LEADER 02212nam 2200649Ia 450 001 9910778428703321 005 20230617042354.0 010 $a1-282-40883-6 010 $a9786612408830 010 $a0-313-05762-1 035 $a(CKB)1000000000807028 035 $a(OCoLC)648489331 035 $a(CaPaEBR)ebrary10349984 035 $a(SSID)ssj0000341362 035 $a(PQKBManifestationID)11265826 035 $a(PQKBTitleCode)TC0000341362 035 $a(PQKBWorkID)10390590 035 $a(PQKB)11499569 035 $a(MiAaPQ)EBC3001385 035 $a(Au-PeEL)EBL3001385 035 $a(CaPaEBR)ebr10349984 035 $a(CaONFJC)MIL240883 035 $a(OCoLC)748208261 035 $a(EXLCZ)991000000000807028 100 $a20021209d2003 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPerforming opposition$b[electronic resource] $emodern theater and the scandalized audience /$fNeil Blackadder 210 $aWestport, Conn. $cPraeger$dc2003 215 $a1 online resource (248 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-275-98056-1 320 $aIncludes bibliographical references (p. [213]-219) and index. 606 $aEuropean drama$y20th century$xHistory and criticism 606 $aEuropean drama$y19th century$xHistory and criticism 606 $aExperimental theater$zEurope$xHistory$y20th century 606 $aExperimental theater$zEurope$xHistory$y19th century 606 $aTheater audiences$zEurope$xHistory$y20th century 606 $aTheater audiences$zEurope$xHistory$y19th century 615 0$aEuropean drama$xHistory and criticism. 615 0$aEuropean drama$xHistory and criticism. 615 0$aExperimental theater$xHistory 615 0$aExperimental theater$xHistory 615 0$aTheater audiences$xHistory 615 0$aTheater audiences$xHistory 676 $a809.2/04 700 $aBlackadder$b Neil Martin$f1963-$01554948 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778428703321 996 $aPerforming opposition$93816541 997 $aUNINA LEADER 01124nam0 22003011i 450 001 UON00350281 005 20231205104338.505 010 $a84-206-2197-8 100 $a20091221d1977 |0itac50 ba 101 $aspa 102 $aES 105 $a|||| 1|||| 200 1 $aSemántica$fGeoffrey Leech$gversión española de Juan Luis Tato G. Espada 210 $aMadrid$cAlianza editorial$d1977 215 $a418 p.$d21 cm. 410 1$1001UON00171797$12001 $a Alianza Universidad$1210 $aMadrid$cAlianza Editorial 606 $aSemantica$3UONC000768$2FI 620 $aES$dMadrid$3UONL000218 676 $a400$cLinguaggio$v21 700 1$aLEECH$bGeoffrey N.$3UONV059133$0165053 702 1$aTATO G. ESPADA$bJuan Luis$3UONV194994 712 $aAlianza$3UONV253156$4650 801 $aIT$bSOL$c20250131$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00350281 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI SPA V 0360 $eSI LO 13078 5 0360 996 $aSemántica$91355832 997 $aUNIOR LEADER 04960oam 2200781 c 450 001 9910974200603321 005 20260302090207.0 010 $a3-8382-7608-6 024 3 $a9783838276083 035 $a(MiAaPQ)EBC7024645 035 $a(Au-PeEL)EBL7024645 035 $a(CKB)24097022400041 035 $a(ibidem)9783838276083 035 $a(EXLCZ)9924097022400041 100 $a20260302d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aStand-up Comedy in Africa $eHumour in Popular Languages and Media /$fIzuu Nwankw?, Daria Tunca, Izuu Nwankwo, Jennalee Donian, Ken Junior Lipenga, Nkechi Mary Okadigwe, Amany El-Sawy, Ibukum Osuolale-Ajayi, Ebtesam El-Shokrofy, Danson Sylvester Kahyana, Nohayer E Lotfy, Charles Kebaya, Rowland Amaefula, Robin Kincaid Crigler, Jacqueline Oyiambo, Ignatius Chukwumah, Ebenezer Obadare 205 $a1st ed. 210 $aHannover$cibidem$d2022 215 $a1 online resource (319 pages) 311 08$aPrint version: Nwankw?, Izuu Stand-up Comedy in Africa Berlin : Ibidem Verlag,c2022 327 $aIntro -- Acknowledgements -- Table of Contents -- Foreword -- Introduction: Old Wine in a New Bottle: Stand-up Comedy and its Dispersal across Africa -- Part I Resisting and Reinventing the Status Quo -- Chapter 1 Confronting Racism and Colonialism in Cécile Djunga's and Trevor Noah's Stand-up Comedy -- Chapter 2 South African Vernacular Stand-Up Comedy as Performative Resistance -- Chapter 3 The People's Joker: The Popularity of Mr Jokes' Stand-up Comedy in Malawi -- Chapter 4 Resisting Shame and the Male Gaze: Humour Evocations in the Acts of Noha Kato and Real Warri Pikin -- Chapter 5 Discourse and Humour Strategies in Two-Person Stand-up Art in Nigeria -- Part II Circumventing Censorship and Taboo -- Chapter 6 In the Shadow of the 1994 Genocide: Arthur Nkusi and Stand-up Comedy in Rwanda -- Chapter 7 The Afterlife of Ugandan Stand-up Comedy: Examining the Multiple Roles and Jocular Devices of Teacher Mpamire -- Chapter 8 Scripted and Non-Scripted Humour in Stand-up Comedy: Techniques of Egypt's Comedian Ali Quandil -- Chapter 9 Reinventing Taboo in Kenyan Stand-up Comedy -- Part III Mechanics of being a Comedian -- Chapter 10 Africa on the British Stage: Laughter-Making Mechanics of Andi Osho and Daliso Chaponda -- Chapter 11 There's No Such Thing as 'Too Soon' Here: Taking Stock of South Africa's Comedy Boom -- Chapter 12 The Many-Sides of Kenyan Stand-up Comedy: A Stylistic Interrogation of the Acts of Jemutai, Professor Hamo and Oga Obinna -- Chapter 13 Nigeria's The Mock News with Pararan: The Poetics of its Punchline -- About the Contributors. 330 $aAfrican cultural productions of humour have increased even in the face of myriad economic foibles and social upheavals. For instance, from the 1990s, stand-up comedy emerged across the continent and has maintained a pervasive presence since then. Its specificities are related to contemporary economic and political contexts and are also drawn from its pre-colonial history, that of joking forms and relationships, and orality. Izuu Nwankw?'s fascinating collected volume offers a transnational appraisal of this unique art form spanning different nations of the continent and its diasporas. The book engages variously with jokesters, their materials, the mediums of dissemination, and the cultural value(s) and relevance of their stage work, encompassing the form and content of the practice. Its ruling theoretical perspective comes from theatre and performance, cultural studies, linguistics, and literary studies. 606 $aAfrica 606 $aHumor 606 $aHumour 606 $aLanguage 606 $aMedia 606 $aMedien 606 $aSprache 606 $aStand-up comedy 615 4$aAfrica 615 4$aHumor 615 4$aHumour 615 4$aLanguage 615 4$aMedia 615 4$aMedien 615 4$aSprache 615 4$aStand-up comedy 676 $a792.76 702 $aNwankwo? E$b Izuu$4edt 702 $aTunca$b Daria$4ctb 702 $aNwankwo? E$b Izuu$4ctb 702 $aDonian$b Jennalee$4ctb 702 $aLipenga$b Ken$cJr.$4ctb 702 $aOkadigwe$b Nkechi Mary$4ctb 702 $aEl-Sawy$b Amany$4ctb 702 $aOsuolale-Ajayi$b Ibukum$4ctb 702 $aEl-Shokrofy$b Ebtesam$4ctb 702 $aKahyana$b Danson$4ctb 702 $aE Lotfy$b Nohayer$4ctb 702 $aKebaya$b Charles$4ctb 702 $aAmaefula$b Rowland$4ctb 702 $aCrigler$b Robin Kincaid$4ctb 702 $aOyiambo$b Jacqueline$4ctb 702 $aChukwumah$b Ignatius$4ctb 702 $aObadare$b Ebenezer$4aui 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910974200603321 996 $aStand-up comedy in Africa$93993059 997 $aUNINA