LEADER 00961nas 2200361 a 450 001 996218435403316 005 20240413015824.0 011 $a1432-1157 035 $a(OCoLC)41231730 035 $a(CKB)954925504252 035 $a(CONSER) 2004233623 035 $a(DE-599)ZDB1481423-7 035 $a(MiAaPQ)31343 035 $a(EXLCZ)99954925504252 100 $a19990422a19819999 sy 101 0 $aeng 135 $aurmnu||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGeo-marine letters 210 $aHeidelberg $cSpringer-Verlag 300 $aRefereed/Peer-reviewed 311 $a0276-0460 606 $aSubmarine geology$vPeriodicals 606 $aGe?ologie sous-marine$vPe?riodiques 615 0$aSubmarine geology 615 6$aGe?ologie sous-marine 676 $a551.4608 906 $aJOURNAL 912 $a996218435403316 996 $aGeo-marine letters$92233237 997 $aUNISA LEADER 04157nam 2200589 a 450 001 9910974650303321 005 20241112183553.0 010 $a9786613136503 010 $a0-19-991050-2 010 $a1-283-13650-3 010 $a0-19-987523-5 035 $a(CKB)24235102900041 035 $a(Au-PeEL)EBL728737 035 $a(CaPaEBR)ebr10477974 035 $a(CaONFJC)MIL313650 035 $a(OCoLC)731667681 035 $a(OCoLC)658200261 035 $a(FINmELB)ELB162255 035 $a(MiAaPQ)EBC728737 035 $a(MiAaPQ)EBC7037423 035 $a(Au-PeEL)EBL7037423 035 $a(EXLCZ)9924235102900041 100 $a20100817d2011 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe art of digital audio recording $ea practical guide for home and studio /$fSteve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson 205 $a1st ed. 210 $aOxford ;$aNew York $cOxford University Press$d2011 215 $axii, 271 p. $cill. ;$d29 cm 311 08$a0-19-539409-7 311 08$a0-19-539410-0 320 $aIncludes bibliographical references and index. 327 $aCover -- Contents -- Introduction -- 1 The Starting Point: Sound Meets the Computer -- 1.1 Why Computers -- 1.2 What Does It Sound Like? -- 1.3 Signal Path -- 2 The Essentials: Where and How Recordings Are Made -- 2.1 Recording Rooms and Control Rooms -- 2.2 Studio Monitors -- 2.3 Microphones and Mic Placement -- 2.4 Mixing Boards and Control Surfaces -- 2.5 EQ: General Information -- 2.6 Dynamics (Compressors and Noise Gates) -- 2.7 FX: Delays -- 2.8 FX: Reverb -- 2.9 Beyond Traditional DSP -- 3 Recording Sessions: A Practical Guide -- 3.1 Setup -- 3.2 Headphone Mixes -- 3.3 Survey of Recording Techniques for Instruments and Voice -- 3.4 Beyond -- 4 Editing: The New Frontier -- 4.1 Editing Features -- 4.2 Screen "Real Estate -- 4.3 Virtual Tracks (Playlists) -- 4.4 Advanced Editing -- 5 Three Fundamentals: Techniques Every Recordist Needs to Know -- 5.1 Inserts/Plug-ins -- 5.2 Send and Return -- 5.3 Auto-switching (Auto-input) -- 6 Mixing: The Most Creative and the Most Challenging Stage -- 6.1 Mixing Requirements -- 6.2 Building a Mix -- 6.3 Automation and Recall -- 6.4 Mix Collaboration, Communication, and Delivery -- 7 Mastering: One Last Session -- 7.1 What, Why, How, and Where -- 8 Three Best Practices: Easy Ways to Raise the Level of Your Sessions -- 8.1 Session Flow -- 8.2 Talkback -- 8.3 Playback Volume -- Addendum 1 How to Walk into a Commercial Studio and Be the Engineer -- Addendum 2 Researching and Buying Gear: Internet vs. Brick and Mortar -- Appendix: Digital Audio Formats, Delivery, and Storage -- Online Glossary Link -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z. 330 $aMaking high-quality professional recordings requires the right balance of technical know-how and practical understanding of recording sessions. Getting the best audio recording results often requires as much common sense and intuitiveness in technique as it does a deep understanding of the technical elements involved. In The Art of Digital Audio Recording, expert author Steve Savage synthesizes years of professional recording experience - including 7 Grammy-nominated records - and his teaching experience as instructor in recording techniques to equip professional readers with both the essential technical as well as practical knowledge they need to succeed. 606 $aSound studios 606 $aSound$xRecording and reproducing$xDigital techniques 615 0$aSound studios. 615 0$aSound$xRecording and reproducing$xDigital techniques. 676 $a621.3893 700 $aSavage$b Steve$01851773 701 $aJohnson$b Robert$0892974 701 $aFergusson$b Iain$01851774 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910974650303321 996 $aThe art of digital audio recording$94446077 997 $aUNINA LEADER 06627nam 2200697Ia 450 001 9910972513903321 005 20251116231141.0 010 $a9786612154676 010 $a9781282154674 010 $a1282154672 010 $a9789027292551 010 $a9027292558 024 7 $a10.1075/z.136 035 $a(CKB)1000000000534957 035 $a(SSID)ssj0000106537 035 $a(PQKBManifestationID)11128666 035 $a(PQKBTitleCode)TC0000106537 035 $a(PQKBWorkID)10109558 035 $a(PQKB)11123101 035 $a(MiAaPQ)EBC622251 035 $a(Au-PeEL)EBL622251 035 $a(CaPaEBR)ebr10172340 035 $a(CaONFJC)MIL215467 035 $a(OCoLC)320323012 035 $a(DE-B1597)721208 035 $a(DE-B1597)9789027292551 035 $a(EXLCZ)991000000000534957 100 $a20061122d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAspects of meaning construction /$fedited by Gunter Radden ... [et al.] 205 $a1st ed. 210 $aAmsterdam ;$aPhiladelphia $cJohn Benjamins$dc2007 215 $ax, 287 p. $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9789027232427 311 08$a9027232423 320 $aIncludes bibliographical references and indexes. 