovation -- Section 2: Early and middle Disney feature animation -- Disney formalism -- Destino -- Disney in transition -- Section 3: Contemporary Disney feature animation -- The Disney renaissance -- Neo-Disney -- Digital Disney -- Conclusion: 'Happily ever after'.
311 08$a9781623567446 
311 08$a1623567440 
311 08$a9781441174215 
311 08$a1441174214 
320   $aIncludes bibliographical references, filmography and index.
327   $aAcknowledgements -- Introduction -- Section One-Re-examining Disney -- Chapter One: Disney Authorship -- Chapter Two: A History of Innovation? -- Section Two-Early and Middle Disney Feature Animation -- Chapter Three: Disney-Formalism -- Chapter Four: Destino -- Chapter Five: Disney in Transition -- Section Three-Contemporary Disney Feature Animation -- Chapter Six: The Disney Renaissance -- Chapter Seven: Neo-Disney -- Chapter Eight: Digital Disney -- Conclusion-Happily Ever After? -- Works Cited -- Filmography -- Index
330 8 $aDemystifying Disney: A History of Disney Feature Animation provides a comprehensive and thoroughly up-to-date examination of the Disney studio's evolution through its animated films. In addition to challenging certain misconceptions concerning the studio's development, the study also brings scholarly definition to hitherto neglected aspects of contemporary Disney. Through a combination of economic, cultural, historical, textual, and technological approaches, this book provides a discriminating analysis of Disney authorship, and the authorial claims of others working within the studio; conceptual and theoretical engagement with the constructions of 'Classic' Disney, the Disney Renaissance, and Neo-Disney; Disney's relationship with other studios; how certain Disney animations problematise a homogeneous reading of the studio's output; and how the studio's animation has changed as a consequence of new digital technologies. For all those interested in gaining a better understanding of one of cinema's most popular and innovative studios, this will be an invaluable addition to the existing literature
606   $aAnimated films$zUnited States$xHistory and criticism
606   $2Animated films
615  0$aAnimated films$xHistory and criticism.
676   $a741.5/8
700   $aPallant$b Chris$01866905
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801  1$bUtOrBLW
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906   $aBOOK
912   $a9910974835203321
996   $aDemystifying Disney$94474384
997   $aUNINA