LEADER 03342nam 22008293u 450 001 9910974546303321 005 20251117065427.0 010 $a1-283-10591-8 010 $a9786613105912 010 $a0-203-85287-7 035 $a(CKB)2670000000082083 035 $a(EBL)668786 035 $a(OCoLC)813308741 035 $a(SSID)ssj0000516878 035 $a(PQKBManifestationID)11346890 035 $a(PQKBTitleCode)TC0000516878 035 $a(PQKBWorkID)10486292 035 $a(PQKB)11336570 035 $a(MiAaPQ)EBC668786 035 $a(OCoLC)712040509 035 $a(FINmELB)ELB159514 035 $a(EXLCZ)992670000000082083 100 $a20130418d2011|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPerforming remains $eArt and war in times of theatrical reenactment 205 $a1st ed. 210 $aHoboken $cTaylor and Francis$d2011 215 $a1 online resource (273 p.) 300 $aDescription based upon print version of record. 311 08$a1-136-97969-7 311 08$a0-415-40441-X 320 $aIncludes bibliographical references and index. 327 $aCover; Performing Remains; Copyright; Contents; Illustrations; Acknowledgements; Foreword - By way of other directions; 1. Reenactment and relative pain; 2. Finding faux fathers; 3. In the meantime: performance remains; 4. Poor poor theatre; 5. Still living; And back - Afterword; Notes; Bibliography; Index 330 $a'At last, the past has arrived! Performing Remains is Rebecca Schneider's authoritative statement on a major topic of interest to the field of theatre and performance studies. It extends and consolidates her pioneering contributions to the field through its interdisciplinary method, vivid writing, and stimulating polemic. Performing Remains has been eagerly awaited, and will be appreciated now and in the future for its rigorous investigations into the aesthetic and political potential of reenactments.' - Tavia Nyong'o, Tisch School of the Arts, New York University