LEADER 03381nam  22008055  450 
001 9910973287003321
005 20240801035047.0
010   $a9786611369842
010   $a9781281369840
010   $a1281369845
010   $a9781403983220
010   $a1403983224
024 7 $a10.1057/9781403983220
035   $a(CKB)1000000000342572
035   $a(SSID)ssj0000195656
035   $a(PQKBManifestationID)11180235
035   $a(PQKBTitleCode)TC0000195656
035   $a(PQKBWorkID)10131640
035   $a(PQKB)10959103
035   $a(DE-He213)978-1-4039-8322-0
035   $a(MiAaPQ)EBC307960
035   $a(Au-PeEL)EBL307960
035   $a(CaPaEBR)ebr10135693
035   $a(CaONFJC)MIL136984
035   $a(OCoLC)560469812
035   $a(Perlego)3496300
035   $a(EXLCZ)991000000000342572
100   $a20151222d2006      u|         0
101 0 $aeng
135   $aurnn#008mamaa
181   $ctxt
182   $cc
183   $acr
200 10$aMake Believe in Film and Fiction $eVisual vs. Verbal Storytelling /$fby K. Kroeber
205   $a1st ed. 2006.
210  1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2006.
215   $a1 online resource (240 p.)
300   $aBibliographic Level Mode of Issuance: Monograph
311 08$a9781349534012 
311 08$a1349534013 
311 08$a9781403972798 
311 08$a1403972796 
320   $aIncludes bibliographical references (p. [213]-220) and index.
327   $aBrutal Beginnings: Imagining Murder/ Watching Murder -- Moving Eyes, Moving Sculptures -- Inside and outside Somebody Else's Fantasy -- Make Believe Is Always a Story -- Single-Handed and Collective Make Believe -- Movies and Hyper-Visual Culture -- La Strada and the Conjecturing Imagination -- Madame Bovary: Linguistic Configurings of Imaginative Corruption -- Rashomon and Wuthering Heights -- Form in Visual Storytelling: Buster Keaton's The General -- Genre and Transforming Sources: High Noon Forenoon -- Seeing and Imagining Ethical Crises: High Noon: Afternoon -- Great Expectations: Insights from the Impossibility of Adaptation -- Magnifying Criminality: Fargo, Film Noir, and A Perfect World -- Innovative Lawfulness: Learning to Read.
330   $aThis study provides the first detailed contrast between the experiences of reading a novel and watching a movie. Kroeber shows how fiction evokes morally inflected imagining, and how movies reveal through magnification of human movements and expression subjective effects of complex social changes.
606   $aMotion pictures$xHistory
606   $aLiterature
606   $aMotion picture authorship
606   $aLiterature$xPhilosophy
606   $aFilm and TV History
606   $aLiterature
606   $aScreenwriting
606   $aLiterary Theory
615  0$aMotion pictures$xHistory.
615  0$aLiterature.
615  0$aMotion picture authorship.
615  0$aLiterature$xPhilosophy.
615 14$aFilm and TV History.
615 24$aLiterature.
615 24$aScreenwriting.
615 24$aLiterary Theory.
676   $a791.43/6
700   $aKroeber$b Karl$f1926-2009.$0449907
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910973287003321
996   $aMake Believe in Film and Fiction$94333270
997   $aUNINA