LEADER 00746nam 2200241 450 001 9910503110003321 005 20211026152615.0 010 $a9788878859302 100 $a20211026d2021----u y0engy50 ba 101 1 $aita 102 $aIT 105 0 $a 00 200 1 $aNel tempo delle catastrofi$eresistere alle barbarie a venire$fIsabelle Stengers$gedizione italiana a cura di Nicola Manghi 210 $aTorino$cRosenberg & Sellier$d2021 215 $a167 p.$d22 cm 610 0 $aClima$aVariazioni$aEffetti sociali 676 $a304.28$v22$zita 700 1$aStengers,$bIsabelle$022041 912 $a9910503110003321 952 $a304.28 STE 1$b8785$fbfs 959 $aBFS 996 $aNel tempo delle catastrofi$91884569 997 $aUNINA LEADER 01088nam 2200313Ia 450 001 996397700303316 005 20200824131946.0 035 $a(CKB)4940000000058947 035 $a(EEBO)2248529599 035 $a(OCoLC)ocm13305305e 035 $a(OCoLC)13305305 035 $a(EXLCZ)994940000000058947 100 $a19860318d1657 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aFancy's festivals$b[electronic resource] $ea masque, as it hath been privately presented by many civil persons of quality : and now at their requests newly printed with many various and delightful new songs, for the further illustration of every scene /$fwritten by Tho. Jordan .. 210 $aLondon $cPrinted by Tho. Wilson ...$d1657 215 $a[32] p 300 $aReproduction of original in Huntington Library. 330 $aeebo-0113 700 $aJordan$b Thomas$f1612?-1685?$01000952 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996397700303316 996 $aFancy's festivals$92327608 997 $aUNISA LEADER 05059nam 22004933 450 001 9910973064803321 005 20250614221607.0 010 $a1-63425-734-0 035 $a(CKB)4340000000194196 035 $a(MiAaPQ)EBC4941253 035 $a(MiAaPQ)EBC7293389 035 $a(Au-PeEL)EBL7293389 035 $a(ODN)ODN0006502506 035 $a(EXLCZ)994340000000194196 100 $a20240119h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 12$aA tragic fate $elaw and ethics in the battle over Nazi-looted art /$fNicholas M. O'Donnell 205 $a;2017-09. 210 $aCleveland $cAmerican Bar Association$d2021 210 1$aChicago, Illinois :$cAmerican Bar Association,$d2017. 210 4$dİ2017 215 $a1 online resource (350 pages) 300 $aTitle from eBook information screen.. 311 08$a1-63425-733-2 320 $aIncludes bibliographical references and index. 327 $aPart one. Art and culture in occupied Europe -- From there to here : legislated plunder in the Third Reich and the Allied response -- Part two. The new era -- The Washington Conference and its ethical parallels -- Portrait of Wally and the politics of seizure -- A new door opens : Maria Altmann and the portrait of Adele Bloch-Bauer -- Landscape with smokestacks and early trends -- The Max Stern estate -- Part three. Out of time? -- Bakalar and the defense of laches -- California legislative amendments and the legacy of Jacques Goudstikker -- The Museum of Fine Arts Boston, Oskar Reichel, and provenance research -- Prescriptive law in Louisiana -- The Nathan heirs, the Detroit Institute of Arts, and the Toledo Museum of Art -- The knives come out -- Part four. Back and forth -- Paul von Mendelssohn-Bartholdy -- La?eone Meyer and the University of Oklahoma -- Legally present : a jurisdictional hook -- The Pissarro of Lily Cassirer -- Hungary and the Herzog Collection -- Commercial activity or sovereign act? -- Part five. The worst system in the world but all the rest -- Progress or broken promises? : restitution claims procedures among the signatories to the Washington Conference principles -- A tragic fate : conclusions and possibilities. 330 $aThe organized theft of fine art by Nazi Germany has captivated worldwide attention in the last twenty years. Newly found works of art pit survivors and their heirs against museums, foreign nations, and even their own family members. These stories endure because they speak to one of the core tragedies of the Nazi era: how a nation at the pinnacle of fine art and culture spawned a legalized culture of theft and plunder. A Tragic Fate is the first book to seriously address the legal and ethical rules that have dictated the results of restitution claims between competing claimants to the same works of art. It provides a history of Art and Culture in German-occupied Europe, an introduction to the most significant collections in Europe to be targeted by the Nazis, and a narrative of the efforts to reclaim looted artwork in the decades following the Holocaust through profiles of some of the art world's most famous and influential restitution cases. On the surface, this dispute is similar to many others, but digging deeper one finds a multilayered puzzle that embodies the competing narratives often at play in restitution cases: persecution, obfuscation, the murky environment of the art market after the war, and the basic tension between legal systems and who should bear the burden of resolving the competing claims. But digging deeper one finds a multilayered puzzle that embodies the competing narratives often at play in restitution cases: persecution, obfuscation, the murky environment of the art market after the war, and the basic tension between legal systems and who should bear the burden of resolving the competing claims. There is no simple, unifying principle to these debates of stolen art. When approached by the heirs of victims, many current possessors look for the right answer. Some are indifferent. Some see a more complicated story in which their own interests and public service are more important than what happened eighty years ago. Disputes not yet known or filed will be guided by the stories and cases that have already happened. The tactics of and choices made by the parties to such disputes many times reveal the heartbreaking struggles that began in the past and continue to affect the descendants of the original owners today. A Tragic Fate: Law and Ethics in the Battle Over Nazi-Looted Art represents those stories. 606 $aArt thefts 606 $aArt thefts$zEurope$xHistory$y20th century 615 0$aArt thefts. 615 0$aArt thefts$xHistory 676 $a940.53/18144 700 $aO'Donnell$b Nicholas M.$01827757 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910973064803321 996 $aA tragic fate$94395892 997 $aUNINA