LEADER 04227nam 22009015 450 001 9910973285903321 005 20240322074714.0 010 $a9786611369910 010 $a9781281369918 010 $a1281369918 010 $a9781403983299 010 $a1403983291 024 7 $a10.1057/9781403983299 035 $a(CKB)1000000000342597 035 $a(SSID)ssj0000279898 035 $a(PQKBManifestationID)11195697 035 $a(PQKBTitleCode)TC0000279898 035 $a(PQKBWorkID)10268340 035 $a(PQKB)10514870 035 $a(DE-He213)978-1-4039-8329-9 035 $a(MiAaPQ)EBC307821 035 $a(Au-PeEL)EBL307821 035 $a(CaPaEBR)ebr10150416 035 $a(CaONFJC)MIL136991 035 $a(OCoLC)567962696 035 $a(Perlego)3497066 035 $a(EXLCZ)991000000000342597 100 $a20151209d2006 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aGhosts of Theatre and Cinema in the Brain /$fby M. Pizzato 205 $a1st ed. 2006. 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2006. 215 $a1 online resource (XI, 323 p.) 225 1 $aPalgrave Studies in Theatre and Performance History,$x2947-5775 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9781349533435 311 08$a1349533432 311 08$a9781403972156 311 08$a140397215X 320 $aIncludes bibliographical references and index. 327 $aCover -- Contents -- List of Figures -- Acknowledgments -- Introduction -- 1 Will the Real Cogito Please Stand Up? -- 2 Ancient Specters (Prehistoric, Egyptian, Greek, and Roman) -- 3 Phantom Limbs, Unconscious Zombies, and Multiple Selves -- 4 Shakespeare's Roman Shades (Titus Andronicus and Titus) -- 5 Theatrical Elements in the Mind's Eye -- 6 Ghosts of Hamlet Onscreen -- 7 Selective Spirits in Neural Evolution -- 8 Noh Desires and The Others -- 9 Brain Stages -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. 330 $aPizzato focuses on the staging of Self and Other as phantom characters inside the brain (in the 'mind's eye', as Hamlet says). He explores the brain's anatomical evolution from animal drives to human consciousness to divine aspirations, through distinctive cultural expressions in stage and screen technologies. MARK PIZZATO is Professor of Theatre and Film at the University of North Carolina-Charlotte, USA. He is the author of Edges of Loss: From Modern Drama to Postmodern Theory (University of Michigan, 1998), Theatres of Human Sacrifice: From Ancient Ritual to Screen Violence (SUNY, 2005), Ghosts of Theatre and Cinema in the Brain (Palgrave, 2006), Inner Theatres of Good and Evil: The Mind's Staging of Gods, Angels and Devils (McFarland, 2011), and Beast-People Onscreen and in Your Brain (Praeger, 2016). Pizzato also co-edited, with Lisa Perdigao, Death in American Texts and Performances (Routledge, 2016). 410 0$aPalgrave Studies in Theatre and Performance History,$x2947-5775 606 $aTheater$xHistory 606 $aCivilization$xHistory 606 $aPerforming arts 606 $aTheater 606 $aCulture$xStudy and teaching 606 $aNeurosciences 606 $aTheatre History 606 $aCultural History 606 $aTheatre and Performance Arts 606 $aCultural Studies 606 $aNeuroscience 615 0$aTheater$xHistory. 615 0$aCivilization$xHistory. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aCulture$xStudy and teaching. 615 0$aNeurosciences. 615 14$aTheatre History. 615 24$aCultural History. 615 24$aTheatre and Performance Arts. 615 24$aCultural Studies. 615 24$aNeuroscience. 676 $a809.2/9375 700 $aPizzato$b Mark$f1960-$0176859 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910973285903321 996 $aGhosts of Theatre and Cinema in the Brain$94328626 997 $aUNINA