LEADER 00852nam0-22003131i-450- 001 990000902910403321 005 20021209115717.0 010 $a88-348-1556-4 035 $a000090291 035 $aFED01000090291 035 $a(Aleph)000090291FED01 035 $a000090291 100 $a20021205d2001----km-y0itay50------ba 101 0 $aita 105 $aa-------001yy 200 1 $aIstituzioni di diritto privato$fa cura di Mario Bessone 205 $a8. ed. 210 $aTorino$cGiappichelli$d2001 215 $a1278 p.$cill.$d25 cm 610 0 $aDiritto privato 702 1$aBessone,$bMario 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000902910403321 952 $a13 58 26$b12622$fFINBC 952 $a13 F 43 20$b12748$fFINBC 959 $aFINBC 996 $aIstituzioni di diritto privato$965131 997 $aUNINA LEADER 04226nam 2200625Ia 450 001 9910781670703321 005 20230320060152.0 010 $a1-60223-153-2 035 $a(CKB)2550000000047266 035 $a(EBL)1820955 035 $a(SSID)ssj0000537102 035 $a(PQKBManifestationID)11387655 035 $a(PQKBTitleCode)TC0000537102 035 $a(PQKBWorkID)10551829 035 $a(PQKB)10384178 035 $a(MiAaPQ)EBC1820955 035 $a(Au-PeEL)EBL1820955 035 $a(CaPaEBR)ebr10509391 035 $a(OCoLC)893740943 035 $a(OCoLC)750174748 035 $a(MdBmJHUP)musev2_110929 035 $a(EXLCZ)992550000000047266 100 $a20081114d2009 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aGiinaquq$b[electronic resource] $elike a face : Sugpiaq masks of the Kodiak Archipelago /$fSven D. Haakanson Jr. and Amy F. Steffian, editors = Giinaquq : comme un visage : les masques sugpiat de l'archipel de Kodiak / sous la direction de Sven D. Haakanson, Jr. et Amy F. Steffian 210 $aFairbanks $cUniversity of Alaska Press$dc2009 215 $a1 online resource (272 p.) 300 $a"A project of The Alutiiq Museum & Archaeological Repository, Kodiak, Alaska, USA [and] The Cha?teau-Musee, Boulogne-sur-Mer, France." 311 $a1-60223-049-8 320 $aIncludes bibliographical references and index. 327 $aGiinaquq -- like a face / by Sven D. Haakanson Jr. and Amy F. Steffian -- The atypical history of collector Alphonse Pinart (1852-1911) and the Sugpiaq masks of Boulogne-sur-Mer in France = L'histoire atypique du collecteur Alphonse Pinart (1852-1911) et de la collection de masques sugpiat de Boulogne-sur-Mer (France) / by Anne Claire Laronde -- Historical ethnography of nineteenth-century Kodiak villages = Ethnographie historique des villages sugpiat de Kodiak au XIXe siecle / by Gordon L. Pullar -- Sugpiaq masks from the Kodiak Archipelago = Les masques sugpiat de l'archipel de Kodiak / by Sven D. Haakanson Jr. and Amy F. Steffian -- From the artist's point of view = le point de vue de l'artiste / by Perry Eaton -- Appendix. Mask songs / translated and transcribed by Jeff Leer and Sven D. Haakanson Jr., with assistance from Sugpiaq elders Nick Alokli, Mary Haakanson and Florence Pestrikoff = Annexes. Chants de masques / traduction et transcription de Jeff Leer and Sven D. Haakanson Jr., avec la participation de Nick Alokli, Mary Haakanson and Florence Pestrikoff, anciens chez les Sugpiat. 330 $aMasks are an ancient tradition of the Alutiiq people on the southern coast of Alaska. Alutiiq artists carved the masks from wood or bark into images of ancestors, animal spirits, and other mythological forces; these extraordinary creations have been an essential tool for communicating with the spirit world and have played an important role in dances and hunting festivities for centuries. Giinaquq: Like a Face presents thirty-three full-color images of these fantastic and eye-catching masks, which have been preserved for more than a century as part of the Pinart Collection in a small French museum. These masks, collected in 1871 by a young French scholar of indigenous cultures, are presented for the first time in their complete cultural context, celebrating the rich history of the Alutiiq people and their artistic traditions. 606 $aPacific Gulf Yupik Eskimos$xMaterial culture$zAlaska$zKodiak Island$vExhibitions 606 $aEskimo masks$zAlaska$zKodiak Island$vExhibitions 607 $aKodiak Island (Alaska)$xSocial life and customs$vExhibitions 608 $aExhibition catalogs. 