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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aBrother-souls $eJohn Clellon Holmes, Jack Kerouac, and the Beat Generation /$fAnn Charters and Samuel Charters
210   $aJackson, [Miss.] $cUniversity Press of Mississippi$dc2010
215   $a1 online resource (474 p.)
300   $aDescription based upon print version of record.
311 08$a1-60473-579-1 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; A Prologue; 1. A Usable Past; 2. The Magic of Words; 3. Whatever World There Would Be; 4. The Stale Bread of Dedication; 5. A Weekend in July; 6. A Kind of Beatness; 7. Neal & Co.; 8. This Particular Kind of Madness; 9. Angelic Visions; 10. In the Temple of the Gods; 11. A Torrent of Words; 12. The Liveitup Kid; 13. Perfect Fools; 14. The Rising Tide of Fame; 15. What Am I Doing Here?; 16. The Horn; 17. Too-Late Words; 18. A Sweet Attention; 19. To the Edge of Eros; 20. Gypsying; 21. A Turn of the Circle; 22. Gone in October; 23. On a Porch in Boulder
327   $a24. Final ChorusNotes; Bibliography; Index
330 8 $aJohn Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac's life they were - in Holmes' words - 'Brother-Souls'. Both were neophyte novelists, hungry for literary fame but just as hungry to find a new way of responding to their experiences in a postwar American society that for them had lost its direction. Late one night as they sat talking, Kerouac spontaneously created the term 'Beat Generation' to describe this new attitude they felt stirring around them. This book is the chronicle of this cornerstone friendship and Holmes's life.
606   $aAuthors, American$y20th century$vBiography
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700   $aCharters$b Ann$f1936-$01831414
701   $aCharters$b Samuel$f1929-$0928781
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