LEADER 01067nam a22002531i 4500 001 991000911809707536 005 20040212093041.0 008 040220s1967 fr |||||||||||||||||fre 035 $ab12689233-39ule_inst 035 $aARCHE-068759$9ExL 040 $aDip.to Scienze pedagogiche$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a152 245 00$aPerception et notion du temps /$cpar Magali Bovet ... [et al.] 260 $aParis :$bPresses universitaires de France,$c1967 300 $a184 p. ;$c22 cm 440 0$aBibliothèque scientifique internationale.$pEtudes d'épistémologie génétique ;$v21 650 4$aTempo$xPercezione 700 1 $aBovet, Magali$eauthor$4http://id.loc.gov/vocabulary/relators/aut$046595 907 $a.b12689233$b02-04-14$c17-03-04 912 $a991000911809707536 945 $aLE022 MPs-S 125 E 9$g1$i2022000190701$lle022$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13200823$z17-03-04 996 $aPerception et notion du temps$9353790 997 $aUNISALENTO 998 $ale022$b17-03-04$cm$da $e-$ffre$gfr $h0$i1 LEADER 04439nam 22007092 450 001 9910974832103321 005 20151005020623.0 010 $a1-107-22672-4 010 $a1-139-14009-4 010 $a1-283-31669-2 010 $a1-139-13936-3 010 $a9786613316691 010 $a1-139-14514-2 010 $a1-139-14094-9 010 $a1-139-13781-6 010 $a1-139-02179-6 010 $a1-139-14182-1 035 $a(CKB)2550000000057729 035 $a(EBL)803093 035 $a(OCoLC)763158006 035 $a(SSID)ssj0000542835 035 $a(PQKBManifestationID)11347499 035 $a(PQKBTitleCode)TC0000542835 035 $a(PQKBWorkID)10512166 035 $a(PQKB)10021677 035 $a(UkCbUP)CR9781139021791 035 $a(MiAaPQ)EBC803093 035 $a(Au-PeEL)EBL803093 035 $a(CaPaEBR)ebr10506163 035 $a(CaONFJC)MIL331669 035 $a(PPN)185119069 035 $a(EXLCZ)992550000000057729 100 $a20110217d2011|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe young Leonardo $eart and life in fifteenth-century Florence /$fLarry J. Feinberg 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2011. 215 $a1 online resource (xii, 203 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a1-107-68822-1 311 08$a1-107-00239-7 320 $aIncludes bibliographical references and index. 327 $a1. Childhood -- 2. Florence and Cosimo the Elder -- 3. The cultural climate of Florence -- 4. First years in Florence and the Verrocchio workshop -- 5. First works in Florence and the artistic milieu -- 6. Early pursuits in engineering: hydraulics and the movement of water -- 7. The Bust of a Warrior and Leonardo's creative method -- 8. Early participation in the Medici court -- 9. Leonardo's personality and place in Florentine society -- 10. Important productions and collaborations in the Verroccio shop -- 11. Leonardo's colleagues in the workshop -- 12. Leonardo's Madonna of the Carnation and the exploration of optics -- 13. The Benois Madonna and continued meditations on the theme of sight -- 14. The Madonna of the Cat -- 15. Leonardo, the Medici, and public executions -- 16. Leonardo and Ginevra de'Benci -- 17. Leonardo as portraitist and master of the visual pun -- 18. The young sculptor -- 19. The Madonna Litta -- 20. The Adoration of the Magi and invention of the High Renaissance style -- 21. The Adoration and Leonardo's military interests -- 22. Leonardo and allegorical conceits for the Medici court -- 23. Early ideas for the Last Supper -- 24. Leonardo and the Saint Sebastian -- 25. Saint Jerome -- 26. First thoughts for the Virgin of the Rocks and the invention of the Mary Magdelene-courtesan genre -- 27 Milan -- 28. Leonardo and the Sforza court. 330 $aLeonardo da Vinci is often presented as the 'transcendent genius', removed from or ahead of his time. This book, however, attempts to understand him in the context of Renaissance Florence. Larry J. Feinberg explores Leonardo's origins and the beginning of his career as an artist. While celebrating his many artistic achievements, the book illuminates his debt to other artists' works and his struggles to gain and retain patronage, as well as his career and personal difficulties. Feinberg examines the range of Leonardo's interests, including aerodynamics, anatomy, astronomy, botany, geology, hydraulics, optics, and warfare technology, to clarify how the artist's broad intellectual curiosity informed his art. Situating the artist within the political, social, cultural, and artistic context of mid- and late-fifteenth-century Florence, Feinberg shows how this environment influenced Leonardo's artistic output and laid the groundwork for the achievements of his mature works. 606 $aArtists$zItaly$vBiography 607 $aFlorence (Italy)$xCivilization 607 $aFlorence (Italy)$xHistory$y1421-1737 615 0$aArtists 676 $a709.2 676 $aB 686 $aHIS010000$2bisacsh 700 $aFeinberg$b Larry J.$0510482 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910974832103321 996 $aThe young Leonardo$94428525 997 $aUNINA