LEADER 01514nam 2200445 450 001 9910816514703321 005 20200923020339.0 010 $a92-0-131319-5 035 $a(CKB)3710000001364602 035 $a(MiAaPQ)EBC4853317 035 $a(Au-PeEL)EBL4853317 035 $a(CaPaEBR)ebr11384238 035 $a(OCoLC)957527591 035 $a(EXLCZ)993710000001364602 100 $a20170601h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aApplication of field programmable gate arrays in instrumentation and control systems of nuclear power plants 210 1$aVienna, Austria :$cInternational Atomic Energy Agency,$d2016. 210 4$d2016 215 $a1 online resource (84 pages) $cillustrations 225 1 $aIAEA Nuclear Energy Series,$x1995-7807 ;$vNumber NP-T-3.17 311 $a92-0-103515-2 320 $aIncludes bibliographical references. 410 0$aIAEA nuclear energy series ;$vNumber NP-T-3.17. 606 $aNuclear power plants$xInstruments 606 $aNuclear reactors$xControl 615 0$aNuclear power plants$xInstruments. 615 0$aNuclear reactors$xControl. 676 $a621.4835 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816514703321 996 $aApplication of field programmable gate arrays in instrumentation and control systems of nuclear power plants$93984078 997 $aUNINA LEADER 04748nam 2200757Ia 450 001 9910973314203321 005 20251117083019.0 010 $a1-136-73647-6 010 $a1-283-24178-1 010 $a9786613241788 010 $a1-136-73648-4 010 $a0-203-81848-2 024 7 $a10.4324/9780203818480 035 $a(CKB)2550000000033312 035 $a(EBL)684080 035 $a(OCoLC)727133470 035 $a(SSID)ssj0000540793 035 $a(PQKBManifestationID)11327644 035 $a(PQKBTitleCode)TC0000540793 035 $a(PQKBWorkID)10492485 035 $a(PQKB)11125877 035 $a(MiAaPQ)EBC684080 035 $a(Au-PeEL)EBL684080 035 $a(CaPaEBR)ebr10466474 035 $a(CaONFJC)MIL324178 035 $a(EXLCZ)992550000000033312 100 $a20101008d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRenovatio urbis $earchitecture, urbanism, and ceremony in the Rome of Julius II /$fNicholas Temple 205 $a1st ed. 210 $aAbingdon, Oxon [England] ;$aNew York, NY $cRoutledge$d2011 215 $a1 online resource (369 p.) 225 1 $aThe classical tradition in architecture 300 $aDescription based upon print version of record. 311 08$a0-415-47385-3 320 $aIncludes bibliographical references and index. 327 $arenovatio urbis Architecture, urbanism and ceremony in the Rome of Julius II; Copyright; Contents; List of figures; Figure credits; Acknowledgements; Introduction; 1 Signposting Peter and Paul; The Tiber's sacred banks; Peripheral centres; "inter duas metas"; Papal rivalries; Chigi Chapel; 2 Via Giulia and papal corporatism: the politics of order; The Julian lapide; Via Giulia; The legacy of Sixtus IV; Quartiere dei Banchi; Via Peregrinorum, Via Papalis and Via Recta; Solenne Possesso and Via Triumphalis; Papal corporatism; Pons Neronianus and Porta Triumphalis; Early Christian precedents 327 $aMeta Romuli and Serlio's Scena TragicaCrossing thresholds: Peter and Caesar; The papal 'hieroglyph' and the Festa di Agone; 3 Palazzo dei Tribunali and the meaning of justice; sedes iustitiae; The four tribunals; The Capitol and Commune/Cardinal's Palace; St Blaise and Justice; iustitia cosmica; Caesar and iustitia; Pax Romana; 4 Cortile del Belvedere, Via della Lungara and vita contemplativa; 'The beautiful view'; via suburbana/via sanctus; Passage and salvation; 5 St Peter's Basilica: orientation and succession; Transformations from old to new; territorium triumphale 327 $aSixtus IV and the Cappella del CoroJulius II and Caesar's ashes; Janus and Peter; Janus Quadrifrons; The Tegurium; 6 The Stanza della Segnatura: a testimony to a Golden Age; Topographical and geographical connections; in facultatibus; Triune symbolism; Conversio; St Bonaventure and the Itinerarium Mentis in Deum; Justice and Poetry; Mapping the Golden Age; Conclusion: pons/facio: popes and bridges; The Julian 'project'; Pontifex Maximus; Corpus Mysticum; Raphael's portrait; Notes; Bibliography; Index 330 $aExamining the urban and architectural developments in Rome during the Pontificate of Julius II (1503-13) this book focuses on the political, religious and artistic motives behind the changes. Each chapter focuses on a particular project, from the Palazzo dei Tribunali to the Stanza della Segnatura, and examines their topographical and symbolic contexts in relationship to the broader vision of Julian Rome. 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