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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 14$aThe translingual imagination /$fSteven G. Kellman
205   $a1st ed.
210   $aLincoln $cUniversity of Nebraska Press$dc2000
215   $a1 online resource (222 p.)
300   $aDescription based upon print version of record.
311 08$a9780803227453 
311 08$a0803227450 
320   $aIncludes bibliographical references (p. [119]-125 ) and index.
327   $aFront Cover; Front Flap; Title Page; Copyright Page; Contents; Preface; 1. Translingualism and the Literary Imagination; 2. Pourquoi Translingual?; 3. Translingual Africa; 4. Coetzee Reads Beckett; 5. Nabokov and the Psychomorphology of Zemblan; 6. Eva Hoffman Lost in the Promised Land; 7. Begley Joins the Firm; 8. Sayles Goes Spanish; Epilogue; A Roster of Translingual Authors; Works Cited; Index; Back Flap; Back Cover
330   $aIt is difficult to write well even in one language. Yet a rich body of translingual literature-by authors who write in more than one language or in a language other than their primary one-exists. The Translingual Imagination is a pioneering study of the phenomenon, which is as ancient as the use of Arabic, Latin, Mandarin, Persian, and Sanskrit as linguae francae. Colonialism, war, mobility, and the aesthetics of alienation have combined to create a modern translingual canon. Opening with an overview of this vast subject, Steven G. Kellman then looks at the differences between ambilinguals-tho
606   $aMultilingualism and literature
606   $aLanguage and culture
615  0$aMultilingualism and literature.
615  0$aLanguage and culture.
676   $a809
700   $aKellman$b Steven G.$f1947-$01088546
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910974355803321
996   $aThe translingual imagination$94359844
997   $aUNINA