LEADER 01128nam0 22002893i 450 001 SUN0121217 005 20190506123837.73 010 $d0.00 017 70$2N$a978-3-319-29721-7 100 $a20190506d2016 |0engc50 ba 101 $aeng 102 $aCH 105 $a|||| ||||| 200 1 $a*VoIP and PBX Security and Forensics$eA Practical Approach$fIosif I. Androulidakis 205 $aCham : Springer, 2016 210 $axi$d103 p. ; 24 cm 215 $aPubblicazione in formato elettronico 410 1$1001SUN0103890$12001 $a*SpringerBriefs in electrical and computer engineering$1210 $aBerlin$cSpringer. 620 $aCH$dCham$3SUNL001889 700 1$aAndroulidakis$b, Iosif I.$3SUNV092206$0761846 712 $aSpringer$3SUNV000178$4650 801 $aIT$bSOL$c20200921$gRICA 856 4 $uhttp://link.springer.com/openurl?genre=book&isbn=978-3-319-29721-7 912 $aSUN0121217 950 $aBIBLIOTECA CENTRO DI SERVIZIO SBA$d15CONS SBA EBOOK 3634 $e15EB 3634 20190506 996 $aVoIP and PBX Security and Forensics$91551217 997 $aUNICAMPANIA LEADER 03355nam 22006614a 450 001 9910974782203321 005 20200520144314.0 010 $a9786611721688 010 $a9781281721686 010 $a1281721689 010 $a9780300128239 010 $a0300128231 024 7 $a10.12987/9780300128239 035 $a(CKB)1000000000471903 035 $a(StDuBDS)BDZ0022171425 035 $a(SSID)ssj0000270780 035 $a(PQKBManifestationID)11211725 035 $a(PQKBTitleCode)TC0000270780 035 $a(PQKBWorkID)10262274 035 $a(PQKB)10715722 035 $a(StDuBDS)EDZ0000165606 035 $a(MiAaPQ)EBC3419912 035 $a(DE-B1597)484981 035 $a(OCoLC)1023999376 035 $a(DE-B1597)9780300128239 035 $a(Au-PeEL)EBL3419912 035 $a(CaPaEBR)ebr10169938 035 $a(CaONFJC)MIL172168 035 $a(OCoLC)923588423 035 $a(Perlego)1089362 035 $a(EXLCZ)991000000000471903 100 $a20011026d2002 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWhat to listen for in rock $ea stylistic analysis /$fKen Stephenson 205 $a1st ed. 210 $aNew Haven $cYale University Press$dc2002 215 $a1 online resource (1 online resource (xvii, 253 p.) )$cmusic 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780300092394 311 08$a0300092393 320 $aIncludes discography (p. 195-196), bibliographical references (p. 197-217), and index. 327 $aPhrase rhythm -- Key and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit. 330 $aIn this concise and engaging analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950's to the present, emphasizing the theoretical underpinnings of the style and, for the first time, systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The book addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides richly detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the past half-century and within most substyles. For music students at the college level and for practicing rock musicians who desire a deeper understanding of their music, this book is an essential resource. 606 $aRock music$xAnalysis, appreciation 615 0$aRock music$xAnalysis, appreciation. 676 $a781.66/117 700 $aStephenson$b Ken$f1959-$01803691 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910974782203321 996 $aWhat to listen for in rock$94351336 997 $aUNINA