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100   $a20070202d2007      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aGenre in popular music /$fFabian Holt
205   $a1st ed.
210   $aChicago $cUniversity of Chicago Press$d2007
215   $a1 online resource (238 p.)
300   $aDescription based upon print version of record.
311 08$a9780226350394 
311 08$a0226350398 
311 08$a9780226350370 
311 08$a0226350371 
320   $aIncludes bibliographical references and index.
320   $a"The Jeff Parker discography": p. 181-183.
327   $aRoots and refigurations -- Double session I : Reactions to rock -- A model of genre transformation -- Country music and the Nashville sound -- Jazz and jazz-rock fusion -- Double session II : Urban boundaries -- Jeff Parker and the Chicago jazz scene -- A closer look at Jeff Parker and his music -- Music at American borders.
330   $aThe popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album's inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn't bluegrass, but "roots music," a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, chang
606   $aPopular music$zUnited States$xHistory and criticism
606   $aPopular music genres
615  0$aPopular music$xHistory and criticism.
615  0$aPopular music genres.
676   $a781.64
700   $aHolt$b Fabian$01802261
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906   $aBOOK
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996   $aGenre in popular music$94354012
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