LEADER 00847nam0-22002771i-450-
001 990004924580403321
005 19990530
035   $a000492458
035   $aFED01000492458
035   $a(Aleph)000492458FED01
035   $a000492458
100   $a19990530g19559999km-y0itay50------ba
101 0 $aita
105   $ay-------001yy
200 1 $a<<La >>disertation littèraire gènérale$eClasses supérieures de lettres et enseignment supérieur, A. Chassang$fCh. Senninger.-
210   $aParis$cLibr. Hachette$dc1955.
215   $aVI, 442 p.$d23 cm
700  1$aChassang,$bA.$0189077
702  1$aSenninger,$bCharles
801  0$aIT$bUNINA$gRICA$2UNIMARC
901   $aBK
912   $a990004924580403321
952   $aSA 287$bFil. Mod. 7937$fFLFBC
959   $aFLFBC
996   $aDisertation littèraire gènérale$9523393
997   $aUNINA

LEADER 02526oam  22006374a 450 
001 9910974158503321
005 20240513020127.0
010   $a9781526126047
010   $a1526126044
010   $a9781526126023
010   $a1526126028
024 7 $a10.7765/9781526126023
035   $a(CKB)4100000010010798
035   $a(OCoLC)1132263963
035   $a(MdBmJHUP)muse82762
035   $a(MiAaPQ)EBC5996429
035   $a(DE-B1597)679016
035   $a(DE-B1597)9781526126023
035   $a(Perlego)1527065
035   $a(EXLCZ)994100000010010798
100   $a20191220d2019      uy         0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aConnecting sounds$eThe social life of music /$fNick Crossley
205   $a1st ed.
210  1$aManchester :$cManchester University Press,$d2019.
210  3$aBaltimore, Md. :$cProject MUSE,$d2020
210  4$d©2019.
215   $a1 online resource (1 online resource.)
311 08$a9781526126016 
311 08$a152612601X 
311 08$a9781526126030 
311 08$a1526126036 
327   $tFront matter -- $tDedication -- $tContents -- $tList of figures and tables -- $t1 Introduction -- $t2 Music as social interaction -- $t3 Economic interactions -- $t4 Mainstream and beyond -- $t5 Musicking networks -- $t6 Semiotic interactions -- $t7 Practical interactions -- $t8 Division, inequality and taste -- $t9 Political interactions -- $tDiscography -- $tBibliography -- $tIndex
330   $aAn original and compelling account of the social nature of music and its interplay with the wider society to which it belongs. Crossley explores the doing and meanings of music, as well as its interface with economic, political and wider social structures.
606   $aMusic$xSocial aspects$2fast$3(OCoLC)fst01030444
606   $aMusic$xPhilosophy and aesthetics$2fast$3(OCoLC)fst01030408
606   $aMUSIC / General$2bisacsh
606   $aMusic$xPhilosophy and aesthetics
606   $aMusic$xSocial aspects
615  7$aMusic$xSocial aspects.
615  7$aMusic$xPhilosophy and aesthetics.
615  7$aMUSIC / General
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aMusic$xSocial aspects.
676   $a780.07
700   $aCrossley$b Nick$f1968-$0527347
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910974158503321
996   $aConnecting sounds$94361404
997   $aUNINA