327 $aAspects of Meaning Construction -- Title page -- LCC data -- Dedication page -- Table of contents -- List of contributors -- Introduction: The construction of meaning in language -- 1. Underspecification and the construction of meaning -- 2. Types of underspecification -- 3. Ways of constructing underspecified meanings -- References -- Part I. Metonymy and metaphor -- Experimental tests of figurative meaning construction -- 1. Introduction -- 2. Metonymy and meaning construction -- 3. Proving the psychological reality of conceptual metonymies -- 4. Studies on metonymic processing -- 5. Mutual adjustment during figurative language processing -- 6. Conclusion -- References -- High-level metaphor and metonymy in meaning construction -- 1. Introduction -- 2. Levels of description -- 3. Constraints on metaphor and metonymy -- 4. Metonymic chains -- 5. Metaphor, metonymy, and grammar -- 6. Conclusion -- References -- The role of metonymy in meaning construction at discourse level -- 1. Introduction -- 2. Metonymy -- 3. Discussion of some relevant parts of the case study -- 4. Conclusions -- References -- Appendix -- Chained metonymies in lexicon and grammar -- 1. Introduction -- 2. Chained metonymies -- 3. Body part terms and their chained metonymies -- 4. Conclusion -- References -- Arguing the case against coercion -- Introduction -- 1. Defining terms -- 2. Examples of coercion in recent studies -- 3. Coercion in the construction of meaning -- 4. Conclusions -- References -- When Zidane is not simply Zidane, and Bill Gates is not just Bill Gates -- 1. Introduction -- 2. Objectivist theories of reference vs. cognitive approach to the figurative use of proper names -- 3. Metonymy and metaphor in the construction of the meaning of figuratively used proper names -- 4. Conclusions and prospects for further research -- References. 327 $aCollocational overlap can guidemetaphor interpretation -- 1. Introduction -- 2. A frequency-based model of collocational overlap -- 3. An association-based model of collocational overlap -- 4. Evaluation of the model against native-speaker interpretations -- 5. General discussion -- References -- Part 2. Mental spaces and conceptual blending -- Constructing the meanings of personal pronouns -- References -- The construction of meaning in relative clauses -- 1. Introduction -- 2. The construction of meaning in relative clauses -- 3. Pragmatically and contextually driven interpretations -- 4. Conceptual and constructional constraints in the interpretation of relatives -- 5. Conclusion -- References -- Constraints on inferential constructions -- 1. Introduction -- 2. Constraints on the English inferential construction -- 3. The distribution of inferential constructions in discourse -- 4. A discourse constraint on English inferential constructions -- 5. Discussion -- 6. Conclusion -- References -- The construction of vagueness -- 1. Introduction -- 2. Lexical sources -- 3. The functions of taxonomic nouns in scientific contexts -- 4. The emergence of approximative modifiers -- 5. From prepositional to modifying use -- 5. Conclusion -- References -- Dictionaries, corpora, and internet sources -- Communication or memory mismatch? -- 1. Introduction -- 2. Radical Experientialism and Cognitive Typology -- 3. Questions -- 4. Interrogation and memory mismatch -- 5. Conclusions -- References -- Brutal Brits and persuasive Americans -- 1. Introduction -- 2. A construction-based approach -- 3. Previous studies of the into-causative -- 4. The into-causative in British vs. American English -- 5. Summary -- References -- Index of authors -- Index of subjects -- Index of metonymies and metaphors. 330 $aMeaning does not reside in linguistic units but is constructed in the minds of the language users. Meaning construction is an on-line mental activity whereby speech participants create meanings on the basis of underspecified linguistic units. The construction of meaning is guided by cognitive principles. The contributions collected in the volume focus on two types of cognitive principles guiding meaning construction: meaning construction by means of metonymy and metaphor, and meaning construction by means of mental spaces and conceptual blending. The papers in the former group survey experiential evidence of figurative meaning construction and discuss high-level metaphor and metonymy, the role of metonymy in discourse, the chaining of metonymies, metonymy as an alternative to coercion, and metaphtonymic meanings of proper names. The papers in the latter group address the issues of meaning construction prompted by personal pronouns, relative clauses, inferential constructions, "sort-of" expressions, questions, and the into-causative construction. 606 $aSemantics 606 $aMetonyms 606 $aMetaphor 606 $aGrammar, Comparative and general 615 0$aSemantics. 615 0$aMetonyms. 615 0$aMetaphor. 615 0$aGrammar, Comparative and general. 676 $a401.43 701 $aRadden$b Gu?nter$0170938 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910972513903321 996 $aAspects of meaning construction$94348032 997 $aUNINA