LEADER 03409nam 2200613Ia 450 001 9910973359103321 005 20200520144314.0 010 $a0-7914-8631-1 010 $a1-4175-3877-5 035 $a(CKB)1000000000448711 035 $a(EBL)3408415 035 $a(SSID)ssj0000139924 035 $a(PQKBManifestationID)11154911 035 $a(PQKBTitleCode)TC0000139924 035 $a(PQKBWorkID)10029336 035 $a(PQKB)11597784 035 $a(Au-PeEL)EBL3408415 035 $a(CaPaEBR)ebr10594742 035 $a(OCoLC)56408577 035 $a(DE-B1597)682170 035 $a(DE-B1597)9780791486313 035 $a(Perlego)2674481 035 $a(MiAaPQ)EBC3408415 035 $a(EXLCZ)991000000000448711 100 $a20030620d2003 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDisgust $ethe theory and history of a strong sensation /$fWinfried Menninghaus ; translated by Howard Eiland and Joel Golb 210 $aAlbany $cState University of New York Press$dc2003 215 $a1 online resource (viii, 471 pages) $cillustrations 225 1 $aSUNY series, Intersections 300 $aDescription based upon print version of record. 311 08$a0-7914-5832-6 311 08$a0-7914-5831-8 320 $aIncludes bibliographical references (p. 453-471). 327 $tFront Matter -- $tContents -- $tBetween Vomiting and Laughing -- $tThe Disgust Taboo, and the Omnipresence of Disgust in Aesthetic Theory -- $tDisgusting Zones and Disgusting Times -- $t?Strong Vital Sensation? and Organon of Philosophy -- $tPoetry of Putrefaction -- $tThe ?No? of Disgust and Nietzsche?s ?Tragedy? of Knowledge -- $tThe Psychoanalysis of Stinking -- $tThe Angel of Disgust -- $tHoly Disgust (Bataille) and the Sticky Jelly of Existence (Sartre) -- $tAbject Mother (Kristeva), Abject Art, and the Convergence of Disgust, Truth, and the Real -- $tNotes -- $tBibliography 330 $a"In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices: the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art.""--Jacket 410 0$aIntersections (Albany, N.Y.) 606 $aAversion 606 $aAesthetics, Modern 615 0$aAversion. 615 0$aAesthetics, Modern. 676 $a128/.37 700 $aMenninghaus$b Winfried$0245408 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910973359103321 996 $aDisgust$94359318 997 $aUNINA