608 $aElectronic books. 615 0$aPacific Gulf Yupik Eskimos$xMaterial culture 615 0$aEskimo masks 676 $a979.8/40899714 701 $aHaakanson$b Sven D$0981248 701 $aSteffian$b Amy F$0981249 712 02$aAlutiiq Museum & Archaeological Repository. 712 02$aCha?teau-Muse?e de Boulogne-sur-Mer. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781670703321 996 $aGiinaquq$93707655 997 $aUNINA LEADER 03933nam 22006495 450 001 9910973032603321 005 20251116225350.0 010 $a1-4875-1494-8 010 $a1-4875-1493-X 024 7 $a10.3138/9781487514938 035 $a(CKB)4340000000264809 035 $a(MiAaPQ)EBC5347702 035 $a(DE-B1597)498392 035 $a(OCoLC)1031706680 035 $a(DE-B1597)9781487514938 035 $a(OCoLC)1359028006 035 $a(MdBmJHUP)musev2_107607 035 $a(EXLCZ)994340000000264809 100 $a20181207d2018 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aElizabethan Publishing and the Makings of Literary Culture /$fKirk Melnikoff 210 1$aToronto :$cUniversity of Toronto Press,$d[2018] 210 4$dİ2018 215 $a1 online resource (xi, 291 pages) $cillustrations 225 0 $aStudies in Book and Print Culture 311 08$a1-4875-0223-0 327 $aGeldings, "prettie inuentions," and "plaine knauery" -- Thomas Hacket, translation, and the wonders of the New World travel narrative -- Richard Smith's browsables: A Hundredth Sundry Flowers (1573), The Fabulous Tales of Aesop (1577), and Diana (1592, 1594?) -- Flasket and Linley's The Tragedy of Dido Queen of Carthage (1594): reissuing the Elizabethan epyllion -- Reading Hamlet (1603): Nicholas Ling, Sententiae, and Republicanism 330 $aElizabethan Publishing and the Makings of Literary Culture explores the influence of the book trade over English literary culture in the decades following incorporation of the Stationers'Company in 1557. Through an analysis of the often overlooked contributions of bookmen like Thomas Hacket, Richard Smith, and Paul Linley, Kirk Melnikoff tracks the crucial role that bookselling publishers played in transmitting literary texts into print as well as energizing and shaping a new sphere of vernacular literary activity. The volume provides an overview of the full range of practises that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, reissuing, and specialization. Four case studies together consider links between translation and the travel narrative; bookselling and authorship; re-issuing and the Ovidian narrative poem; and specialization and professional drama. Works considered include Shakespeare's Hamlet, Thevet's The New Found World, Constable's Diana, and Marlowe's Dido, Queen of Carthage. This exciting new book provides both a complement and a counter to recent studies that have turned back to authors and out to buyers and printing houses as makers of vernacular literary culture in the second half of the sixteenth century 606 $aBook industries and trade$zEngland$xHistory$y16th century 606 $aPublishers and publishing$zEngland$xHistory$y16th century 606 $aLiterature and society$zEngland$xHistory$y16th century 606 $aPrinting$zEngland$xHistory$y16th century 606 $aLiterature publishing$zEngland$xHistory$y16th century 606 $aTransmission of texts$zEngland$xHistory$y16th century 607 $aEngland$2gnd 607 $aEngland$2fast 607 $aAngleterre$xVie intellectuelle$y16e siecle 607 $aEngland$xIntellectual life$y16th century 608 $aHistory.$2fast 615 0$aBook industries and trade$xHistory 615 0$aPublishers and publishing$xHistory 615 0$aLiterature and society$xHistory 615 0$aPrinting$xHistory 615 0$aLiterature publishing$xHistory 615 0$aTransmission of texts$xHistory 676 $a070.5094209/031 700 $aMelnikoff$b Kirk $01878164 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910973032603321 996 $aElizabethan Publishing and the Makings of Literary Culture$94490726 997 $aUNINA