LEADER 05556oam 2200709 a 450 001 9910974522503321 005 20200520144314.0 010 $a9798400684166 010 $a9786610315079 010 $a9781280315077 010 $a1280315075 010 $a9780313010651 010 $a031301065X 024 7 $a10.5040/9798400684166 035 $a(CKB)111087026964022 035 $a(OCoLC)52722843 035 $a(CaPaEBR)ebrary10023086 035 $a(SSID)ssj0000200289 035 $a(PQKBManifestationID)11180899 035 $a(PQKBTitleCode)TC0000200289 035 $a(PQKBWorkID)10220089 035 $a(PQKB)11008485 035 $a(Au-PeEL)EBL3000779 035 $a(CaPaEBR)ebr10023086 035 $a(CaONFJC)MIL31507 035 $a(OCoLC)55482818 035 $a(MiAaPQ)EBC3000779 035 $a(OCoLC)48032493 035 $a(DLC)BP9798400684166BC 035 $a(Perlego)4202503 035 $a(EXLCZ)99111087026964022 100 $a20010920e20022024 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMedia ethics goes to the movies /$fHoward Good, Michael J. Dillon 205 $a1st ed. 210 1$aWestport, Conn. :$cPraeger,$d2002. 210 2$aLondon :$cBloomsbury Publishing,$d2024 215 $a1 online resource (199 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780275970819 311 08$a0275970817 320 $aFilmography: p. [181]-184. 320 $aIncludes bibliographical references and index. 327 $aCover -- Media Ethics Goes to the Movies -- Contents -- In the Dark: An Introduction -- COMING ATTRACTIONS -- FURTHER READING -- 1 Ace in the Hole: The Dark Side of the Force -- A LOAF OF BREAD WITH A FILE IN IT -- A GRIM ALLEGORY -- MENTORS AND MODELS -- WHERE ANGELS FEAR TO TREAD -- ETHICAL KEYSTONES -- RUBBERNECKERS -- REDEMPTION -- QUESTIONS TO CONSIDER -- FURTHER READING -- 2 Deadline U.S.A.: The Wages of Virtue -- JOURNALIST, HEAL THYSELF -- "LET TRUTH AND FALSEHOOD GRAPPLE" -- SCRIBES UNDER SEIGE -- "THOUGHTFUL DISPATCH" -- A SCHOOL FOR SCANDAL -- A COURT OF LAST RESORT -- THE NEXT GENERATION -- QUESTIONS TO CONSIDER -- FURTHER READING -- 3 All the President's Men: Truth and Consequences -- FAIL-SAFE -- MEANS AND ENDS -- MAY I COME IN? -- "I'LL NEVER QUOTE YOU" -- A REASON TO DECEIVE -- PSYCHIC ARITHMETIC: ACCURACY -- WHO ARE THOSE GUYS? -- CANARY IN A COAL MINE -- QUESTIONS TO CONSIDER -- FURTHER READING -- 4 Under Fire: The Art of War -- PICTURE THIS -- SEEING IS BELIEVING -- DARKNESS BURNING -- TRUTH OR CONSEQUENCES -- QUESTIONS TO CONSIDER -- FURTHER READING -- 5 The Paper: Boxing with the Truth -- FACTS -- VALUES -- PRINCIPLES -- LOYALTIES -- OUT OF THE BOX -- QUESTIONS TO CONSIDER -- FURTHER READING -- 6 12 Angry Men: Appeal to Reason -- DELIBERATE STRANGERS -- I WITNESS NEWS? -- A STREAM OF PERCEPTIONS -- PRIDE AND PREJUDICE -- BAGGAGE HANDLERS -- CUTS LIKE A KNIFE -- OBJECTION -- RESETTING THE CLOCKWORK UNIVERSE -- QUESTIONS TO CONSIDER -- FURTHER READING -- 7 Eight Men Out: A Double Play in Ethics -- OWNING UP -- THE BRAZEN RULE -- SMELLS LIKE TEAM SPIRIT -- IN THE NEWS -- AND JUSTICE FOR ALL -- THE PURSUIT OF UNHAPPINESS -- QUESTIONS TO CONSIDER -- FURTHER READING -- 8 True Crime: The Good, the Bad, and the Journalist -- THE CALL OF DUTY -- DEFYING MANAGEMENT -- BETWEEN INTENTION AND ACTION -- QUESTIONS TO CONSIDER. 327 $aFURTHER READING -- 9 Network: Through a Glass Darkly -- THE TUBE IS GOSPEL -- "BECAUSE YOU'RE ON TELEVISION, DUMMY" -- MURROW'S BOYS -- IT'S A SMALL WORLD AFTER ALL -- WHO WANTS TO BE A MILLIONAIRE? -- I Was Only Following Orders -- People Get the Kind of Media They Deserve -- Take This Job and Shove It -- I Prefer Not To -- THE BIG PICTURE -- FINE TUNING -- FADE TO BLACK -- QUESTIONS TO CONSIDER -- FURTHER READING -- 10 The Rock: The Ethics of Entertainment Violence -- LIKE A ROCK -- ROCK OF AGES -- ROCKIN' IN THE FREE WORLD -- ROCK ON -- QUESTIONS TO CONSIDER -- FURTHER READING -- Epilogue -- Filmography -- ACE IN THE HOLE -- DEADLINE U.S.A. -- 12 ANGRY MEN -- ALL THE PRESIDENT'S MEN -- NETWORK -- UNDER FIRE -- EIGHT MEN OUT -- THE PAPER -- THE ROCK -- TRUE CRIME -- Index -- About the Authors. 330 8 $aCertain films seem to encapsulate perfectly the often abstract ethical situations that confront the media, from truth-telling and sensationalism to corporate control and social responsibility. Using these movies-including Ace in the Hole, All the President's Men, Network, and Twelve Angry Men -as texts, authors Howard Good and Michael Dillon demonstrate that, when properly framed and contextualized, movies can be a powerful lens through which to examine media practices. Moreover, cinema can present human moral conduct for evaluation and analysis more effectively than a traditional case study can. By presenting ethical dilemmas and theories within a dramatic framework, Media Ethics Goes to the Movies offers a unique perspective on what it means for media professionals to be both technically competent and morally informed. 606 $aMotion pictures$xMoral and ethical aspects 615 0$aMotion pictures$xMoral and ethical aspects. 676 $a791.43/653 700 $aGood$b Howard$f1951-$01795160 701 $aDillon$b Michael$f1960-$01795161 801 0$bDLC 801 1$bDLC 801 2$bDLC 906 $aBOOK 912 $a9910974522503321 996 $aMedia ethics goes to the movies$94336240 997 $aUNINA